EXPERIENCE AND HISTORY IN EDMUND WHITE, BERNARDO CARVALHO AND MILTON HATOUM’S NARRATIVES

This article is a comparative study of three fictionists: Edmund White, Bernardo Carvalho and Milton Hatoum. We focus on the concepts of experience to investigate some modes of fictional constructions that allows us to say that a singular panorama of contemporary prose can be seen in a horizon where autobiography and history are key issues in the three authour’s poetics. Therefore literary theory will help us find theoretical paths towards what we name a poetics of mobility and closure at work in the fiction of these authours. Walter Benjamin, Phillipe Lejeune, Beatriz Sarlo and Jeanne Marie Gagnebin, amongst other thinkers, will guide theoretically our study.

Collective subject`s ideological construction in drug-addicted people`s narratives.

In this paper, I analyzed, according to Discourse Analysis approach, the narratives of drug-addicted people which were found on a website of the drug rehabilitation and treatment clinic www.ctiviva.com.br. I could find common characteristics among the reported narratives that integrate the group’s opinion into the same ideological position. I could also find a collective subject, considering the narratives made by the drug-addicted people who were under treatment into the reported clinic whose site was mentioned before. That site displays the 10 narratives that composed this corpus research. That analysis focused the construction of the process that indicates a social position of group, considering three categories: key-expressions; key-ideas and anchorage, according to Lefèvre (2005). The first one indicates excerpts of testimonials that facilitates the key-words` identification; the second one, the key-words, indicates the meanings of each testimonial, and the last one, the anchorage, indicates the ideology of the discourse. Managing such categories enabled the identification of all the narratives as situation category, as proposed by Bertaux (2010). The results indicated two criteria that establish relationships of power: family and the good treatment. The construction of a collective subject evidenced the ideologies of the clinic and of the treatments that were given to the patients. 

ILLUSTRATED NARRATIVES: A PROPOSAL OF LEARNING TO READ APPLIED TO DESIGN

The purpose of this research is to build reading routes from the analysis of verbal and visual productions developed by undergraduate students. For this goal, learning sequences are created, based in the identified routes so as to try to reach more elaborate comprehension levels. The set of propositions of this research offers the teacher strategies that embody an inter- and trans- disciplinary proposal by relating visual and verbal languages​​, supported by the French-based Semiotics. 

MYTHICAL ELEMENTS IN GARCÍA MÁRQUEZ, SÁBATO AND NERUDA

One hundred years of solitude, Report on the blind and Alturas de Machu Picchu, outstanding works from the Latin American Literature of the period of its boom, broke the relationship with facile and nineteenth schemes, and brusquely sprouted in a world that went far ahead of the surrealistic theses spread by André Breton. This was possible by the emergence of magical realism in the Hispanic American pens. According to Alejo Carpentier, “Our magical realism is the one we found in a raw state, omnipresent all through Latin America. Here, the unusual is daily, in fact it has always been daily”. It should not be forgotten that Carpentier and Sábato were in Breton’s work staff, because they guarded each a deep knowledge of Surrealism. Yet the history of the religions should also be taken into account, since the knowledge of myths, with Mircea Eliade as the chief head, enables an important and close approach to the works of these authors. That is the reason why, in this essay, the mythical aspects in the previously mentioned works are analyzed.