Orazio and Artemisia Gentileschi : father and daughter painters in Baroque Italy : réception critique d'un jumelage expositionnel

Pour respecter les droits d'auteur, la version électronique de ce mémoire a été dépouillée de ses documents visuels et audio-visuels. La version intégrale du mémoire a été déposé au Service de la gestion des documents et des archives de l'Université de Montréal.

Symbolic geography in John Ruskin's modern painters, Volumes III, IV, V.

Modern Painters vol. III, IV et V est une œuvre tripartite développée après 1850, en synchronie avec la guerre de Crimée (1854-56), la répression de la révolte indienne (1857-59) et la deuxième guerre d’indépendance d’Italie (1859). Marqué par ces événements politiques, Ruskin met en œuvre une stratégie complexe pour configurer dans un langage symbolique les frontières et les taxonomies impériales de l’espace européen. Il développe des stratégies de présentation qui combinent le texte et les illustrations pour créer des allégories mentales et visuelles, construites à partir des stéréotypes littéraires et culturels véhiculés dans l’espace britannique. L’auteur met ses derniers volumes de Modern Painters sous le signe de « la crise de la civilisation » représentée par les conflagrations de Crimée, d’Inde et d’Italie, en exprimant son soutien pour la nouvelle alliance entre l’Angleterre et la France. Un autre motif est son obsession avec la réforme sociale via un retour aux valeurs chrétiennes traditionnelles.

Painters of Europe, painters of the world. 'Pintores de Europa, pintores del mundo'.

Está editado en castellano, catalán y francés además de inglés

Evaluation of genotoxicity and oxidative damage in painters exposed to low levels of toluene

Toluene is an organic solvent used in numerous processes and products, including industrial paints. Toluene neurotoxicity and reproductive toxicity are well recognized: however, its genotoxicity is still under discussion, and toluene is not classified as a carcinogenic solvent. Using the comet assay and the micronucleus test for detection of possible genotoxic effects of toluene, we monitored industrial painters from Rio Grande do Sul, Brazil. The putative involvement of oxidative stress in genetic damage and the influences of age, smoking, alcohol consumption, and exposure time were also assessed. Although all biomarkers of toluene exposure were below the biological exposure limits, painters presented significantly higher DNA damage (comet assay) than the control group; however, in the micronucleus assay, no significant difference was observed. Painters also showed alterations in hepatic enzymes and albumin levels, as well as oxidative damage, suggesting the involvement of oxidative stress. According to multiple linear regression analysis, blood toluene levels may account for the increased DNA damage in painters. In summary, this study showed that low levels of toluene exposure can cause genetic damage, and this is related to oxidative stress, age, and time of exposure. (C) 2012 Elsevier B.V. All rights reserved.

The bronzers', gilders', platers', polishers', and painters' guide book /

Mode of access: Internet.

Lives of seventy of the most eminent painters, sculptors and architects,

Translated by Mrs. Jonathan Foster.

The master painters of Britain,

Illustrations with text.

Great painters of the XIXth century and their paintings,

Mode of access: Internet.

Little journeys to the homes of eminent painters /

Michael Angelo -- Rembrandt -- Rubens -- Meissonier -- Titian -- Anthony Van Dyck -- Fortuny -- Ary Scheffer -- Jean François Millet -- Joshua Reynolds -- Landseer -- Gustave Doré.

A classified synopsis of the principal painters of the Dutch and Flemish schools, their scholars, imitators, and analogists. Including an account of some of the early German masters, connected with those of Flanders and Holland.

Mode of access: Internet.

The gospels in art; the life of Christ by great painters from Fra Angelico to Holman Hunt, the text by Léonce Bénédite, Henry Van Dyke, R. F. Horton and the Bishop of Derry & Raphoe;

On cover : The Bible in art: The New Testament.

Lely & the Stuart portrait painters; a study of English portraiture before & after Van Dyck:

"Of this work 375 copies (of which 350 are for sale) have been printed on pure rag paper; also (for a subscriber) 30 copies (25 for sale) on hand-made paper, with an extra set of the plates. Of the ordinary edition this is no. 21."