Educación musical intercultural a través de un proyecto europeo Comenius y su aportación a las competencias básicas

La experiencia se enmarca en un proyecto de intercambio Comenius desarrollado entre los años 2002-2005, con la participación de seis centros europeos. A partir de la asignatura de prácticas de los alumnos de la Universidad de Girona, se ha implicado la educación musical en el proyecto y se ha desarrollado, a lo largo de tres cursos, una rica experiencia intercultural a través de la canción, la danza y la composición. A su vez, se analizan las aportaciones del proyecto al trabajo de las competencias básicas de la etapa

Per una educació intercultural

L'escola tradicional s'ha vist impotent quan s'ha reconegut el dret que tenen totsels alumnes a rebre atenció educativa en els centres ordinaris, independentment de lesseves característiques individuals.Si, per una banda, la realitat escolar és -i ha estat sempre- heterogknia i desigual,per l'altra, tots els alumnes participen d'un mateix sistema educatiu que es proposa elple desenvolupament de la seva personalitat, l'adquisició d'hibits intel.lectuals, detkcniques de treball i de coneixements en tots els imbits del saber, la capacitació pera l'exercici d'activitats professionals, la preparació per participar activament en lavida social i cultural ... tal i com ha quedat escrit en l'article 1 de la LOGSEL

'L’escriptura del jo', una proposta d’educació intercultural i tractament de la diversitat per a l’ensenyament secundari obligatori = The writing of I, an intercultural educational proposal and treatment of diversity for Compulsory Secondary Education

The writing of I is a project that starts an itinerary through past, present and future experiences of each of our students based on following research activities. Reading, creation and recreation of text and other items that turn essentially around autobiographical writing and culminate with the elaboration of a free autobiography

¿Puede un modelo educativo intercultural combatir la discriminación y la xenofobia? = Can an intercultural education model combat discrimination and xenophobia?

In this article we present a qualitative study conducted with six indigenous and six mestizos from Intercultural University of Chiapas. The aim of the study is to exemplify the mutual perception between different ethno-linguistic groups, as well as the possible change occurred after the admission to the University. That is, opinions about the other group after and before entering the University. We conclude that a higher education intercultural model can promote mutual understanding and relationship between indigenous and mestizos and thus combat prejudices and stereotypes

Ethnic Identity in an Intercultural Geography: an Empirical Study = L’identité ethnique dans une géographie interculturelle: une étude empirique

This study explored the ethnic identity among 331 emerging adults (144 mestizos and 187 indigenous) from the Intercultural University of Chiapas (México). Scholars suggest that ethnicity is much more salient for ethnic minority adolescents than for adolescents who are members of the ethnic majority. Our aim was to compare the results of the Multigroup Ethnic Identity Measure (MEIM) between the majority ethnic group and the minority group studied. Specifically, the following hypothesis was examined: adolescents who are members of the ethnic minority group (indigenous) will score significantly higher on ethnic identity than adolescents who are members of the ethnic majority group (mestizos). The results supported these hypothesis. We suggest that the effect of an intercultural educative model could explain these results

Intercultural bridges in teenagers' theatrical events : performing self and constructing cultural identity through a creative drama process

The overriding aim of this drama educational case study is to deepen the understanding of meaning making in a creative intercultural youth theatre process and to examine it in the context of the 10th European Children's TheatreEncounter. The research task is to give a theoretical description of some key features of a creative drama process as the basis for theory about meaning makingin physical theatre. The first task is to illuminate the culture-historical connections of the multilayered practice of the EDERED-association. The second taskis to analyse and interpret theatrical meaning making. The ethnographical research site is regarded as a theatrical event. The analysis of the theatrical eventis divided into four segments: cultural contexts, contextual theatricality, theatrical playing and playing culture. These segments are connected with four research questions: What are the cultural contexts of a creative drama process? How can the organisation of the Encounter, genres, aesthetic codes and perception ofcodes be seen to influence the lived experiences of the participants? What are some of the key phases and characteristics in a creative practice? What kind of cultural learning can be interpreted from the performance texts? The interpretative question concerns identity and community (re)construction. How are the categories, `community´ and `child´ constructed in the Encounter culture? In this drama educational case study the research material (transcribed interviews, coded questionnaire answers, participant drawings, videotaped process text and performance texts) are examined in a multi-method analysis in the meta-theoretical framework of Dewey's naturalistic pragmatism. A three-dimensional research interest through a combination of lived experiences, social contexts and cultural-aesthetical practices compared with drama-educational practices required the methodological project of cultural studies. Furthermore, the critical interpretation of cultural texts is divided into three levels of analyses which are called description, structural analysis and theoretical interpretation. Dialogic validity (truthfulness, self-reflexivity and polyvocality) is combined with contextual validity (sensitivity to social context and awareness of historicity) and with deconstructive validity (awareness of the social discourses). My research suggests that itis possible, by means of physical theatre, to construct symbolic worlds where questions about intercultural identity and multilingual community are examined and where provisional answers are constructed in social interaction.

Aspectos didácticos en bioética intercultural

Los dilemas éticos suscitados por etnias practicantes del infanticidio cultural ejemplifican situaciones interculturales conflictivas que la enseñanza de una bioética pragmática basada en casuística no capacita para enfrentar. Para entablar una comunicación interétnica, se propone que el profesional sanitario debiera habilitarse en cinco ejes de deliberación, tres de ellos sustantivos y dos formales: a) Rechazar prácticas globalmente inaceptables o, alternativamente, reconocerlas como válidas en una cultura local; b) Reconocer valores universales o aceptar el relativismo ético cultural; c) Defender una moral común vinculante dentro de un territorio nacional o aceptar la coexistencia de pluralismos discrepantes; d) Deliberar el infanticidio como una práctica comparable al aborto procurado o entender que se basa en visiones de mundo no interpretables como análogas a argumentos de la bioética tradicional; e) Esclarecer acaso las disidencias culturales son problemas a solucionar o prácticas foráneas a tolerar. Cada vez más los dilemas interculturales requieren una enseñanza de bioética ampliada para habilitar al educando a desarrollar competencias de reflexión, de acuerdo a estos ejes de deliberación, en fomento de la comunicación intercultural respetuosa y un pluralismo efectivo.

Proceedings from the conference Visibility and Collaboration of Researchers in Intercultural Communication in Finland - Visibilité et collaboration de la recherche en interculturel en Finlande

This document contains papers that were presented at the conference “Enhancing the Visibility and Collaboration of Researchers in Intercultural Communication in Finland” which took place at the University of Turku (Finland), on October 1st & 2nd 2004. A paper version of some of the following papers as well as articles by specialists in intercultural communication will be published by Peter Lang.

¿Que moral para un derecho intercultural?: la autonomía y el concepto "simpliciter" de tolerancia

El objetivo del presente trabajo es doble. En primer lugar, pretendo defender un concepto simpliciter de tolerancia según el cual la autonomía personal o la necesidad de fortalecer una cultura son las únicas razones que debe ponderar el agente-Estado para tolerar. En segundo lugar, pretendo responder afirmativamente a la pregunta de si puede el liberalismo perfeccionista y multicultural de Joseph Raz sostener desde la teoría moral y política un derecho intercultural. Para cumplir estos objetivos, me concentraré en los usos morales del término tolerar para luego siguiendo a Michael Sandel, analizar los casos de tolerancia crítica y no crítica. Posteriormente, desarrollaré el liberalismo de Raz con el fin de mostrar los problemas teóricos que genera el fundamento de los derechos colectivos. Concluiré afirmando la existencia de derechos colectivos como recurso institucional para permitir el desarrollo de grupos culturales minoritarios dentro del actual desarrollo del Estado- nación.

Learning and healing: a wellness pedagogy for Aboriginal teacher education /

During the last 30 years Aboriginal peoples in Canada have made steady progress in reclaiming the responsibility for the education of their young people, especially in primary and secondary school. In comparison the education and or training of adult populations has not kept pace and many socioeconomic and sociocultural indicators demonstrate a ' , continued confinement of those populations to the margins of the dominant society of Canada. It is the adults, the mothers and the fathers, the grandmothers and grandfathers, the aunties and uncles that are the first teachers of the next generation and the nature of these relationships replicates the culture of unwellness in each subsequent generation through those teachers. There are few examples in the Aboriginal adult education literatures that give voice to the educational experience of the Learner. This study addresses that gap by exploring the perspectives embedded in the stories of a Circle of Learners who are, or were enrolled in the Bachelor of Education in Aboriginal Adult Education program at Brock University. That Circle of 1 participants included 9 women and 1 man, 6 of whom were from various i Anishinabek nations while 4 represented the Hotinonshd:ni nations in southern Ontario. They are an eclectic group, representing many professions, age groups, spiritual traditions, and backgrounds. This then is their story, the story of the heaming and Healing pedagogy and an expanded vision of Aboriginal education and research at Brock University.

Conversations with EFL teachers: toward an understanding of whiteness in the classroom /

Few teachers would question that teaching is a contextual and situational process, yet as Gay (2000) reminds us, too few teachers have sufficient knowledge of how teaching practices reflect dominant cultural values. This qualitative study explored whiteness in the EFL classroom and the relation between teacher identity and pedagogy. This research was shaped by the overarching research questions: How does being white influence teachers' educational practices? How can teachers successfully negotiate crosscultural teaching? Data included open-ended interviews, a content analysis of EFL training materials, and my research and personal journals. The experiences of five EFL teachers form the central focus of this study. My personal story, as a white EFL teacher, is also included throughout this thesis. This study offers a detailed description of the complex and dynamic ways in which these five teachers understood their racial identities, and the classroom decisions they made in response to their understandings. Included in the discussion are the strategies that my participants and I used to subtly resist the notion and exploration of racial privilege. Implications for teacher education programs and possible directions for further study are offered.

The Clemente Course in the Humanities and critical pedagogy : a comparative analysis of Earl Shorris and bell hooks on poverty, racism, imperialism and patriarchy

The Clemente Course in the Humanities is an anti-poverty intervention for adults who self-identity as "poor" and humanities instructors. The course was created in 1995 by journalist Earl Shorris, who based the curriculum on a Socratic method of pedagogy and the "great books" canon of Robert Hutchins. It began as a community-based initiative in urban US settings, but since 1997 Mayan, Yup'ik and Cherokee iterations have been created, as well as on-campus bridge courses for non-traditional students to explore college-level education in Canada and the USA. The course potentially conflicts with critical pedagogy because the critical theories of Paulo Freire and contemporary cultural studies reject traditional notions of both the canon and teaching. However, a comparison between Shorris' and bell hooks' theories of oppression reveals significant similarities between his "surround of force" and her "capitalist imperialist white supremacist patriarchy," with implications for liberal studies and critical pedagogy.