1000 resultados para Ritchie, Anna Cora Ogden Mowatt, 1819-1870.


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In the 19th century, firms operating in the Anglo-Indian tea trade were organised using a variety ownership forms including the partnership, joint-stock and a combination of the two known as the Managing agency. Faced with both an increasing need for fixed capital and high agency costs caused by the distance between owners and managers, the firms adapted and increasingly adopted the hybrid managing agency model to overcome these problems. Using new data from Calcutta and Bengal Commercial Registers and detailed case studies of the Assam Company and Gillanders, Arbuthnot and Co, this paper demonstrates that British entrepreneurs did not see the choice of ownership as a dichotomy or firm boundaries as fixed, but instead innovatively drew on the strengths of different forms of ownership to compete and grow successfully.

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In 1858, a volume entitled Midnight Scenes and Social Photographs – being sketches of life in the streets, wynds and dens of the city of Glasgow was published under the pseudonym of ‘Shadow’ by Alexander Brown, a Glaswegian flâneur and reformer. Its frontispiece is an etching which depicts a theatre-like proscenium arch whose curtains have been withdrawn to reveal to the audience all the poverty, destitution and disorder that one was likely to find after dark in the insalubrious quarters of the city. At the extreme left-hand side, partly obscured by the curtain a silhouetted figure stands behind an unwieldy camera perched on a tripod. Distinctly unaffected by the mêlée, an arm is calmly raised and a finger precisely arched in the moment before the shutter is clicked and the scene committed to record. The volume, however, relies exclusively on textual descriptions to evoke the underside of the city and contains no photographs at all. Instead, the use of the word photograph in the title can be understood as a metaphor for detached scientific objectivity, a quality much celebrated by nineteenth-century reformers and investigators of social ills. As it happened, a decade after Shadow disappeared into the labyrinthine back-lands of Old Town Glasgow, he was followed there by a real photographer. In 1868, Thomas Annan was commissioned by the City Improvements Trust to take photographs of the Old Town in its last moments of existence before it was pulled down under a series of legislative acts. But perhaps paradoxically, given Shadow’s faith in the analytical properties of photography, Annan’s work seems to refute much of the material contained in Midnight Scenes and other similar tracts. Instead of the dens, shebeens, labyrinths and rowdy crowds described by Shadow, Annan’s depictions of the Old Town convey a static, calm environment, one which is often sparsely inhabited by a curious but apparently orderly population.

Taking account of the sensational tendencies of many reformists’ texts, this paper investigates the discrepancies between the two representations, focussing in particular on the constraints which operated on Annan during his commission. It argues that Annan’s compositions – which became very influential on other 19th century photographers of everyday life such as John Thomson or Jacob Riis – far from being dispassionate analytical works, emerged as a result of a matrix of factors which included: photographic and artistic precedents; Annan’s own predilections as a photographer; technological limitations; the nature of the commission from the City Improvements Trust and political climate in which it was given; the medieval urban fabric in which he had to operate; and, perhaps, most importantly, the identity of the Old Towns inhabitants themselves.

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Investigative Ophthalmology & Visual Science Volume 56 Issue 7 Pages 2795-2795

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Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musicais

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A Work Project, presented as part of the requirements for the Award of a Masters Degree in Management from the NOVA – School of Business and Economics

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La Unidad de Investigaciones de Invertebrados Marinos en conjunto con las sedes descentralizadas del Instituto del Mar del Perú, IMARPE, con fines de establecer y estandarizar los procedimientos para la estimación de la población y biomasa de concha de abanico (Argopecten purpuratus) en áreas silvestres, elaboró este protocolo que describe los pasos a seguir desde la planificación en escritorio, la ejecución a bordo de embarcaciones, pasando por los cálculos estadísticos, hasta la elaboración del informe ejecutivo. La estimación de la población y biomasa de concha de abanico, en áreas silvestres se realiza dentro del contexto de evaluación poblacional, que involucra este primer aspecto e incorpora: estructura poblacional por tallas y madurez gonadal, relaciones biométricas y biológicas, y las condiciones ambientales predominantes del ambiente marino. La correcta aplicación de estos procedimientos conducirá a la obtención de información confiable.

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IMARPE Ilo obtuvo financiamiento del Gobierno Regional de Moquegua en base al proyecto "Mejoramiento de infraestructura e implementació n de laboratorio de investigació n de molusc"os, para construir un laboratorio experimental con el objetivo de desarrollar técnicas de reproducción artificial de moluscos nativos de la Región, para la obtención de semillas principalmente de macha Mesodesma donacium, chanque Concholepas concholepas y pulpo Octopus mimus. Este informe contiene el resultado de las actividades realizadas el 2007,en relación a la aplicación de técnicas de cultivo de microalgas (alimento vivo) y obtención de semillas de concha de abanico.

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1 kartta :, vär. ;, 42,2 x 29,3 cm, lehti 48,2 x 34 cm

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Variante(s) de titre : Analyse raisonnée des productions les plus remarquables dans la littérature, les sciences et les arts

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Variante(s) de titre : La Rue