493 resultados para Zen Buddhism


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This thesis presents Zen experience as aesthetic in nature. This is done through an analysis of language, a central concern for Zen Buddhism. The thesis develops two modes of language at work in Zen: representational and indexical. What these modes of language entail, the kind of relations that are developed through their use, are explored with recourse to a variety of Zen platforms: poetry, the koan, zazen, music, and suizen. In doing so, a primacy of listening is found in Zen - a listening without a listener. Given this primacy of listening, silence comes to the forefront of the investigation. An analysis of John Cage's 4'33" provides this thesis with justification of the groundlessness of silence, and the groundlessness of subjectivity. Listening allows for the abyssal subject to emerges, which in tum allows for reality to present itself outside of the constitutive function of language.

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L’état d’attention sans réflexion, aussi appelé « mindfulness », a démontré des effets positifs en clinique pour les désordres émotionnels associés à diverses conditions. Le nombre d’études portant sur la caractérisation des substrats neuronaux de cet état attentionnel croît, mais il importe d’investiguer davantage à ce chapitre pour éventuellement améliorer les interventions cliniques. La présente étude compte aider à déterminer, par la magnétoencéphalographie, quelles régions cérébrales sont en corrélation avec le mindfulness chez des experts, i.e. des méditants Zen. Ces derniers cultivent un état dans lequel ils s’abstiennent de rechercher ou de rejeter les phénomènes sensoriels, ce qui en fait d’excellents candidats à la présente étude. Dans un contexte de stimulations visuelles émotionnelles, il fut demandé aux méditants tantôt d’observer les images dans un état de mindfulness (condition expérimentale), tantôt dans un état dit normal (condition contrôle) où aucun effort particulier d’attention n’était requis. Les résultats d’analyse suggèrent que les participants expérimentèrent une intensité émotionnelle moins importante en mindfulness : les cotes subjectives ainsi qu’une réponse magnétique cérébrale reliée aux émotions nommée Potentiel Positif Tardif magnétique (PPTm) suggèrent cela. Cependant, le résultat le plus statistiquement probant dépasse la nature affective des stimuli. Il s’agit d’une diminution temporellement soutenue de l’activité de fréquence gamma au niveau des zones visuelles associatives du lobe temporal droit, sans égard à la nature des images. Également, une suppression de l’activité gamma d’une zone du cortex préfrontal latéral gauche fut observée. Ceci pourrait indiquer une diminution de la conceptualisation des stimuli reliée au langage et aux processus réflectifs du soi.

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Este trabalho procura justapor duas visões do homem no mundo, a cartesiana e a zen-budista, ressaltando o aspecto fragmentador da primeira e o aspecto integrador da segunda. O objetivo básico é contribuir para maior articulação e integração do homem contemporâneo através de três movimentos. Primeiro, através da critica à concepçao racionalista, mecânica, prepotente e antinatural, fundada na lógica dual e antitética do paradigma da ciência e do pensamento ocidental em boa parte construido por René Descartes; Segundo, através da divulgação e da exposição enfática, em nosso meio acadêmico ocidental, da metafisica e da mística budistas, especialmente em sua versão Zen, que compreende o mundo em permanente transformação e construção como um todo articulado ao equilibrio universal, no qual as palavras, os conhecimentos e a percepção são meros signos passageiros que escondem a realidade cósmica. O movimento final pretende negar uma visão maniqueísta da realidade onde a oposição não é vista como a liquidação de um dos termos pelo outro, mas como a busca de uma nova síntese: a gestação, enfim, de um novo referencial do mundo - e aqui apenas se levanta a questão - a ser construído, quem sabe, a partir da integração dos paradigmas caracterizados hoje como ocidental e oriental.

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To address the sub-theme of the journal: Artistic Practices in a Time of Crisis, the author discusses the context of economic cuts and recent international crises on his PhD interactive and visual design research project undertaken in Australia. Identifying an apparent root-cause of current global crises, the author in reply, has structured a research plan and created a suite of new media, interactive, technology artworks, and installation art. Notions of Zen Buddhism, and stillness through meditation, are applied in the research and context of the artworks to support awareness of wellbeing, in response to the root-cause condition. The discussion will focus on the overarching question: how can one obtain value through the arts during current times of economic reduction conditioning?

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This dissertation involves a general overview of the meditative practice of zazen and analytic philosophy of mind while suggesting a potential bridge between them in the form of an analysis of the practicality of realising impermanence. By the end of my argument I hope to have offered up some compelling evidence in favour of the idea that analytic philosophy would benefit greatly from adopting principles which are best learned and expressed through the practice of, and scholarship around, Zen Buddhism and in particular the treatment of the concept of impermanence. I demonstrate the Western philosophical tendency to make dichotomous assumptions about the nature of mind, even when explicitly denying a dualist framework. I do so by examining the historical and philosophical precedent for dualistic thinking in the work of figures such as Plato and Descartes. I expand on this idea by examining the psychology of categorisation - i.e. creating mental categories and boundaries - and demonstrating how such categorisations feeds back into behaviour in practical ways, both positive and negative. The Zen Buddhist principle of impermanence states that all phenomena are impermanent and therefore lack essential nature; this includes intellectual concepts such as the metaphysical framework of the analytic approach to mind. Impermanence is a principle which is realised through the embodied practice of zazen. By demonstrating its application to analytic philosophy of mind I show that zazen (and mindfulness practice in general) provides an ongoing opportunity for clearing up entrenched world views, metaphysical assumptions and dogmatic thinking. This in turn may promote a more holistic and ultimately more rewarding comprehension of the role of first-person experience in understanding the world. My argument is not limited to analytic philosophy of mind but reflects broad aspects of thinking in general, and I explain its application to issues of social importance, in particular education systems.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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In recent years contemplative practices such as Zen Buddhism and yoga have become increasingly utilized in the United States (Mann et al., 2001). The most visible contemplative practice in America today is the practice of yoga. According to a 2008 market study conducted by Yoga Journal, yoga was a 5.6 billion dollar industry in America in 2008. This market study also found that 15.8 million people, or 6.9% of American adults, practice yoga (Yoga Market Study, 2008). Zen Buddhism may be less visible than yoga in popular culture, yet its presence in the United States is substantial. While exact statistics are difficult to come by, Harvard University's Pluralism Project cites that the number of practicing Buddhists in America ranges from 2.4 to 4 million people, although it is unclear how many of these individuals practice Zen, or contemplative Buddhism (Pluralism Project Statistics, 2009). The popularity of Zen in America is further evidenced by the presence of Zen centers in most major cities. The sizeable and growing presence of Buddhism in America indicates a move towards the inclusion of contemplative practice in the cultural mainstream (Pluralism Project Statistics, 2009).

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Mode of access: Internet.

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Mode of access: Internet.

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Boredom is almost universally regarded as a dysphoric mental state, characterised by features such as disengagement and low arousal. However, in certain quarters (e.g., Zen Buddhism), boredom is seen as potentially having great value and even importance. The current study sought to explore boredom through a case study involving introspective phenomenology. The author created conditions in which he would experience boredom for an hour, and recorded his experience in real-time using a variant of the Experiencing Sampling Method. The data were analysed using an adaptation of Interpretative Phenomenological Analysis. The results indicated that the state of boredom contained three main sources of value: (a) altered perception of time; (b) awakened curiosity about the environment; and (c) exploration of self. Consequently, the paper offers a re-appraisal of boredom, suggesting that rather than necessarily being a negative state, if engaged with, boredom has the potential to be a positive and rewarding experience.

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It's very difficult in traditional Japanese culture separate the landscape from the architecture. The Japanese architectural culture has its roots in China but soon this culture has developed its own culture and an aesthetic that was the result of a long isolation from the rest of the world. Zen Buddhism and the constant relationship with nature define the main characteristics of Japanese architecture: minimalism and simplicity. The architecture is a perfect balance of harmony, proportion and purity. This paper aims to analyze the cultural roots of the relationship between architecture and landscape in Japan and where the characteristics previously defined are very important for to know the significance of the Japanese architectural thinking.

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This study concentrates on the discovery of Japanese Buddhism by Brazilian intellectuals as a group of spiritual practices and as a body of spiritual wisdom. The study has been realized through readings and meetings with Japanese Buddhist monks and/or Japanese immigrants. These intellectuals defend a religious experience based on a universal notion of representations of Japanese Buddhism, which provides them with a non-dualistic philosophical perspective and a unique psychological experience. Through innovative spiritual experiences these intellectuals have broken the tension created within the dispute between secularized science and the Catholic hegemony, both predominant in the intellectual panorama.

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In recent years, a “second wave” of positive psychology has been emerging, characterised, above all, by an awareness and appreciation of the dialectical nature of flourishing. This paper offers a philosophical foundation for this second wave, based on Eastern philosophy, and, in particular, Zen aesthetics. Part one introduces Zen, including its key philosophical ideas and practices, as well as two antecedent traditions that helped to form it, namely, Buddhism and Taoism. Part two then elucidates three aesthetic principles that are integral to Zen: mono no aware (pathos of life), wabi-sabi (desolate beauty), and yūgen (profound grace). The paper discusses how these principles could be of value to positive psychology in fostering dialectical understanding and appreciation, thus highlighting future directions for the field.

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19 hojas : ilustraciones.