Adolfi Kiessling Analecta Plautina.

Disbound original held in Oak Street Library Facility.

Sur les tréteaux latins.

At head of title: G. Michaut.

Studien zur griechisch-römisch Komödie : mit besonderer Berücksichtigung der Schlusz-Szenen und ihrer Motive /

Includes index.

Scaenicae Romanorvm poesis fragmenta tertiis cvris recognovit Otto Ribbeck ...

Mode of access: Internet.

De pronominum personalium usu et collocatione apud poetas scaenicos Romanorum.

Based on the comedies of Plautus and Terence.

How to apologise in Latin: a case study

Recent years have seen an increase in sociolinguistic studies of the Latin language devoted to aspects and forms of politeness as part of general linguistic behaviour, and considerable progress has been made overall. One area, albeit central to the notion of politeness, has been conspicuously neglected so far, and this area is best summarised by the term ‘apologies’. This paper aims to remedy this situation and to provide a first extensive case study, based on the textual corpus of Terence.

Il drama popolare in Roma nel periodo delle origini e suoi pretesi rapporti con la comedia dell' arte ...

Mode of access: Internet.

The ancient classical drama; a study in literary evolution intended for readers in English and in the original,

"Courses of reading": p. [458]-460.

The new comedy,

At head of title: University of St. Andrews. Gray prize essay.

The Drama; its history, literature and influence on civilization.

Vols. 4 and 10, without edition statement have only special t.p. with imprint : London, New York, Smart and Stanley [1903]

Speculum vitae humanae : ein Drama /

With reproduction of original t.p.

The Drama; its history; literature and influence on civilization.

Mode of access: Internet.

Jan Steen and The doctor’s visit: Classical Tradition in Golden Age Dutch painting (1st Part)

First one of a two-part analysis on the influence of the Classical Tradition on a favourite theme along the Dutch painters of the Golden Age, The doctor’s visit or The lovesick maiden, especially in the Leiden artist’s production, Jan Steen (1626-1679).

Cratino y la comedia en la parábasis de los Caballeros

En la parábasis de Los caballeros, Aristófanes' se presenta a los espectadores, por medio del coro, como tin autorcómico oprimido por las dificultades de oficio y temeroso de la infidelidad del público. Con el fin de ejemplificar la volubilidad en el gusto teatral que achaca a sus conciudadanos, el poeta refiere a grandes rasgos la trayectoria de tres de sus predecesores -Magnes, Cratino y Crates- recordando como, pese a su ingenio y a sus muchos éxitos, en la vejez perdieron el favor de los oyentes y fueron olvidados por la ciudad. Tal es el contexto en que se enmarcan los versos de Aristófanes sobre Cratino que aquí nos proponemos examinar: una exposición parabática sobre la actitud de la ciudad hacia la antigua comedia y sobre los estilos diferenciales de sus principales exponentes.