Nathalie Sarraute frente al nouveau roman. Una heterodoxa genealogía de la novela moderna

El trabajo analiza las similitudes y diferencias entre las teorías de tres importantes representantes del nouveau roman francés: Nathalie Sarraute, Alain Robbe-Grillet y Jean Ricardou. Para eso, se centra en el debate que tuvo lugar en el coloquio sobre el nouveau roman llevado a cabo en Cerisy-la-Salle en 1971, del cual participaron escritores y críticos. A partir de ese balance, el trabajo se remonta a los ensayos escritos con anterioridad por Sarraute, Robbe-Grillet y Ricardou. En este contexto, se reconstruyen las ideas sobre la narrativa moderna de cada escritor y se las pone en diálogo y discusión. El trabajo se centra en la originalidad de la teoría y obra de Sarraute, expresada en una paradoja: inauguradora del movimiento, Sarraute es al mismo tiempo la eterna disidente y marginal. Este doble y contradictorio estatuto permite considerarla como la representante más original del núcleo del nouveau roman.

An examination of how the military, the conservative press and ministerialist politicians generated support within Queensland for the war in South Africa in 1899 and 1900

This thesis examines the role of conservative newspaper proprietors and editors to generate support for war against the Boers in South Africa. The thesis utilises Rune Ottosen's theoretical model concerning newspapers creating a pro-war mentality, and S.E. Finer's theory on the influences of the military on civilian Government. The pivotal supportive roles of Governor Lamington and Premiers Dickson and Philp and the oppositional role of Premier Dawson are also examined.

World architecture 1900-2000 : A critical mosaic : Southeast Asia and Oceania [Volume 10]

"World Architecture records the major architectural contributions made in all regions of the world to the development of human culture. Grouped into 10 geographical regions and representing five twenty-year-periods, the buildings have been selected by approximately 80 eminent international architectural critics. Each volume contains 100 buildings from one particular region, each object accompanied by an analytical text as well as by drawings and photographs. Introduction essays by the general editor, Kenneth Frampton, and the editor(s) of each volume complete the survey. The series comprises 10 volumes. The books are handsome, linen-bound and stitched, generously formatted (21,5 x 28,5 cm/8,4 x 11 inches) and contain approx. 300 pages and 400 colour prints each. This unique project gives the most precise and authoritative description of 1000 of the century's most notable buildings. Countries: Brunei, Burma, Cambodia, Indonesia, Laos, Malaysia, The Philippines, Singapore, Thailand, Vietnam and Australia, New Zealand, Papua New Guinea, and Oceania."

Literaturnaja skazka A.M. Remizova (1900-1920-e gody)

Literary tale of A.M. Remizov (1900’s – 1920’s) The thesis is devoted to a detailed historical-literary description of a tale as a genre tradition in the creative work of Alexei Mikhailovich Remizov (1877-1957), one of the major Russian prose writers of the 20’s century. This very approach allows to specify the place and functional meaning of this genre in literary practice of the writer and to appeal to one of the key problems of the 20-21 century literature history – a specific of modernistic literature composition principle and a role of montage techniques in its formation. Remizov was working on tales during his whole life, though the most productive years of folklore studies fell to 1900’s – 1910’s. During this period he intensively studied folklore materials, narrated several hundreds of folk tales and in 1900’s – 1920’s published eight tale collections which played a significant role in the formation of stylistic and compositional principles of his prose of the 1910’s – 1920’s, especially montage techniques, which in its turn influenced the development of the narrative forms in the Russian post-revolutionary literature. At the same time a tale has specified not only poetics but also problematics of Remizov’s creative work, as when choosing folklore sources the writer always alluded to modern themes and relevant intellectual trends. The current research work, based on various archive materials and a wide spectrum of modern historical-literary data, complies four chapters with a consistent description of creation history, publication and critics’ reviews of Remizov’s tale collections and single tales contributing to his creative evolution characteristic. Furthermore, the work refers to composition and subject of the particular collections. On the whole it enables to follow up genre dynamics. The first chapter of the work is devoted to Posolon’ (Sunwise), the earliest tale collection of Remizov. The main feature of the collection is that its composition is oriented on the agrarian calendar and the subject – on the system of mythological views reflected in the Russian folklore. This very collection to a large extent corresponds to the writer’s views on the myth represented in Pis’mo v redaktsiyu (Letter to the Editor). The history of this manifesto appearing is analyzed in the second chapter. The incident which caused its forthcoming contributed to ‘legitimization’ of Remizov’s narrations as a relevant genre of modern literature and to upgrading the writer in professional hierarchy. The third chapter analyzes Remizov’s collections of 1900’s – early 1920’s, a result of Remizov’s scrupulous work with a specific tale material. He is acting here as a tale repertory researcher and in some cases as a collector as well. The means of such collections’ topical organization is not the myth but the hero of the tale. According to this principle single pieces are grouped into cycles, which then form complicated montage constructs. Texts themselves can be viewed as a sort of hyper-quotations, as they in fact entirely coincide with their original sources. Besides, collections usually have their own ideal patterns. In the fourth chapter a connection of Remizov’s creative work with folk fun culture and a tradition of the folklore noel story is being demonstrated on Zavetnyie skazy (Secret Tales) material. A consistent collections’ history creation analysis convinces us that the tale was a sort of laboratory in which main writer’s prose methods were being worked out.

"Kokonainen elämä on ihmisen pyhin oikeus" : Rolf Lagerborgin seksuaaliradikalismi ja ylempien yhteiskuntaryhmien keskinäiset esiaviolliset suhteet 1900-luvun alun Suomessa.

Tutkielman aiheena on Rolf Lagerborgin seksuaaliradikalismi ja ylempien yhteiskuntaryhmien keskinäiset esiaviolliset suhteet 1900-luvun alun Suomessa. Filosofian tohtori, sittemmin professori Rolf Lagerborg (1874-1959) oli aikakauden näkyvin seksuaaliradikaalien aatteiden yläluokkainen kannattaja. Hänen 'vapaata rakkautta' ja naisen vapautta puolustaneista kirjoituksistaan sekä tuomioistuinavioliitostaan sukeutui kiivassanainen väittely, joka laajuudessaan oli Suomessa ennennäkemätön. Keskustelu levisi kaikkiin sivistyneistön tärkeimpiin äänitorviin ja siihen osallistui suuri joukko aikansa huomattavimpia mielipidevaikuttajia. Tutkielmassa selvitetään, mitä Rolf Lagerborg vuosisadan alussa esitti sukupuolikysymyksestä, mihin muihin toimiin hän sanaradikalismin lisäksi ryhtyi sekä miksi hän tämän kaiken teki. Siinä perehdytään myös Lagerborgin muuhun kirjalliseen tuotantoon ja jäljitetään sitä laajempaa kontekstia, josta seksuaaliradikaalit käsitykset muodostivat yhden osan. Tutkielmassa tarkastellaan lisäksi Lagerborgin provosoimaa julkista keskustelua. Huomio kiinnitetään erityisesti niihin perustaviin näkemyseroihin, joita kiistaan osallistuneiden sivistyneistön edustajien keskuudessa ilmeni. Lähtökohtana on oletus, että sukupuolikysymyksen aktualisoituminen vuosisadan vaihteessa oli osa länsimaisessa maailmankuvassa tapahtunutta fundamentaalista muutosta. Lopuksi hahmotetaan kirkonkirjoista kerätyn empiirisen tilastoaineiston kautta sitä sukupuolielämän ruohonjuuritasoa, jonka päällä erilaiset hyvinkin korkealentoiset diskurssit risteilivät. Pyrkimyksenä on tutkia yksilön, yhteisön sekä tilastollisen aineiston vuorovaikutusta. Lagerborgin seksuaaliradikalismin keskeisimmäksi piirteeksi nousi yksilön itsemääräämisoikeutta ja valinnanvapautta korostanut individualismi. Taustalla vaikuttivat myös reformistinen sosialismi sekä nietzscheläis-westermarckilainen relativismi. Tärkein motiivi oli taistelu uskonnonvapauden puolesta, mikä Lagerborgille merkitsi samalla henkilökohtaista vapaustaistelua uskonnosta. 'Vapaan rakkauden' kannattajat ja vastustajat on maailmankatsomuksensa perusteella tutkielmassa jaettu viiteen ryhmään. Lagerborgin edustaman eettisen pluralismin lisäksi erotetaan vanhaluterilainen arvomaailma, moderni kristillisyys, suomalais-kansallinen idealismi sekä luonnon korottaminen absoluutiksi. Osaltaan sukupuolinen pidättyvyys osoitetaan valtastrategiaksi, johon eräät yläluokkaiset naiset ja nouseva sivistyneistö tukeutuivat. Lagerborgin toiminnan välittömin tulos oli siviiliavioliittohankkeen nopeutuminen Suomessa. Näkyvin seuraus taas oli ankara absoluuttisen sukupuolimoraalin puolustus. Julkinen keskustelu ei kuitenkaan ollut suorassa suhteessa sukupuolielämän käytäntöihin. Tutkimusajanjakso 1904-1914 ei ollut tutkielman tilastollisen aineiston valossa murroskausi sen paremmin absoluuttisen kuin relativistisenkaan sukupuolimoraalin suuntaan. Tutkimuksessa Lagerborg osoittautuu marginaaliseksi hahmoksi. Syynä tähän marginalisoitumiseen oli konservatiivinen ympäristö, johon nähden monet Lagerborgin ajatukset olivat ns. aikaansa edellä. Lisäksi ongelmia aiheutti Lagerborgin konfliktinhaluinen ja epädiplomaattinen esiintyminen. Marginaalisuus ei kuitenkaan ole merkityksetöntä. Lagerborg-kiista paljastaa kiinnostavalla tavalla yhteyden, joka vallitsee individualisoitumisen ja modernin seksuaalisuuden muotoutumisen välillä.

Linnunkiikut ja kallen kaulukset : Kotitekoiset kuukautissiteet 1900-luvun alkupuolen Suomessa

The aim of this thesis was to study what kind of home-made menstrual pads were used in the early 20th century in Finland, how the home-made pads were made and which techniques and materials were used. The use and taking care of menstrual pads were also explored. The history of menstrual pads has been studied in Sweden, Germany and United States but none of those studies has concentrated on home-made pads. Instead, there are many studies about womanhood and menstruation. In many studies home-made menstrual pads are only briefly mentioned. Menstrual pads were not commonly used in Finland at the beginning of the 20th century, but already in the 1940s the use of menstrual pads had become common in every stratum of society. Home-made menstrual pads were used even until the 1960s. In Finland, factory-made disposable menstrual pads became common only in the 1930s and they were only slowly accepted. The study material consisted of nine interviews, three archival inquiries, health care guidebooks from 1893 to 1943 and authentic menstrual pads, menstrual belts and other objects related to them. The interviewed women were born between 1915 and 1939. The narrative approach was used in the study and it also guided the analysis. The interview and archival data were studied according to the basic rules of oral history studies. Literature consisted of publications from several disciplines. The extensive primary material played the most important role in this study. The reconstructions of the menstrual pads were made according to the interviewed women s advice. In Finland there were innumerable variations of home-made menstrual pads. The pads were most commonly crocheted and knitted either by hand or by knitting machine. Pads were also sewn of cloth, old bed linen or old underwear. The menstrual pads were self-made or made by a female relative. Word of mouth was important in spreading information on how to make pads, because there were hardly any instructions available. The biggest pads were 54 cm long and 13 cm wide. The most widely used pad model was a rectangle, which had triangle-shaped ends with a buttonhole or a loop. The pad was attached to the menstrual belt or to the buttons of the suspender belt. Knitted and crocheted pads had one, two or three layers. In sewn pads, there could be even more layers. Cellulose wadding or pieces of cloth could be placed inside the pad to increase the absorption ability. The experiences of the comfort of self-made pads varied. The crocheted and sewn pads were found chafing, knitted ones were found soft and comfortable. The menstrual pads were laborious to wash and boil in lye water. Therefore disposable pads made everyday life easier. The home-made menstrual pads were part of a unique tradition of handicrafts and folk culture. Hand-made pads were one of the most common handicraft products and were a part of every woman s life. Even so, the menstrual pads were unnoticeable. The large number of variations was probably caused by the silence around menstrual topics and by the lack of instructions for making pads. Variations are also explained by the uniqueness of every handicraft product. In Finland the home-made pads were used until relatively recent times. This was caused by the conditions of wartime and the following years and the rarity of commercial pads. Furthermore, until the late 20th century Finland was an agricultural society where all innovations spread slowly. Home-made menstrual pad was a secret handicraft of women and every woman needed to know how to make it by herself.

Julius Spanier Collection 1900-1959

Obituaries; photos with family; newspaper clippings.

Leo Taub Collection 1900-

Two telegrams from Hungary (early 1900s) and five picture postcards (Austria Hungary)

Jacobs family collection 1877-1900

Vital documents of the Jacobs family: marriage certificate (1907); military certificate (1899); birthday poem for Selig Loewenstein (1926); school certificates; birth certificate.

"From Ghetto to Ghetto" : [1900-1933].

Childhood and education in Grodno and Lemberg; poor family background; active as soccer player; acting school of Max Reinhardt in Berlin; engagements in Munich, Zurich and Frankfurt; visit to Poland and short engagement with Yiddish theater troupe; description of theater in Weimar Germany; activities in "Juedischer Kulturbund" after 1933; main role in Kulturbund performance of "Nathan the Wise".

A Berlin Childhood ca. 1900 1900

English translation of "Berliner Kindheit um 1900" by Shierry Weber Nicholsen.

Mediaş Jewish Community Photograph Collection 1900-1930s bulk: undated

The collection contains more than 60 black and white photographs from the first decades of the 20th century found in the synagogue of Mediaş (Mediasch, Medgyes), Romania. The photographs were found in the process of an on-going clean-up and restoration project and for the most part are unidentified. The photographs are of community members and their relatives and friends; they consist of group family portraits, individual portraits, babies, and children. Some of the photographs originate from Mediaş and other nearby Transylvanian towns, while others were printed by foreign printing shops and were presumably sent to relatives living in Mediaş.