Petri Tamburini ... De summa catholicae de gratia Christi doctrinae praestantia utilitate ac necessitate dissertatio ... /

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School of Nursing Class of 1976

Top Row: Peggy Alford, Anne Allen, Barbara Amann, Joann Baker, Elizabeth Bando, Sara Barnes, Mary Barz, Anne Bauer, Patricia Baxter, Gwendolyn Beaudette, Nancy Bidigare, Marian Bier, Susan Blaszczyk, Jacqueline bolin, Anne Bostwick, Heather Brendel, Theresa Brisker, Rosalyn Cage, Jeanne Calhoun

Row 2: Karen Caputo, Carolyn Carpenter, Laura Lewellen, Catherine Pearson, Pamela Carr, Lisa Clark

Row 3: Sarah Cleland, Kathy Collar, Ann Connors, Marian Coppo, Martha Coppo, Debra Wirth, Kathleen Coughlin, Mayble Craig, Jennifer Crittenden, Linda Dean, Ann Dika

Row 4: Shira Doneson, Valerie Dray, Lee Duffey, Mary Dunn, Nancy Edwards, Mildred Jett, Patricia Johnson, Jan Walters, Karen Dimitroff, Debra Walton, Moira Stein, Madi Ehrenreich, Paula Elliott, Claudia Evans, Jolaync Farrell, Karen Fierke

Row 5: Debra Finch, Nadine Furlong, Susan Gamerman, Anita Gardocki, Marcia Gerpheide, Roberta Gies, Deborah Glotzhober, Marlene Golabeck, Janet Goldberg, Rene Green, Diana Greer, Susan Gross, Vivian Hall, Jill Hallead

Row 6: Sharon Hamlett, Tamara Hanson, Jane Harper, Jesusa Heilig, Steinunn Hermannsson, Susan Hicks, Karen Hillebrand, Jomatia Hoff, Michelle Howey, Holly Howieson, Sandra Hubar, Kathleen Hughes, Shirley Jvery, Laura Johnson, Susan Johnson, Shirley Jones, Judith Kellermier, Lynda Kitchen, Susan Kleinbeck

Row 7: Nanette Kotz, Kathleen Kroh, Judith Krohn, Catherine Lahti, Mary Lange, Patti Larson, Susan Leach, Rebecca Linn, Lacy Loomis, Francene Lundy, Sue Lymperis, Robyn Main, Patricia McCleary, Theresa McGowan, Elizabeth Messiter, Mary Miller, Nancy Moffatt, Catherine Munn, Karen Munson

Row 8: Virginia Newman, Laura Novak, Thomas O'Connell, Julie O'Connor, Kaathleen O'Hara, Kimberly O'Loughlin, Karen Olsen, Marcy Ouellette, Gail Park, Georgiana Parsell, Mary Patchak, Linda Pearsall, Kathleen Poage, Shelly Ponte, Thomas Parter, Marilyn Pratt, Karen Prince, Kathryn Procter, Rebecca Raymond

Row 9: Jill remter, Cheryl Ricca, Brenda Robinson, Karen Rollins, Lisa Root, Audrey Ross, Barbara Rutherford, Linda Rykwalder, Margaret Sampson, Sherril Santo, Jeanne Scheer, Kathy Schlichter, Nancy Schuman, Debra Sihtala, Michele Smit, Donna Smith, Bonnic Smrcka, Janine Speck, Elizabeth Stainsby

Row 10: Grace Steinaway, Jennifer Stinson, Sally Stone, Anne Sullivan, Barbara Tonak, Linda Towers, Cindy Tremblay, Gregory Trowbridge, Sandra Tucker, Debbie Ullrich, Lee Ann Van Houten, Pamela Waggener, Martha Walker, Michele Wenderski, Catherine West, Harriet Wilkinson, Diane Willis, Jan Winslow, Karen Wismer

Target spatial frequency determines the response to conflicting defocus- and convergence-driven accommodative stimuli

Asthenopia, or visual fatigue, is a frequent complaint from observers of stereoscopic three-dimensional displays. It has been proposed that asthenopia is a consequence of anomalous oculomotor responses generated by conflict between accommodative and convergence stimuli. The hypothesis was examined by measuring accommodation and convergence continuously with a Shin-Nippon SRW5000 infrared autorefractor and a limbus tracking device. Subjects viewed a high contrast Maltese Cross target at three levels of Gaussian filter target blur under conditions of relatively low- and high-conflict between accommodation and convergence stimuli, the latter inducing the sensation of stereopsis. Under the low-conflict conditions accommodation was stable, but convergence-driven accommodation was dominant when the target was extremely blurred. Under the high-conflict conditions the role of convergence-driven accommodation increased systematically with the degree of target blur. It is proposed that defocus-driven accommodation becomes weak when the target comprises low spatial frequency components. Large accommodative overshoots to step stimuli that are not blurred or only mildly blurred were consistently observed and are attributed to the initial accommodative response being convergence-driven. Whereas the possibility that high-conflict conditions are a cause of asthenopia has been previously reported, this is the first evidence that they specifically affect accommodative responses while viewing stereoscopic displays. © 2005 Elsevier Ltd. All rights reserved.

Do discurso da resistência à resistência do discurso: as construções identitárias de Mossoró nos enunciados da literatura de cordel

This study has as objective to investigate the identity constructions of Mossoró, at the statements of the string literature. Having as thread the episode of resistance of the city against the group of Lampião at June the thirteenth of nineteen twenty seven, our study built itself at the statements present in nine strings, produced between the space-time of 1927 and 2007, year that Mossoró celebrated eighty years of the episode. Aware that the theme extrapolated the limits of the means of communication of the time and it became part of the everyday of the people from Mossoró, producing at the collective memory the image of a resistance city at the street’s names, at companies’ names, at radios’ names with the “FM Resistance”, at the discourses of the politicians, at the city hall which name is “Palace of the Resistance”, the central question that guides our investigation congregates the discussion around the dialogical relations done at the statements about the theme in vogue. This bias, the research elected as categories of analysis the concept of social voices and chronology, considering that the different identities are produced according to placements made by the subjects, as well as, by the context of production. Admitted at the area of Applied Linguistics (AL) and its line language and pratic of social the research articulates the theorizations provided from the area of Cultural Studies (especially regarding identity) with the theoretical framework of the bakhitinian Circle (regarding the social-historical conception of language and in its dialogical character). The results indicate that even existing an axiological movement around the representations of Mossoró and of the episode of 1927, the statements of the strings converge to a hegemonic discourse, corroborating with the identity profile of resistance transported over eighty decades

Crisis y creación. Las ambivalentes relaciones germano-españolas en la producción cinematográfica de la primera mitad del siglo veinte

Las épocas de crisis político-social propician en especial medida la creación y el afianzamiento de determinados auto y heteroestereotipos. Esta afirmación resulta concluyente cuando se analiza cómo las distintas fases políticas de España a lo largo de la historia han condicionado de manera definitiva su imagen en el extranjero, en especial en Alemania. Las imágenes y estereotipos románticos creados a partir de la Guerra de la Independencia (1808-1814) sirvieron durante la primera mitad del siglo veinte de instrumento de manipulación propagandística que debía contribuir a ensalzar la ejemplaridad del aliado español. Este artificio político, que buscaba la simpatía ideológica con el sistema de valores nacionalsocialista, se valió de manera particular de las producciones cinematográficas hispano-alemanas para lograr su objetivo.

Negros misturados: um estudo de caso sobre identidades negras em Mossoró-RN

With more or less 213.000 habitants, Mossoró is the second more developed city from the Rio Grande do Norte. The town is proclamated like the land of freedom. To so far, exist four moments in your history related with the defence of freedom that is point like truthful from so proclamation. Suchlike happenings are the first female vote on Brazil, the resistance against the Lampião s band, the worman s mutiny and the slave release in 1883, five year before the Áurea law sanction. These happenings are commemorate yearly on setember with one big theatrical event called by the freedom high. Inside this contexto of exaltation to freedom, there is one black movement by name black and beautiful. Is the present dissertation, talked about the building of black identities between the black militants of Mossoró and the dwellers from the Santo Antônio district. With such approach, we intend to think about possibles differences or likeness, how the militants and dwellers from the refered district self-calleds like blacks or not. We are understanding black identity like one process to self-affirmation done by specificities of the social context and the individual particularity. This way, the identity change into one dynamic and contextual reality, gone always by one business process against the interaction of the social actors. So we search to discuss the specificities that involve the process to building of black identities in the city of freedom

Negros misturados: um estudo de caso sobre identidades negras em Mossoró-RN

With more or less 213.000 habitants, Mossoró is the second more developed city from the Rio Grande do Norte. The town is proclamated like the land of freedom. To so far, exist four moments in your history related with the defence of freedom that is point like truthful from so proclamation. Suchlike happenings are the first female vote on Brazil, the resistance against the Lampião s band, the worman s mutiny and the slave release in 1883, five year before the Áurea law sanction. These happenings are commemorate yearly on setember with one big theatrical event called by the freedom high. Inside this contexto of exaltation to freedom, there is one black movement by name black and beautiful. Is the present dissertation, talked about the building of black identities between the black militants of Mossoró and the dwellers from the Santo Antônio district. With such approach, we intend to think about possibles differences or likeness, how the militants and dwellers from the refered district self-calleds like blacks or not. We are understanding black identity like one process to self-affirmation done by specificities of the social context and the individual particularity. This way, the identity change into one dynamic and contextual reality, gone always by one business process against the interaction of the social actors. So we search to discuss the specificities that involve the process to building of black identities in the city of freedom

El Infante don Fadrique y la estela del arte suabo en el Reino de Castilla en la segunda mitad del siglo XIII

Esta investigación pretende someter a análisis los intercambios arquitectónicos y artísticos que se establecieron entre el Reino de Castilla e Italia en el siglo XIII, centrando la atención en la denostada figura del infante Fadrique de Castilla. Don Fadrique de Castilla fue el segundogénito de Fernando III y Beatriz de Suabia, para quien sus progenitores habían previsto la herencia materna del ducado de Suabia. Con el fin de reclamar el legado de su madre Fadrique emprendió su viaje hacia la corte imperial de Federico II, llegando a la ciudad de Foggia en el mes de abril de 1240. Su permanencia junto al emperador se prolongó hasta el mes de junio de 1245, momento en el cual, el infante decidió abandonar la corte del emperador sin previo aviso para pasar a Milán, principal enemigo del bando gibelino y, después, regresar a Castilla. Una vez en Castilla, Fadrique participó junto a su padre y sus hermanos, Alfonso y Enrique, en la conquista de Sevilla. En el repartimiento recibió amplios territorios en el norte de la ciudad, decidiendo establecer su residencia en el área del actual Convento de Santa Clara. En el interior de este recinto erigió una torre exenta conocida como Torre de don Fadrique que, según la inscripción ubicada sobre la puerta, se construyó en el año 1252. El modelo arquitectónico al que se ajusta es ajeno a la arquitectura civil castellana del siglo XIII, sin embargo podemos hallar correspondencias con una estructura muy difundida en Italia: la torre nobiliaria. Esta analogía fue el punto de partida para el estudio de las relaciones artísticas entre ambos países configurándose en nuestra investigación un corpus heterogéneo y complejo de obras de arte que engloban la mencionada torre, la Capilla Real hispalense y las tallas marianas vinculadas a ella, el ajuar funerario de Beatriz de Suabia o las Cantigas de Santa María...

Cáncer gástrico en pacientes de Méderi – Hospital Universitario Mayor entre los años 2011 - 2014

Introducción: El cáncer gástrico es uno de los más frecuentes a nivel mundial y Colombia se sitúa entre los países de mayor incidencia en este tipo de patología. Objetivo: Describir las características epidemiológicas, clínicas, el tratamiento administrado y los desenlaces inmediatos de los pacientes con diagnóstico de cáncer gástrico atendidos en el Hospital Universitario Mayor de Bogotá entre los años 2011 y 2014. Metodología: Se realizó un estudio observacional descriptivo con diagnóstico de cáncer gástrico. Se realizaron análisis univariados por medio de proporciones para las variables cualitativas y medidas de tendencia central para las variables cuantitativas según la distribución. Resultados: Un total de 189 pacientes fueron analizados. El dolor fue el síntoma más frecuente en los pacientes (30.7%) y el principal signo encontrado fue una masa palpable en abdomen (9,5%). Los pacientes fueron sometidos a diferentes abordajes terapéuticos, la mayoría recibieron manejo paliativo no quirúrgico (52.9%) y la opción quirúrgica más usada en los pacientes fue la gastrectomía total (20.6%), y la subtotal (16,4) seguidas de quimioterapia y/o radiación perioperatoria. Los pacientes que sobrevivieron a los 2 años fueron 7,4% del total. Conclusiones: El registro de los pacientes con cáncer gástrico es bueno en el Méderi-Hospital Universitario Mayor es bueno y permite caracterizar los pacientes, la presentación de la patología y los resultados del tratamiento que concuerdan con los presentados en contextos similares en la literatura.