Usme, el hábitat en la ciudad segregada

Bogotá (Colombia): Universidad de La Salle. Facultad de Ciencias del Hábitat. Programa de Arquitectura

Reinserción al tejido social y urbano en el barrio Gaitán, Bogotá. Núcleo comunitario divina providencia

Bogotá (Colombia): Universidad de La Salle. Facultad de Ciencias del Hábitat. Programa de Arquitectura

Integración del patrimonio natural y cultural, en la formulación de estrategias de desarrollo urbano en el municipio de San Martín, Meta

Bogotá (Colombia): Universidad de La Salle. Facultad de Ciencias del Hábitat. Programa de Arquitectura

Desarrollo del hábitat integral para la restructuración social

Bogotá (Colombia): Universidad de La Salle. Facultad de Ciencias del Hábitat. Programa de Arquitectura

Aproximación a los aspectos críticos y de éxito en el hábitat de los macroproyectos de interés social nacional: análisis de factores de satisfacción residencial en ciudad verde, Soacha, 2010-2015

Actualmente, la producción de vivienda de bajo costo representa uno de los grandes retos que afrontan los gobiernos en términos de problemáticas sociales. El sector público, con la inversión del sector privado, desarrolla proyectos de vivienda a gran escala para ofrecer un considerable número de unidades habitacionales en la periferia, que reduzcan las cifras de déficit sin sacrificar los suelos urbanos con alto valor inmobiliario. En esta dinámica de producir en cantidad, cabe preguntarse, ¿La producción de vivienda social considera la calidad ofrecida? ¿Responden las soluciones a las necesidades y expectativas de la población vulnerable? La clave para responder a estos interrogantes reposa en comprender el vínculo entre las características del hábitat ofrecido y la respuesta afectiva que éste provoca en los residentes de un territorio particular; así, la satisfacción residencial se convierte en el método fundamental para lograr la comprensión integral de la calidad en los proyectos de vivienda.

Análisis de la influencia del programa de mejoramiento integral de barrios de Bogotá en el territorio del API El tesoro de la localidad de Ciudad Bolívar

La expansión urbana mediante asentamientos de origen informal ha ido aumentado en los últimos años debido al déficit en la oferta de vivienda formal, el costo del suelo urbano y factores económicos, sociales y culturales. Estos asentamientos no cuentan con infraestructura básica y los terrenos que generalmente son invadidos se encuentran en zonas de riesgo y no ofrecen las condiciones físicas y habitacionales adecuadas para el habitar de las personas. El distrito a través del Programa de Mejoramiento Integral de Barrios (PMIB) busca intervenir sobre los aspectos críticos en cada barrio, habilitar la infraestructura básica que permita su integración a la ciudad y mejorar la calidad de vida de los habitantes. Este proceso parte de delimitar las zonas críticas y definir las intervenciones físicas, sociales y ambientales que deben ser llevadas a cabo por diferentes entidades distritales. En este estudio se hace un análisis de las intervenciones que se han llevado a cabo en la Área Prioritaria de Intervención (API) El Tesoro, para analizar cuales intervenciones llevadas a cabo han sido exitosas y cuales requieren de ajustes para lograr un mejor impacto. Se encontró que estas intervenciones no han sido suficientes para mejorar las condiciones habitacionales de las personas, razón por lo cual es necesario revisar la política y formas de intervención.

How does ‘Newstainment’ actually work? : ethnographic research methods and contemporary popular news

Much debate has taken place recently over the potential for entertainment genres and unorthodox forms of news to provide legitimate – indeed democratized – in-roads into the public sphere. Amidst these discussions, however, little thought has been paid to the audiences for programs of this sort, and (even when viewers are considered) the research can too easily treat audiences in homogenous terms and therefore replicate the very dichotomies these television shows directly challenge. This paper is a critical reflection on an audience study into the Australian morning “newstainment” program Sunrise. After examining the show and exploring how it is ‘used’ as a news source, this paper will promote the use of ethnographic study to better conceptualize how citizens integrate and connect the increasingly fragmented and multifarious forms of postmodern political communication available in their everyday lives.

Less popular but more democratic? Corrie, Clarkson and the dancing Cru

The central cultural experience of modernity has been change, both the ‘creative destruction’ of existing structures, and the growth, often exponential, of new knowledge. During the twentieth century, the central cultural platform for the collective experience of modernising societies changed too, from page and stage to the screen – from publishing, the press and radio to cinema, television and latterly computer screens. Despite the successive dominance of new media, none has lasted long at the top. The pattern for each was to give way to a successor platform in popularity, but to continue as part of an increasingly crowded media menu. Modern media are supplemented not supplanted by their successors.

Media Studies: "Media, History and Society", and "Thinking Popular Culture".

“When cultural life is re-defined as a perpetual round of entertainments, when serious public conversation becomes a form of baby talk, when, in short, a people become an audience and their public business a vaudeville act, then a nation finds itself at risk.” (Postman) The dire tones of Postman quoted in Janet Cramer’s Media, History, Society: A Cultural History of US Media introduce one view that she canvasses, in the debate of the moment, as to where popular culture is heading in the digital age. This is canvassed, less systematically, in Thinking Popular Culture: War Terrorism and Writing by Tara Brabazon, who for example refers to concerns about a “crisis of critical language” that is bothering professionals—journalists and academics or elsewhere—and deplores the advent of the Internet, as a “flattening of expertise in digital environments”.

Journalism, History and the Politics of Popular Culture

I argue that a divergence between popular culture as “object” and “subject” of journalism emerged during the nineteenth century in Britain. It accounts not only for different practices of journalism, but also for differences in the study of journalism, as manifested in journalism studies and cultural studies respectively. The chapter offers an historical account to show that popular culture was the source of the first mass circulation journalism, via the pauper press, but that it was later incorporated into the mechanisms of modern government for a very different purpose, the theorist of which was Walter Bagehot. Journalism’s polarity was reversed – it turned from “subjective” to “objective.” The paper concludes with a discussion of YouTube and the resurgence of self-made representation, using the resources of popular culture, in current election campaigns. Are we witnessing a further reversal of polarity, where popular culture and self-representation once again becomes the “subject” of journalism?

Collaborative Filtering Recommender Systems based on Popular Tags

The social tags in web 2.0 are becoming another important information source to profile users' interests and preferences for making personalized recommendations. However, the uncontrolled vocabulary causes a lot of problems to profile users accurately, such as ambiguity, synonyms, misspelling, low information sharing etc. To solve these problems, this paper proposes to use popular tags to represent the actual topics of tags, the content of items, and also the topic interests of users. A novel user profiling approach is proposed in this paper that first identifies popular tags, then represents users’ original tags using the popular tags, finally generates users’ topic interests based on the popular tags. A collaborative filtering based recommender system has been developed that builds the user profile using the proposed approach. The user profile generated using the proposed approach can represent user interests more accurately and the information sharing among users in the profile is also increased. Consequently the neighborhood of a user, which plays a crucial role in collaborative filtering based recommenders, can be much more accurately determined. The experimental results based on real world data obtained from Amazon.com show that the proposed approach outperforms other approaches.

Restrung New Chamber Festival : Bridging the Gap Between High Art Music and Popular Sensibilities

The Restrung New Chamber Festival was a practice-led research project which explored the intricacies of musical relationships. Specifically, it investigated the relationships between new music ensembles and pop-oriented bands inspired by the new music genre. The festival, held at the Brisbane Powerhouse (28 February-2 March 2009) comprised 17 diverse groups including the Brodsky Quartet, Topology, Wood, Fourplay and CODA. Restrung used a new and distinctive model which presented new music and syncretic musical genres within an immersive environment. Restrung brought together approaches used in both contemporary classical and popular music festivals, using musical, visual and spatial aspects to engage audiences. Interactivity was encouraged through video and sound installations, workshops and forums. This paper will investigate some of the issues surrounding the conception and design of the Restrung model, within the context of an overview of European new music trends. It includes a discussion of curating such an event in a musically sensitive and effective way, and approaches to identifying new and receptive audiences. As a guide to programming Restrung, I formulated a working definition of new music, further developed by interviews with specialists in Australia and Europe, and this will be outlined below.

Art, popular culture and cultural policy: variations on a theme of John Carey

The article presents a criticism of the accounts of John Carey in his book entitled "The Intellectuals and the Masses." The author focuses on Carey's argument that the art is not an eternal category but an invention of the late eighteenth century and it no longer has any intellectual legitimacy other than that of provoking feelings which are no more and no less valuable than those provoked by any other form of entertainment or physical activity