STUDENT’S VOICES ABOUT SOCIAL AND GENDER AT SCHOOL: IMPRESSIONS ABOUT DIDATIC MATERIALS OF ENGLISH LANGUAGE

This work intends to reflect on the impressions of two  teenagers  of 9º years in two public schools in City  of Cascavel, Paraná State. about socialgender identities English language teaching materials. These reflections are part of a field survey had a larger scope. Thus,  the reflections have  focused on a few lines of students. To make it possible to reflect on the social identities of this boys and girls we rely on references that talk about social identities, gender identities, teachers training: Moita Lopes (2002), Auad (2003), Norton (2004), Woodward (2004), Norton and Pavlenko (2004), Ferreira (2006), Louro (2008),  Ferreira and Ferreira (2011), among others.. Regarding to methodology, we followed  a qualitative field research of ethnografic  interviews were made and used questionnaires to students and students to understand the perceptions of the same on the didatic material used at the moment remembering that at the time this research the MEC (Ministry of Education) has not distributed the textbooks of English, then the materials were compiled by professors of disciplines.. The results showed that  perceptions  of adolescents go through the learning material and also initiates discussions on gender in the lives of these students and students in the social contexts to which they operate daily.Perceptions surrounding these issues often seem naturalizard by them, this is not always notice able naturalized by them. These reflections made it possible to understand the relationship between teaching materials and gender relations in the school environment and transcend this environment are brought to life in society.

ANA EM VENEZA: THE DOUBT AND THE EXILE AS MOTIVE FORCE OF ART

This work aims to approach the novel Ana em Veneza (1994), of João Silvério Trevisan, considering discussions around culture / national identity and exile that occur from the character Alberto Nepomuceno. Thereby it is discussed the impressions of a character who is faced with identity dilemmas, between a dominant western culture – european - and his roots whose character is multicultural and multifaceted, as well as when approaching the issue of exile in the work, this dilemma becomes even more evident. Therefore, as a theoretical basis, will be used studies about historical extraction narratives, in view of the historical rescue and biographical present in the work.