Two Clara dos Anjos and one Rosa: identity and representation of black woman in Brazilian Literature

This article presents an analysis of identity and representations of black women in the tales Keep Secret Esmeralda Ribeiro, Rosa and Fusilier and Voices d'Rachel de Queiroz Africa. The story of Esmeralda Ribeiro black author, published in Cadernos Negros: the best short stories (1998) reexamines Clara dos Anjos, Lima Barreto's novel character written between 1904 and 1922. In this work, the author lays bare, in a confessional tone, the daily life of Rio suburbs, from the perspective of racial prejudice, and is the protagonist as a passive woman, submissive, an object. Emerald, black writer, gives Clara a condition of the subject, building an identity as a woman and as a black. It is the chronicle of belonging. Rosa and the Marine and Voices of Africa Rose protagonist appointing chronic-tale first is the outcome of its history in the second text, both published in the first Rachel de Queiroz of chronic compilation entitled The Maiden and Moura Pie (1948 ). Rachel is the text representation of black women because they can not as white women have the lived experience as black to build identity and can do it in generalizing way considering his wife condition and his experience in the feminine universe. There are relations between the texts that go beyond the theme, Space Rio suburb and similarities between Rosa and Clara, Cassi and the Marines. You can see the works a dialogue between sex and race interests, identities and stereotypes, relationships that materialize in Literature.

"LEVY’S FRUIT OF THE LEMON" (1999) AND THE CONSTRUCTION OF IDENTITY

The slave-system, with extant repercussions on contemporary society, is accountable for the globalized exclusion scheme not only in the ex-colonies but even in the former metropolises. Official History is subverted by re-narrating what happened to non-Europeans during the last five hundred years and in Fruit of the Lemon black British author Andrea Levy utilizes orature to trigger the subjectification process in Faith Jackson, a British-born black female whose parents hail from Jamaica. Orature involve the construction of a new subject through revelations on the daily struggle for work, friendship, community-building, racial inclusion and the dire facts of the Caribbean diaspora. Since transindividual social tensions affect the British black subject, native or immigrant, the novel denounces the immigrants’ “amnesia” as a policy and the myth of a British multicultural society accepting peacefully ex-colonial subjects. Results show that remembrance through orature is a powerful means of subjectification and identity, besides being an antidote against a racialized society. In Fruit of the Lemon Levy installs an agonistic stance in which the authority of hegemonic discourse is subverted and a new liberating and hybridized discourse produced.