987 resultados para Alemann, Ernesto


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Las presentes reflexiones son una suerte de ensayo en el cual se imbrican conceptos de diferentes experiencias intelectuales. En un primer momento intento comprender la práctica histórica personal de Ernesto «Che» Guevara y, en particular su visión del «hombre nuevo», a la luz de la teoría de la utopía proveniente de los aportes de destacados filósofos latinoamericanos. En un segundo momento me adhiero a las posiciones de la psicología existencialista del psicoanalista Viktor E. Frankl, con el propósito de profundizar las relaciones entre los valores y las actitudes de Guevara y, por ende, clarificar los fundamentos éticos y existenciales de su personalidad. Yen un tercer momento, a manera de conclusión, me propongo una síntesis conceptual que amalgame los elementos diversos que convergen en el ensayo y pretenden la aplicación de una óptica psicológico-existencial, en el entendimiento de la obra y personalidad.

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La influencia de Ernesto Nathan Rogers fue decisiva en la formación de gran parte de los arquitectos de la posguerra europea. A través de los numerosos libros' y escritos que publicó, entre los que destacan sus editoriales de la revista Casabella, que dirigió entre 1953 y 1965, desarrolló un corpus teórico en el que intentó establecer un puente entre la modernidad y la tradición. El pensamiento de Rogers quedó esbozado en el primer editorial que escribió para la revista Casabella a la que añadió el famoso término Continuitá. Las enseñanzas de Rogers calaron profundamente en tres jóvenes arquitectos que se formaron bajo el influjo de sus teorías: dos de ellos italianos, Vittorio Garatti y Roberto Gottardi, y otro cubano, Ricardo Porro. Durante sus años de formación, los tres entraron en contacto con la figura de Rogers. Garatti lo tuvo como profesor en el Politécnico de Milán. Gottardi fue el que más contacto tuvo, trabajando en su oficina entre 1956 y 1957, antes de su partida hacia Venezuela. Y Porro, de forma más efímera, a través de un curso de verano del CIAM en el año 1951 que se desarrolló en Venecia, en el que Rogers participó. Las Escuelas Nacionales de Arte de La Habana fueron sin lugar a dudas un laboratorio experimental donde estos tres jóvenes arquitectos idealistas pusieron en práctica una nueva forma de entender la arquitectura, que en ese momento se estaba gestando, a partir de una mirada crítica hacia el Movimiento Moderno. Pero este proyecto no se hubiese llevado a cabo con éxito sin las enseñanzas recogidas de uno de sus maestros, Ernesto Nathan Rogers, y que se podrían resumir en siguientes aspectos primordiales: el valor que para Rogers tenia la tradición en la arquitectura, tradición que los tres arquitectos recogerán claramente en La Habana; en la valoración de las preexistencias ambientales; en la continuidad que debía tener la nueva arquitectura con los ideales de los maestros del Movimiento Moderno; y, por último, la responsabilidad del intelectual y del artista en el contexto de la sociedad.

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Explica que el Che Guevara es un pensador revolucionario que anuda dialécticamente lo universal de la teoría marxista con lo concreto que aporta el pensamiento revolucionario desde la perspectiva de los pueblos subdesarrollados

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This is an initial report of the PolyU SD part of the team to study Pre-fabricated Building Design and Construction Methodology and marks the completion of Phase 1. It follows our first notes prepared for the meeting on 2 February that identified some critical issues including future lifestyles, life expectancy of buildings, sustainability, size, flexibility and planning considerations. It is also an expansion of our presentation in Dongguan on 23 February. It is not a comprehensive survey of existing approaches or possible ways forward, but it has homed in on certain specific issues and does give specific examples to make the suggestions concrete. It is recommended that more comprehensive research be done to establish previous work and experience internationally. It is also recommended that more research be done on lifestyles as a preliminary to developing at least three concepts for evaluation before proceeding to the detailed design of one concept for full prototyping and market testing. The goal at this point is not to define a single direction but to suggest several future trajectories for further consideration. By the same token, this report is not intended as an exhaustive description of the considerable base of knowledge and ideas brought by the PolyU team to this exciting task. Before taking on an issue of this magnitude and importance in the definition of Hong Kong's future, one must carry out a thoughtful analysis of the issues at hand and an informed definition of paradigms, directions, goals and methods whereby our energies can be best used in the next steps. This report is the result of this analysis

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This thesis argues that the end of Soviet Marxism and a bipolar global political imaginary at the dissolution of the short Twentieth Century poses an obstacle for anti-systemic political action. Such a blockage of alternate political imaginaries can be discerned by reading the work of Francis Fukuyama and "Endism" as performative invocations of the closure of political alternatives, and thus as an ideological proclamation which enables and constrains forms of social action. It is contended that the search through dialectical thought for a competing universal to posit against "liberal democracy" is a fruitless one, because it reinscribes the terms of teleological theories of history which work to effect closure. Rather, constructing a phenomenological analytic of the political conjuncture, the thesis suggests that the figure of messianism without a Messiah is central to a deconstructive reframing of the possibilities of political action - a reframing attentive to the rhetorical tone of texts. The project of recovering the political is viewed through a phenomenological lens. An agonistic political distinction must be made so as to memorialise the remainders and ghosts of progress, and thus to gesture towards an indeconstructible justice which would serve as a horizon for the articulation of an empty universal. This project is furthered by a return to a certain phenomenology inspired by Cornelius Castoriadis, Claude Lefort, Maurice Merleau-Ponty and Ernesto Laclau. The thesis provides a reading of Jacques Derrida and Walter Benjamin as thinkers of a minor universalism, a non-prescriptive utopia, and places their work in the context of new understandings of religion and the political as quasi-transcendentals which can be utilised to think through the aporias of political time in order to grasp shards of meaning. Derrida and Chantal Mouffe's deconstructive critique and supplement to Carl Schmitt's concept of the political is read as suggestive of a reframing of political thought which would leave the political question open and thus enable the articulation of social imaginary significations able to inscribe meaning in the field of political action. Thus, the thesis gestures towards a form of thought which enables rather than constrains action under the sign of justice.

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The [Cp′3U] metallocenes contain substituted cyclopentadienyl ligands and UIII with f3 electron configuration. They are good π donors and bind π-accepting ligands (L) such as carbon monoxide and isocyanides to form the corresponding adducts [Cp′3U(L)] (see scheme). The π-donating capability of the [Cp′3U] fragments appears to be readily modulated by the substituents on the cyclopentadienyl ligand.

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Process mining techniques are able to extract knowledge from event logs commonly available in today’s information systems. These techniques provide new means to discover, monitor, and improve processes in a variety of application domains. There are two main drivers for the growing interest in process mining. On the one hand, more and more events are being recorded, thus, providing detailed information about the history of processes. On the other hand, there is a need to improve and support business processes in competitive and rapidly changing environments. This manifesto is created by the IEEE Task Force on Process Mining and aims to promote the topic of process mining. Moreover, by defining a set of guiding principles and listing important challenges, this manifesto hopes to serve as a guide for software developers, scientists, consultants, business managers, and end-users. The goal is to increase the maturity of process mining as a new tool to improve the (re)design, control, and support of operational business processes.

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Emotions play a significant role in people’s lives, including interactions with portable devices. The research aimed to understand the evolving emotional experience between people and portable interactive devices (PIDs). Activity Theory was the theoretical framework used to contextualise the research approach and findings. Two longitudinal experiments were conducted investigating emotional experiences with PIDs over six months. Experiment 1 focused on media / entertainment PIDs while Experiment 2 focused on medical / health PIDs. Mixed research methods consisting of diaries, interviews and codiscovery sessions were used to collect data. Results identified that more social interactions were experienced with media PIDs than medical PIDs. Different Task Categories, and their emotional responses, were also revealed including Features, Functional, Mediation and Auxiliary Categories. Functional and Mediation categories were characterised as overall positive while Features and Auxiliary Categories were characterised as overall negative. Further, the consequences of Negative Personal and Social interactions on the overall emotional experience were determined. For media PIDs, Negative Social experiences adversely impacted the evolving emotional experience. For medical PIDs, both Negative Social and Negative Personal experiences adversely impacted the evolving emotional experience. As a result of the findings the Designing for Evolving Emotional Experience framework was developed, outlining principles to promote positive, and avoid negative, emotional experiences with PIDs. Contributions to knowledge from the research include methodological contributions, advancing understanding of emotional experiences with PIDs, expanding the taxonomy of emotional interactions with PIDs and broadening emotion design theory and principles. The thesis concludes with an outline of implications to design research, design and related fields, future research potentials, as well as the positive contributions to designing for meaningful and enjoyable experiences in everyday life.

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Two longitudinal experiments were conducted exploring emotional experiences with PIDs over six months including media and medial Portable Interactive Devices (PIDs). Results identifying the impact of negative social and personal interactions on the overall emotional experience as well as different task categories (Features, Functional, Mediation and Auxiliary) and their corresponding emotional responses have previously been reported [2,3,4,5]. This paper builds on these findings and presents the Designing for Evolving Emotional Experience (DE3) framework promoting positive (and deals with negative) emotional experiences with PIDs including a set of principles to better understand emotional experiences. To validate the DE3 framework a preliminary trial was conducted with five practicing industrial designers. The trial required them to consider initial design concepts using the DE3 framework followed by a questionnaire asking about their use of the framework for concept development. The trial aimed to analyse the effectiveness, efficiency and usefulness of the framework in assisting in the development of initial concepts for PIDs taking into account emotional experiences. Common themes regarding the framework are outlined including the ease of use, the effectiveness in focusing on the personal and social contexts and positive ratings regarding its use. Overall the feedback from the preliminary trial was encouraging with responses suggesting that the framework was accessible, rated highly and most importantly permitted designers to consider emotional experiences during concept development. The paper concludes with a discussion regarding the future development of the DE3 framework and the potential implications to design theory and the design discipline.

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Diseases that affect the regulation of bone turnover can lead to skeletal fragility and increased fracture risk. Members of the TGF-superfamily have been shown to be involved in the regulation of bone mass. Activin A, a TGF-� signaling ligand, is present at high levels in bone and may play a role in the regulation of bone metabolism. Here we demonstrate that pharmacological blockade of ligand signaling through the high affinity receptor for activin, type II activin receptor (ActRIIA), by administration of the soluble extracellular domain of ActRIIA fused to a murine IgG2a-Fc, increases bone formation, bone mass, and bone strength in normal mice and in ovariectomized mice with established bone loss. These observations support the development of this pharmacological strategy for the treatment of diseases with skeletal fragility.

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2 x 2.5 metre text based wall painting with a hidden automatic air freshener timed to spray every 60 seconds. The work formed part of a group exhibition that dealt with Humour,Politics and Art. It was part of a series of ongoing works made under the pseudonym Eve Roleston. Roleston is part of a trio of pseudonyms I use, the others being Ernesto Love, and Ernest Olove, to explore the research potential of the fictocritical in a visual arts practice.This forms part of an ongoing body of practice-led research undertaken in my PhD dealing with reconfiguring the relationship between art and politics.

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This thesis identifies, examines and problematizes some of the discourses that have so far come to light on the issue of protection for environmental refugees. By analyzing the discourses produced by the United Nations Office of the High Commissioner for Refugees (UNHCR) and two non-governmental organizations - the Environmental Justice Foundation (EJF) and Equity and Justice Working Group Bangladesh (EquityBD), I examine the struggling discourses that have emerged about how protection for environmental refugees has been interpreted. To do this, I rely on Ernesto Laclau and Chantal Mouffe's theory and method of discourse analysis. The results show that responsibilization is the main point of struggle in the discussions on the protection of environmental refugees. As a floating signifier, it was utilized by the discourses produced by the UNCHR and the selected NGOs in contingent ways and with different political objectives. The UNHCR discourse responsibilized both the environmental refugees for their own protection and the individual states. The EJF and EquityBD, by contrast, allocated responsibility for the protection of environmental refugees to the international community. These contingent understandings of responsibilization necessitated different justifications. While the EJF discourse relied on humanitarianism for the assistance of environmental refugees, the EquityBD discourse constructed a rights based, more permanent solution. The humanitarian based discourse of the EJF was found to be inextricably linked with the neoliberal discourse produced by the UNHCR. Both these discourses encouraged environmental refugees to stay in their homelands, undermining the politics of protection. Another way in which protection was undermined was by UNHCR's discourse on securitization. In this context, climate change induced displacement became threat to developed countries, the global economy and transnational classes. The struggling discourses about who/what has been allocated responsibility for the protection of environmental refugees also meant that identities of the displaced be constructed in specific ways. While the UNHCR discourse constructed as voluntary migrants and predators, the EJF and EquityBD discourses portrayed them as victims. However, even though the EJF discourse constructed them as victims, their reliance on humanitarianism could also be interpreted as a way of giving the environmental refugee a predator like identity. These discourses on responsibilization and identity formation clashed with each other in the aim of achieving a hegemonic position in discussions and debates about the protection of environmental refugees.

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This thesis identifies, examines and problematizes some of the discourses that have so far come to light on the issue of protection for environmental refugees. By analyzing the discourses produced by the United Nations Office of the High Commissioner for Refugees (UNHCR) and two non-governmental organizations - the Environmental Justice Foundation (EJF) and Equity and Justice Working Group Bangladesh (EquityBD), I examine the struggling discourses that have emerged about how protection for environmental refugees has been interpreted. To do this, I rely on Ernesto Laclau and Chantal Mouffe's theory and method of discourse analysis. The results show that responsibilization is the main point of struggle in the discussions on the protection of environmental refugees. As a floating signifier, it was utilized by the discourses produced by the UNCHR and the selected NGOs in contingent ways and with different political objectives. The UNHCR discourse responsibilized both the environmental refugees for their own protection and the individual states. The EJF and EquityBD, by contrast, allocated responsibility for the protection of environmental refugees to the international community. These contingent understandings of responsibilization necessitated different justifications. While the EJF discourse relied on humanitarianism for the assistance of environmental refugees, the EquityBD discourse constructed a rights based, more permanent solution. The humanitarian based discourse of the EJF was found to be inextricably linked with the neoliberal discourse produced by the UNHCR. Both these discourses encouraged environmental refugees to stay in their homelands, undermining the politics of protection. Another way in which protection was undermined was by UNHCR's discourse on securitization. In this context, climate change induced displacement became threat to developed countries, the global economy and transnational classes. The struggling discourses about who/what has been allocated responsibility for the protection of environmental refugees also meant that identities of the displaced be constructed in specific ways. While the UNHCR discourse constructed as voluntary migrants and predators, the EJF and EquityBD discourses portrayed them as victims. However, even though the EJF discourse constructed them as victims, their reliance on humanitarianism could also be interpreted as a way of giving the environmental refugee a predator like identity. These discourses on responsibilization and identity formation clashed with each other in the aim of achieving a hegemonic position in discussions and debates about the protection of environmental refugees.

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Graffitit ja katutaide vaikuttavat visuaaliseen ympäristöömme ja ovat viime vuosina herättäneet vilkasta keskustelua kaupunkitilan sallitun käytön rajoista. Helsingissä oli vuosina 1998–2008 käynnissä siistiin kaupunkikuvaan tähtäävä Stop töhryille -projekti. Projekti herätti vastustusta ja politisoitui: keskusteluun nousivat graffitien ja töhryjen lisäksi esimerkiksi julkisen tilan arvot, kaupunkitilan estetiikka, nuorten oikeus kaupunkiin ja taiteen rajat. Tässä tutkielmassa tarkastellaan vallankäyttöä kaupunkitilassa graffitien ja katutaiteen ympärillä käydyn keskustelun kautta. Tutkimus keskittyy yhden kaupungin, Helsingin, tarjoamaan esimerkkiin. Tutkimuksen tavoitteena on selvittää millaisia diskursseja graffiteista esitetään, kuinka puhe graffitien ympärillä politisoituu ja miten graffitin diskurssit liittyvät julkiseen tilaan. Kaupunki ja julkinen tila ymmärretään tässä tutkimuksessa Henri Lefebvren ja Doreen Masseyn teorioiden pohjalta sosiaalisena tuotteena ja siten poliittisena käsitteenä. Tutkimuksen pääasiallisen aineiston muodostavat Helsingin Sanomien aihepiiriä käsittelevät lehtitekstit vuosilta 1995–2010, analyysin apuna käytetään lisäksi kaupungin omia asiakirjoja, Internet-sivuja ja valokuvia. Tutkimustehtävää lähestytään Ernesto Laclaun ja Chantal Mouffen diskurssiteorian kautta. Laclau ja Mouffe ymmärtävät sosiaaliset merkitykset aina diskursiivisesti rakentuneiksi ja selittävät diskurssien muutosta poliittisen ontologian avulla. Tässä tutkimuksessa diskurssiteorian tarjoamista analyyttisista käsitteistä tärkeiksi nousevat diskurssi, tyhjät ja kelluvat merkitsijät, hegemonia ja sosiaalinen antagonismi. Aineiston perusteella näyttää siltä, että graffitien ympärillä Helsingissä vuosina 1995–2010 käyty keskustelu kiertyy karkeasti arvioiden kahden diskurssin ympärille ja jakaantuu kolmeen vaiheeseen. Kaksi läpi koko aineiston kulkevaa diskurssia, joiden osana graffitit artikuloidaan, nimetään tässä tutkimuksessa ”töhryn” ja ”taiteen” diskursseiksi. Keskustelun ensimmäisessä vaiheessa (1995–2000) Helsingin kaupunkikuvan töhriminen näyttäytyy vakavana ongelmana, joka vaatii hallinnolta ja poliitikoilta toimenpiteitä: graffitien torjumiseen tähtäävä Stop töhryille -projekti aloitetaan vuonna 1998. Keskustelun toisessa vaiheessa (2000–2007) Stop töhryille -projekti ja graffitit politisoituvat: projektista ja graffitien luvallisista tekopaikoista keskustellaan valtuustossa lähes vuosittain. Näkyville nousee antagonistinen jakolinja töhryn ja kaupunkitaiteen välillä: julkisuudessa esitetty kritiikki siirtyy töhritystä kaupunkikuvasta kohti Stop töhryille -projektia. Vuosi 2008, jolloin Stop töhryille -projekti loppuu, näyttäytyy dislokaation hetkenä. Kaupunginvaltuustossa graffitit artikuloidaan taiteena ja kaupunkikulttuurina; graffiteille löytyy nyt myös luvallista tilaa kaupungista. Diskurssiteorian käsittein voidaan ajatella töhryjen ja taiteen diskurssin taistelevan graffitikeskustelun hegemonisesta asemasta. Julkinen tila on molemmille diskursseille tärkeä, sillä kamppaillessaan graffitien määritelmästä ne kamppailevat jatkuvasti myös julkisesta tilasta ja sen määrittelemisen vallasta kaupungissa. Julkinen tila on paitsi materiaalista myös jatkuvasti debatissa syntyvää: sosiaalinen tuote. Graffitikeskustelussa syntyvä sosiaalinen antagonismi on tärkeä myös siinä mielessä, että sen kautta esiin nousevat esiin erilaiset näkemykset paitsi julkisesta tilasta myös taiteesta ja kulttuurista kaupungissa.