29 resultados para Songes
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La version intégrale de cette thèse est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (www.bib.umontreal.ca/MU).
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In an elegy to Wyatt published in Tottel’s Miscellany, Surrey claims that Wyatt ‘reft Chaucer the glory of his wit’. This statement, which both lauds and resists Chaucer, is a microcosm of the way Chaucer is treated throughout the Miscellany. In examining the collection’s paradoxical attitude to Chaucer, this essay focuses particularly on the Squire’s Tale, the Franklin’s Tale, Anelida and Arcite, the Legend of Good Women, and several short lyrics. In its interest in courtly love poetry and Petrarch, the Miscellany follows a trajectory in English poetry set by Chaucer. Its courtly verse is saturated with words, phrases, and tropes from his poetry. Rhyme royal, which he introduced into English poetry, is widely used. The Canterbury Tales has been fully assimilated and can be referred to allusively with the same confidence of the audience’s knowledge as is the case when referring to classical myth; in Wyatt’s ‘Myne owne Jhon Poins’, the speaker, disclaiming deceitfulness, says that he cannot ‘say that Pan/ Passeth Appollo in musike manifold:/ Praise syr Topas for a noble tale,/ And scorne the story that the knight tolde’ (lines 48-50). However, Chaucer’s poetry is also downplayed and contested in the Miscellany. ‘Truth’, the only poem of his which appears in the volume, is disingenuously placed in the ‘Uncertain Authors’ section. In addition, some of the most important elements of his work are strongly resisted in the Miscellany, either ignored, dismissed or challenged. These elements include Chaucer’s interest in variety of voice, his sympathetic engagement with women, particularly wronged women, and his interest in female speech and particularly female complaint. The Miscellany, by contrast, is dominated by male-voiced lyrics preoccupied with the pain inflicted on the lover by a lady who is frequently unfeeling, cruel, or faithless. Chaucer’s frequent focus on the cynical seduction and betrayal of female by male is reversed in the Miscellany, and the language and metaphors he uses to express male cruelty (e.g. the word ‘newfangleness’ and images of hooks, nets and traps) are usurped to describe the lady’s cruelty to the suffering lover. On occasion, poems in the Miscellany challenge specific Chaucerian texts; ‘On His Love Named White’ throws down a gauntlet to The Book of the Duchess, while two of Surrey’s poems implicitly take issue with the female falcon’s voice in the Squire’s Tale, giving the deceitful tercelet the opportunity to shout down the falcon’s charges. The essay thus shows that in many respects Tottel’s Miscellany is only superficially Chaucerian, and that it both passively and actively takes issue with Chaucer’s work.
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par A. Brierre de Boismont
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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For contents see Catalogue of the library of the Peabody institute, Baltimore.
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Taphonomic research of bones can provide additional insight into a site's formation and development, the burial environment and ongoing post-mortem processes. A total of 30 tortoise (Cylindraspis) femur bone samples from the Mare aux Songes site (Mauritius)were studied histologically, assessing parameters such as presence and type of microbial alteration, inclusions, staining/infiltrations, the degree of microcracking and birefringence. The absence of microbial attack in the 4200 year old Mare aux Songes bones suggests the animals rapidly entered the soil whole-bodied and were sealed anoxically, although they suffered frombiological and chemical degradation (i.e. pyrite formation/oxidation, mineral dissolution and staining) related to changes in the site's hydrology. Additionally, carbon and nitrogen stable isotopeswere analysed to obtain information on the animals' feeding behaviour. The results show narrowly distributed δ13C ratios, indicating a terrestrial C3 plant-based diet, combined with a wide range in δ15N ratios. This is most likely related to the tortoises' drought-adaptive ability to change their metabolic processes, which can affect the δ15N ratios. Furthermore, ZooMS collagen fingerprinting analysis successfully identified two tortoise species (C. triserrata and C. inepta) in the bone assemblage,which,when combined with stable isotope data, revealed significantly different δ15N ratios between the two tortoise species. As climatic changes around this period resulted in increased aridity in the Mascarene Islands, this could explain the extremely elevated δ15N ratio in our dataset. The endemic fauna was able to endure the climatic changes 4200 years ago, although human arrival in the 17th century changed the original habitat to such an extent that it resulted in the extinction of several species. Fortunately we are still able to study these extinct tortoises due to the beneficial conditions of their burial environment, resulting in excellent bone preservation.
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La critique a depuis longtemps identifié les lieux de lecture travaillés par les œuvres hébertiennes, de la Bible à Faulkner en passant par Chrétien de Troyes et les contes de fées. Mais si la lecture est un legs, un témoignage du passé qu’il est loisible d’interroger dans le présent de l’écriture, les œuvres d’Anne Hébert – l’adaptation cinématographique du Torrent en est l’illustration éclatante – constituent désormais un héritage dont les effets peuvent être analysés. Nous voudrions ici interroger ces deux modalités du legs d’Anne Hébert en nous attachant aussi bien aux traces des lectures de l’écrivaine qui parsèment son œuvre qu’à ce que cette dernière a légué en retour aux écrivains, ou cinéastes, qui lui succèdent. La présence de la bibliothèque de l’écrivaine au Centre Anne-Hébert est à cet égard à même d’ouvrir de nouvelles avenues de recherche, susceptibles de renouveler notre compréhension des œuvres. Ce n’est donc pas seulement d’intertextualité qu’il est question dans ces pages, ni de la notion ambigüe d’influence qu’elle était venue remplacer, mais bien de ce legs symbolique bien particulier que constitue la lecture. À quel héritage littéraire Anne Hébert a-t-elle puisé afin de rompre avec les discours social et littéraire du Canada français des années 1940? Quel traitement réserve-t-elle à l’héritage canadien-français, notamment religieux? Mais aussi, qu’en est-il, dans son œuvre, de cet enjeu majeur de la transmission, elle qui ne cesse de s’interroger, d’un texte à l’autre, sur les effets ineffaçables du passé à partir de son refoulement? Voilà quelques-unes des questions qui ont retenu l’attention des auteur(e)s de ce dossier, qui souhaite ainsi participer au renouvellement de la recherche sur cet aspect primordial du legs.
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Contient : Traduction de la Consolation de BOECE, par RENAUD DE LOUHANS, en vers : « Fortune, mère de tristesce, De doulour et d'affliction... » ; « ... Qui ce petit romant a fait, Et lui pardoint tout son meffait. Amen » ; Le Respit de la mort, en vers, par Jean LE FEVRE [de Ressons-sur-le-Mas] : « Tous ceulz qui ce dit orront, Sachent tuit car ilz mourront... » ; « ... Sur son hault trosne impérial, L'octroit de grâce espécial » [cf. mss. français 1445, et 1543, fol. 240] ; « Cy commence le livre du Rommant de la Rose », par GUILLAUME DE LORRIS et JEAN DE MEUNG : « Aucunes gens cuident que en songes... » ; « ... Atant fut jour et je m'esveille. Explicit le Rommant de la Rose »