Symbol/Meaning paired-associate recall: an "archetypal memory" advantage?

The theory of the archetypes and the hypothesis of the collective unconscious are two of the central characteristics of analytical psychology. These provoke, however, varying reactions among academic psychologists. Empirical studies which test these hypotheses are rare. Rosen, Smith, Huston and Gonzales proposed a cognitive psychological experimental paradigm to investigate the nature of archetypes and the collective unconscious as archetypal (evolutionary) memory. In this article we report the results of a cross-cultural replication of Rosen et al. conducted in the German-speaking part of Switzerland. In short, this experiment corroborated previous findings by Rosen et al., based on English speakers, and demonstrated a recall advantage for archetypal symbol meaning pairs vs. other symbol/meaning pairings. The fact that the same pattern of results was observed across two different cultures and languages makes it less likely that they are attributable to a specific cultural or linguistic context.

Mus Hs 771 - No 1.: während der Reise : im Auftrag S:. Ehrw:. M: v.: St. componirte ich diese zwei Lieder zum 2ten Grad um, und [unleserlich] führte selbige den 27ten August 5830 [!], zum erstenmale aus. in [Stein als ein Symbol für Freimaurerei] Socrates

[Carl Oestreich]

Ein altes Symbol in neuer Beleuchtung

Max Grunwald

Knowledge Creation as a Square Dance on the Hilbert Cube

This paper presents a micro-model of knowledge creation and transfer in a small group of people. Our model incorporates two key aspects of the cooperative process of knowledge creation: (i) heterogeneity of people in their state of knowledge is essential for successful cooperation in the joint creation of new ideas, while (ii) the very process of cooperative knowledge creation a¤ects the heterogeneity of people through the accumulation of knowledge in common. The model features myopic agents in a pure externality model of interaction. In the two person case, we show that the equilibrium process tends to result in the accumulation of too much knowledge in common compared to the most productive state. Unlike the two-person case, in the four person case we show that the equilibrium process of knowledge creation may converge to the most productive state. Equilibrium paths are found analytically, and they are a discontinuous function of initial heterogeneity.

Inter-Packet Symbol Approach To Reed-Solomon FEC Codes For RTP-Multimedia Stream Protection

This paper presents an alternative Forward Error Correction scheme, based on Reed-Solomon codes, with the aim of protecting the transmission of RTP-multimedia streams: the inter-packet symbol approach. This scheme is based on an alternative bit structure that allocates each symbol of the Reed-Solomon code in several RTP-media packets. This characteristic permits to exploit better the recovery capability of Reed-Solomon codes against bursty packet losses. The performance of our approach has been studied in terms of encoding/decoding time versus recovery capability, and compared with other proposed schemes in the literature. The theoretical analysis has shown that our approach allows the use of a lower size of the Galois Fields compared to other solutions. This lower size results in a decrease of the required encoding/decoding time while keeping a comparable recovery capability. Finally, experimental results have been carried out to assess the performance of our approach compared to other schemes in a simulated environment, where models for wireless and wireline channels have been considered.

First-order equivalent to Einstein-Hilbert Lagrangian

A first-order Lagrangian L ∇ variationally equivalent to the second-order Einstein- Hilbert Lagrangian is introduced. Such a Lagrangian depends on a symmetric linear connection, but the dependence is covariant under diffeomorphisms. The variational problem defined by L ∇ is proved to be regular and its Hamiltonian formulation is studied, including its covariant Hamiltonian attached to ∇ .

Teoremas de tipo Hilbert e Liebmann para superfícies em S² x R e H² x R

Neste trabalho será demonstrada uma versão dos teoremas de Hilbert Liebmann para superfícies em S² x R e H² x R, que são teoremas de existência e unicidade de superfícies completas com curvatura Gaussiana constante nesses ambientes. Como parte da demonstração, a saber a existência, será apresentada uma classificação das superfícies de revolução completas com curvatura Gaussiana constante em torno de um eixo qualquer, em S² x R e em torno de um eixo lorentziano, em H² x R.

Sistemas integrables discretos, polinomios matriciales ortogonales y problemas de Riemann-Hilbert

El propósito de esta tesis doctoral es el estudio de la conexión, mediante el problema de Riemann-Hilbert, entre sistemas discretos y la teoría de polinomios matriciales ortogonales. La investigación de los modelos integrables se originó en la Mecánica Clásica, en relación a la resolución de las ecuaciones de Newton [2]. Los trabajos de Liouville, Hamilton, Jacobi y otros sentaron las bases de los sistemas integrables como prototipos modelos resolubles por cuadraturas, v.g., por integración directa [7]. Hay una cantidad importante de investigación dedicada a los aspectos geométricos de los sistemas clásicos integrables y superintegrables [66], [82], especialmente en relación a la separación de variables de la ecuación de Hamilton-Jacobi [75]. Fue la aplicación, en la segunda mitad del siglo pasado, de la transformada espectral inversa para la resolución del problema de Cauchy de la ecuación de Korteweg-de Vries [42, 43] la que marcó el inicio de una nueva etapa en este campo, el del estudio de sistemas integrables con un número infinito de grados de libertad, que generalmente se expresan en términos de jerarquías de ecuaciones no lineales en derivadas parciales. Particularmente reseñable, por su aplicación en la hidrodinámica y en la óptica cuántica, es la aparición de las soluciones a un número de solitones arbitrario. En las últimas tres décadas ha habido un importante interés por el estudio de modelos discretos, v.g., sistemas dinámicos de nidos en un retículo de puntos, y expresados en términos de ecuaciones no lineales en diferencia parciales. Muchas de las técnicas encontradas en el mundo continuo se extendieron a este nuevo contexto discreto. Hay dos razones fundamentales para este interés...

Rotten Symbol Mongering: Scapegoating in Post-9/11 American War Literature

A rhetorical approach to the fiction of war offers an appropriate vehicle by which one may encounter and interrogate such literature and the cultural metanarratives that exist therein. My project is a critical analysis—one that relies heavily upon Kenneth Burke’s dramatistic method and his concepts of scapegoating, the comic corrective, and hierarchical psychosis—of three war novels published in 2012 (The Yellow Birds by Kevin Powers, FOBBIT by David Abrams, and Billy Lynn’s Long Halftime Walk by Ben Fountain). This analysis assumes a rhetorical screen in order to subvert and redirect the grand narratives the United States perpetuates in art form whenever it goes to war. Kenneth Burke’s concept of ad bellum purificandum (the purification of war) sought to bridge the gap between war experience and the discourse that it creates in both art and criticism. My work extends that project. I examine the symbolic incongruity of convenient symbols that migrate from war to war (“Geronimo” was used as code for Osama bin Laden’s death during the S.E.A.L team raid; “Indian Country” stands for any dangerous land in Iraq; hajji is this generation’s epithet for the enemy other). Such an examination can weaken our cultural “symbol mongering,” to borrow a phrase from Walker Percy. These three books, examined according to Burke’s methodology, exhibit a wide range of approaches to the soldier’s tale. Notably, however, whether they refigure the grand narratives of modern culture or recast the common redemptive war narrative into more complex representations, this examination shows how one can grasp, contend, and transcend the metanarrative of the typical, redemptive war story.

Symbol for a Community: The Dickens Opera House and Theaters of the American West

This paper reveals the importance of the Dickens Opera House to the local history of Longmont, Colorado. Through an exploration of pioneer history and of architectural patronage and audience accommodation, this paper illustrates how the Dickens Opera House participated in the construction of cultural identity and civic aspirations of the city of Longmont. Using the Tabor Opera House of Leadville and Wright Opera House of Ouray as framing examples to place the Dickens Opera House within its proper architectural and historical context, I approach the building’s inception, construction, and early years as a way to track the early civic identity of a community through a work of architecture. The Dickens Opera House provided a point for the citizens of Longmont to focus their hopes of success and respectability in a newly formed community. An opera house provided a high-class perception of a town that provided a projection of respectability. Such a construction was built from various sources – the architecture of the building, simply calling the building an ‘opera house’, furnishings in the latest fashions and equipment of the latest technology, and extravagant scenery and curtains. In addition to these outward projections, opera houses also provided a place for community events. It was the location in town that brought people together.