Novel melody line identification algorithm for polyphonic MIDI music

The problem of automatic melody line identification in a MIDI file plays an important role towards taking QBH systems to the next level. We present here, a novel algorithm to identify the melody line in a polyphonic MIDI file. A note pruning and track/channel ranking method is used to identify the melody line. We use results from musicology to derive certain simple heuristics for the note pruning stage. This helps in the robustness of the algorithm, by way of discarding "spurious" notes. A ranking based on the melodic information in each track/channel enables us to choose the melody line accurately. Our algorithm makes no assumption about MIDI performer specific parameters, is simple and achieves an accuracy of 97% in identifying the melody line correctly. This algorithm is currently being used by us in a QBH system built in our lab.

Review of The Search for a Common Language: Environmental Writing and Education Edited by Melody Graulich and Paul Crumbley

This edited collection grew out of a symposium held at Utah State University in Logan in 2002. According to the editors, the symposium's purpose was to "publicly explore the particular ways environmental writing educates the public through a fusion of science and literary expression." The Search for a Common Language achieves that purpose by including short prose pieces-ranging from memoirs, essays on specific locations, and scientific papers - as well as poetry on natural themes. The range of topics and genres and the inclusion of poetry provide a variety of ways to talk about the environment and reach out to different audiences to educate them about the natural world.

Melody recognition at fast and slow tempos: Effects of age, experience, and familiarity

Eighty-one listeners defined by three age ranges (18–30, 31–59, and over 60 years) and three levels of musical experience performed an immediate recognition task requiring the detection of alterations in melodies. On each trial, a brief melody was presented, followed 5 sec later by a test stimulus that either was identical to the target or had two pitches changed, for a same–different judgment. Each melody pair was presented at 0.6 note/sec, 3.0 notes/sec, or 6.0 notes/sec. Performance was better with familiar melodies than with unfamiliar melodies. Overall performance declined slightly with age and improved substantially with increasing experience, in agreement with earlier results in an identification task. Tempo affected performance on familiar tunes (moderate was best), but not on unfamiliar tunes. We discuss these results in terms of theories of dynamic attending, cognitive slowing, and working memory in aging.

Brausch Haschonoh! : traditional melody ; 2d. part of "Unsane Taukef"

arr. by Joachim Kurantmann

The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody

Mode of access: Internet.

Kaleidophone : new resources of melody and harmony : pitch scales in relation to chord structures : an aid to composers, performers, arrangers, teachers, song-writers, students, conductors, critics, and all who work with music /

Mode of access: Internet.

Ballade in the form of variations on a Norwegian melody; for the piano.

Mode of access: Internet.

Ballade in the form of variations on a Norwegian melody. [music] : for the piano, op. 24 /

Mode of access: Internet.

Kol nidrei = Hebrew melody : op. 47 /

Originally for violoncello and orchestra; arr. for violin and piano.

Ballade in the form of variations on a Norwegian melody, op. 24.

For piano.

The melody of God's love; a new unfolding of the Twenty-third Psalm,

Printed at the Merrymount Press.

The melody of earth : an anthology of garden and nature poems from present-day poets /

Mode of access: Internet.