Fragment of Ælfric's Grammar, Ælfric's Glossary, and a poem on the soul and body, in the orthography of the 12th century : discovered among the archives of Worcester Cathedral by Sir T. Phillipps /

Fragmentary texts from a 13th-century ms. (Worcester Cathedral F. 174) wherein the linguistic forms are consistently Early Middle English. cf. Cat. of manuscripts containing Anglo-Saxon / N.R. Ker. 1957. p. 466.

Johann Gottfried von Herder's sämmtliche Werke ...

Issued in three sections.

Romance literature pamphlets.

A collection of miscellaneous pamphlets.

Landmarks of English literature.

Deals "solely with the very greatest names in the several departments of English literature".--Introd.

Religious pamphlets

A collection of miscellaneous pamphlets on religion.

Die kirchenväter und das Neue Testament. Beiträge zur geschichte der erklärung der wichtigsten neutestamentlichen stellen,

Bibliographical footnotes.

A Select library of the Nicene and post-Nicene fathers of the Christian church.

Vols. 1-4, published in Buffalo.

A Select library of Nicene and post-Nicene fathers of the Christian church. Second series.

Mode of access: Internet.

History of English literature.

Trans. of v.1-2 revised by author.

Forschungen zur christlichen Literatur- und Dogmengeschichte

Vols. for 1900-1901 have title: Forschungen zur christlichen Litteratur- und Dogmengeschichte

Studia patristica.

Papers presented to the International Conference on Patristic Studies. 2d- 1955-

Sancti Eusebii Hieronymi Epistulae /

Includes bibliographical references and indexes.

A Select library of the Nicene and post-Nicene Fathers of the Christian church : [second series] /

Includes indexes.

Mount Carmel in the Commune: Promoting the Holy Land in Central Italy in the 13th and 14th Centuries

The Carmelite friars were the last of the major mendicant orders to be established in Italy. Originally an eremitical order, they arrived from the Holy Land in the 1240s, decades after other mendicant orders, such as the Franciscans and Dominicans, had constructed churches and cultivated patrons in the burgeoning urban centers of central Italy. In a religious market already saturated with friars, the Carmelites distinguished themselves by promoting their Holy Land provenance, eremitical values, and by developing an institutional history claiming to be descendants of the Old Testament prophet Elijah. By the end of the 13th century the order had constructed thriving churches and convents and leveraged itself into a prominent position in the religious community. My dissertation analyzes these early Carmelite churches and convents, as well as the friars’ interactions with patrons, civic governments, and the urban space they occupied. Through three primary case studies – the churches and convents of Pisa, Siena and Florence – I examine the Carmelites’ approach to art, architecture, and urban space as the order transformed its mission from one of solitary prayer to one of active ministry.

My central questions are these: To what degree did the Carmelites’ Holy Land provenance inform the art and architecture they created for their central Italian churches? And to what degree was their visual culture instead a reflection of the mendicant norms of the time?

I have sought to analyze the Carmelites at the institutional level, to determine how the order viewed itself and how it wanted its legacy to develop. I then seek to determine how and if the institutional model was utilized in the artistic and architectural production of the individual convents. The understanding of Carmelite art as a promotional tool for the identity of the order is not a new one, however my work is the first to consider deeply the order’s architectural aspirations. I also consider the order’s relationships with its de facto founding saint, the prophet Elijah, and its patron, the Virgin Mary, in a more comprehensive manner that situates the resultant visual culture into the contemporary theological and historical contexts.

Travel, back and forth, to the myth. Cinema´s contribution to the formation of the tourist iconography of Mallorca

Mallorca, the largest of the Balearic Islands, is a well-known summer holidays destination; an ideal place to relax and enjoy the sun and the sea. That tourist gaze reflected on postcards results from advertising campaigns, where cinema played an important role with documentaries and fiction films. The origins of that iconography started in the decades of the 1920’s and 1930’s, reflecting the so-called myth of the “island of calm”. On the other hand, the films of the 1950’s and 1960’s created new stereotypes related to the mass tourism boom. Busy beaches and the white bodies of tourists replaced white sandy beaches, mountains and landscapes shown up in the movies of the early decades of the 20th century. Besides, hotels and nightclubs also replaced monuments, rural landscapes and folk exhibitions. These tourist images mirror the social and spatial transformations of Mallorca, under standardization processes like other seaside mass tourist destinations. The identity was rebuilt on the foundations of "modernity". Although "balearization" has not ceased, nowadays filmmaking about Mallorca is advertising again a stereotype close to that one of the 1920s and 1930s, glorifying the myth of the "island of calm". This singular identity makes the island more profitable for capital that searches socio-spatial differentiation in post-fordist times.