186 resultados para Pigmento nanométrico


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The demand for materials with high consistency obtained at relatively low temperatures has been leveraging the search for chemical processes substituents of the conventional ceramic method. This paper aims to obtain nanosized pigments encapsulated (core-shell) the basis of TiO2 doped with transition metals (Fe, Co, Ni, Al) through three (3) methods of synthesis: polymeric precursors (Pechini); hydrothermal microwave, and co-precipitation associated with the sol-gel chemistry. The study was motivated by the simplicity, speed and low power consumption characteristic of these methods. Systems costs are affordable because they allow achieving good control of microstructure, combined with high purity, controlled stoichiometric phases and allowing to obtain particles of nanometer size. The physical, chemical, morphological, structural and optical properties of the materials obtained were analyzed using different techniques for materials characterization. The powder pigments were tested in discoloration and degradation using a photoreactor through the solution of Remazol yellow dye gold (NNI), such as filtration, resulting in a separation of solution and the filter pigments available for further UV-Vis measurements . Different calcination temperatures taken after obtaining the post, the different methods were: 400 º C and 1000 º C. Using a fixed concentration of 10% (Fe, Al, Ni, Co) mass relative to the mass of titanium technologically and economically enabling the study. By transmission electron microscopy (TEM) technique was possible to analyze and confirm the structural formation nanosized particles of encapsulated pigment, TiO2 having the diameter of 20 nm to 100 nm, and thickness of coated layer of Fe, Ni and Co between 2 nm and 10 nm. The method of synthesis more efficient has been studied in the work co-precipitation associated with sol-gel chemistry, in which the best results were achieved without the need for the obtainment of powders the calcination process

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Dissertação apresentada na Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa para a obtenção do grau de Mestre em Conservação e Restauro Área de Documentos Gráficos

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The synthesis of the ceramic pigment Victoria Green (Ca3Cr2Si3O12 ) is described. As raw materials CaCO3, Cr2O3, and SiO2 obtained from rice husk were used. Borax was used as mineralizer. Raw materials were formulated stoichiometrically and calcined from 1000 to 1200 ºC for 180 min. The main phase detected was uvarovite with particle size below 45 mm. The pigments were applied on ceramic tiles and sintered at 1150 ºC for 40 min. The synthesis process showed to be adequate to produce the green pigment, whose characteristics resemble those of a commercial pigment.

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This work presents a chemical study of human bones painted red located at the Morro dos Ossos site, Piauí State, Brazil. The pigment was studied using X-ray diffraction (XRD), energy dispersive spectroscopy (EDS), scanning electron microscopy (SEM), complexation reactions with thiocyanate and UV-Vis absorption spectroscopy. The results confirmed the presence of ochre and that the pigment layer is essentially composed of a mixture of clay and hematite, α-Fe2O3.

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Conventional stationary lead acid batteries positive tubular plates have a specific capacity of about 120 Ah/kg. This value represents an active material utilization coefficient of 50%. The production of these plates includes some initial processes to generate the active PbO2 from a precursor material. In the present work it will be presented a proper and novel methodology to assemble tubular plates directely with nanometric powder of PbO2 particles. The utilization coefficient of these plates was about 80%, and they were able to endure more than 130 severe duty cycles. This high utilization coefficient is a higly desirable feature for electric vehicles batteries.

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Tesis (Maestría en Ciencias con Orientación en Química de los Materiales) UANL, 2011

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Relata la experiencia 'Pigmento-Color' realizada en el centro donde trabaja la autora. Los niños deben obtener los colores necesarios para realizar su creación, a partir de los tres colores básicos; el sistema está basado en la observación directa, trabaja tanto la motricidad gruesa como la fina, pues al niño se le pide que respete los espacios grandes y los que están divididos por líneas gruesas. El material se compone de un cuaderno de trabajo y un estuche para mezclar colores.

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Synthetic inorganic pigments are the most widely used in ceramic applications because they have excellent chemical and thermal stability and also, in general, a lower toxicity to man and to the environment. In the present work, the ceramic black pigment CoFe2O4 was synthesized by the polymerization Complex method (MPC) in order to form a material with good chemical homogeneity. Aiming to optimize the process of getting the pigment through the MPC was used a fractional factorial design 2(5-2), with resolution III. The factors studied in mathematical models were: citric acid concentration, the pyrolysis time, temperature, time and rate of calcination. The response surfaces using the software statistica 7.0. The powders were characterized by thermal analysis (TG/DSC), x-ray diffraction (XRD), scanning electron microscopy (SEM) and spectroscopy in the UV-visible. Based on the results, there was the formation of phase cobalt ferrite (CoFe2O4) with spinel structure. The color of the pigments obtained showed dark shades, from black to gray. The model chosen was appropriate since proved to be adjusted and predictive. Planning also showed that all factors were significant, with a confidence level of 95%

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Biotecnologia - IQ

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Pós-graduação em Ciências Cartográficas - FCT

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Bajo la denominación del verdigrís se incluye una amplia variedad de pigmento de origen sintético cuyo color puede ser verde, verde-azulado o incluso azul. Su proceso de obtención se basa en la corrosión del cobre o sus aleaciones provocada por la acción del ácido acético contenido en el vinagre o por la acción de cloruros (cloruro sódico o cloruro amónico). Ha sido uno de los pigmentos más importantes de la historia y ha sido profusamente utilizado por artistas de todas las épocas y escuelas pictóricas. Sus procesos de obtención se conocen desde la antigüedad clásica, y aparecen recogidos en textos de aquella época y en muchos otros de la época medieval y de los siglos XVI al XIX. Incluso existen patentes de invención de los siglos XIX y XX relacionadas con su obtención y con la propuesta de sistemas para mejorar su producción. Una peculiaridad de este pigmento es su solubilidad en agua, por lo que también ha sido utilizado enla elaboración de tintas que han sido profusamente utilizadas para la elaboración de planos y mapas; en este tipo de usos eran utilizadas para representar las zonas de vegetación o de agua (ríos, lagos, zonas de costa) Son numerosas las investigaciones que se han realizado en torno a este pigmento. Muchas de ellas han estado dirigidas a esclarecer su composición química y aunque son de indudable interés, estas aportaciones no resultan suficientes. La principal razón es que se trata de un pigmento que puede obedecer a una amplia variedad de composiciones; a este respecto han sido identificadas diferentes hidroxiacetatos de cobre(II) hidratados, hidroxicloruros de cobre(II) y acetato de cobre(II) hidratado, entre otros compuestos...