Size matters: saccades during scene perception

We investigated the effect of image size on saccade amplitudes. First, in a meta-analysis, relevant results from previous scene perception studies are summarised, suggesting the possibility of a linear relationship between mean saccade amplitude and image size. Forty-eight observers viewed 96 colour scene images scaled to four different sizes, while their eye movements were recorded. Mean and median saccade amplitudes were found to be directly proportional to image size, while the mode of the distribution lay in the range of very short saccades. However, saccade amplitudes expressed as percentages of image size were not constant over the different image sizes; on smaller stimulus images, the relative saccades were found to be larger, and vice versa. In sum, and as far as mean and median saccade amplitudes are concerned, the size of stimulus images is the dominant factor. Other factors, such as image properties, viewing task, or measurement equipment, are only of subordinate importance. Thus, the role of stimulus size has to be reconsidered, in theoretical as well as methodological terms.

High level methods for scene exploration

Virtual worlds exploration techniques are used in a wide variety of domains — from graph drawing to robot motion. This paper is dedicated to virtual world exploration techniques which have to help a human being to understand a 3D scene. An improved method of viewpoint quality estimation is presented in the paper, together with a new off-line method for automatic 3D scene exploration, based on a virtual camera. The automatic exploration method is working in two steps. In the first step, a set of “good” viewpoints is computed. The second step uses this set of points of view to compute a camera path around the scene. Finally, we define a notion of semantic distance between objects of the scene to improve the approach.

Lag Camera: A Moving Multi-Camera Array for Scene-Acquisition

Many applications, such as telepresence, virtual reality, and interactive walkthroughs, require a three-dimensional(3D)model of real-world environments. Methods, such as lightfields, geometric reconstruction and computer vision use cameras to acquire visual samples of the environment and construct a model. Unfortunately, obtaining models of real-world locations is a challenging task. In particular, important environments are often actively in use, containing moving objects, such as people entering and leaving the scene. The methods previously listed have difficulty in capturing the color and structure of the environment while in the presence of moving and temporary occluders. We describe a class of cameras called lag cameras. The main concept is to generalize a camera to take samples over space and time. Such a camera, can easily and interactively detect moving objects while continuously moving through the environment. Moreover, since both the lag camera and occluder are moving, the scene behind the occluder is captured by the lag camera even from viewpoints where the occluder lies in between the lag camera and the hidden scene. We demonstrate an implementation of a lag camera, complete with analysis and captured environments.

Accident or homicide - virtual crime scene reconstruction using 3D methods

The analysis and reconstruction of forensically relevant events, such as traffic accidents, criminal assaults and homicides are based on external and internal morphological findings of the injured or deceased person. For this approach high-tech methods are gaining increasing importance in forensic investigations. The non-contact optical 3D digitising system GOM ATOS is applied as a suitable tool for whole body surface and wound documentation and analysis in order to identify injury-causing instruments and to reconstruct the course of event. In addition to the surface documentation, cross-sectional imaging methods deliver medical internal findings of the body. These 3D data are fused into a whole body model of the deceased. Additional to the findings of the bodies, the injury inflicting instruments and incident scene is documented in 3D. The 3D data of the incident scene, generated by 3D laser scanning and photogrammetry, is also included into the reconstruction. Two cases illustrate the methods. In the fist case a man was shot in his bedroom and the main question was, if the offender shot the man intentionally or accidentally, as he declared. In the second case a woman was hit by a car, driving backwards into a garage. It was unclear if the driver drove backwards once or twice, which would indicate that he willingly injured and killed the woman. With this work, we demonstrate how 3D documentation, data merging and animation enable to answer reconstructive questions regarding the dynamic development of patterned injuries, and how this leads to a real data based reconstruction of the course of event.

Barrikaten-Scene am 18ten September

Hauptakteur der Szene ist "Baron Rotschirm", gemeint Baron Rothschild

Volkstheater: Der Zeitgeist und der stillschweigende Redner oder: Doctor Jocko's Leben, Thaten und Höllenfahrt (Localposse): (Scene: Eine grüne Weide ...)

Welsch (Projektbearbeiter): Karikatur auf den antirepublikanischen Zeitgeist

Man dreht den Mantel nach dem Wind, oder der große Herr Saphir, als Schildknappe der berühmten Herrn Ebersberg, Endlich, Landsteiner und Raudnitz, oder Die ersten Waffenthaten eines Badner National-Gardisten als Polizeimann; engagiert - wahrscheinlich bei Herrn Saphir - und genannt Herr (?) Handl junior: Charaktergemälde in Abtheilungen ...: Die Scene beginnt in der Badner-Arena und endet im Parke ...: Ritter Don Quixote von La Mancha warb sich bekanntlich ...

Welsch (Projektbearbeiter): Öffentliche Verwahrung des am Stadttheater Baden bei Wien tätigen Regisseurs Remay (Mayer?) gegen den mißlungenen Versuch der Herren Saphir und Handl (bzw. Hantl, Hentl), ihn aufgrund einer freimütigen Äußerung über die Journalisten Ebersberg, Endlich, Landsteiner und Raudnitz verhaften zu lassen

1.te Mai-Scene: Herr Criminel' - ik wollte sagen, Herr Hofrath ...

Welsch (Projektbearbeiter): Karikatur auf die Ablehnung der deutschen Kaiserkrone durch Friedrich Wilhelm IV.: der vor einem bezopften Repräsentanten des Hauses Habsburg stramm stehende und seine Pickelhaube lüftende preußische König gibt die ihm von der Nationalversammlung angetragene Kaiserkrone symbolisch der Wiener Schatzkammer zurück

Die Höhle zu En-Gedi : eine biblische Scene

Lipmann Mose Büschenthal