A perspectiva linear e orgãnica na conceção do desenho de paisagem

This dissertation was primarily engaged in the study of linear and organic perspective applied to the drawing of landscape, considering the perspective as a fundamental tool in order to graphically materialize sensory experiences offered by the landscape / place to be drawn. The methodology consisted initially in the investigation of perspective theories and perspective representation methods applied to landscape drawing, followed by practical application to a specific case. Thus, within the linear perspective were analyzed and explained: the visual framing, the methods of representation based on the descriptive geometry and also the design of shadows and reflections within the shadows. In the context of organic perspective were analyzed and described techniques utilizing depth of field, the color, or fading and overlapping and light-dark so as to add depth to the drawing. It was also explained a set of materials, printing techniques and resources, which by means of practical examples executed by different artists over time, show the perspectives’ drawings and application of theory. Finally, a set of original drawings was prepared in order to represent a place of a specific case, using for this purpose the theories and methods of linear and organic perspective, using different materials and printing techniques. The drawings were framed under the "project design", starting with the horizontal and vertical projections of a landscape architecture design to provide different views of the proposed space. It can be concluded that the techniques and methods described and exemplified, were suitable, with some adjustments, to the purpose it was intended, in particular in the landscape design conception, bringing to reality the pictorial sense world perceived by the human eye

Bike and cycle polo's terminology translation issues from a cognitive linguistics perspective

The purpose of this dissertation is to give a contribution to the translation of the terminology of Cycle and Bike Polo into European Portuguese and hence call the attention of a wide Portuguese public to this fairly new sport, whose roots go back to Elephant and Horse Polo in India and in other parts of the world. Sequencing a characterization of technical translation, translation issues of Bike and Cycle Polo´s terminological units have been dealt with in the light of the Cognitive Linguistics framework and hence intimately associated both with physical experiences and historical facts. In fact, sports terminology coinage in this field is highly motivated by metaphorical and metonymical conceptualization mapped from physical reality dimensions, as well as from already existing sports terminology from other sports modalities. In order to render this research unique, a glossary of technical terms from Bike and Cycle Polo has been gathered, since most of them had not yet undergone translation from English into European Portuguese. For validation of my translations I have resorted to Portuguese bike polo players, with special reference to Catarina Almeida, who introduced me to Bike Polo’s terminology.