EXPERIENCE AND HISTORY IN EDMUND WHITE, BERNARDO CARVALHO AND MILTON HATOUM’S NARRATIVES

This article is a comparative study of three fictionists: Edmund White, Bernardo Carvalho and Milton Hatoum. We focus on the concepts of experience to investigate some modes of fictional constructions that allows us to say that a singular panorama of contemporary prose can be seen in a horizon where autobiography and history are key issues in the three authour’s poetics. Therefore literary theory will help us find theoretical paths towards what we name a poetics of mobility and closure at work in the fiction of these authours. Walter Benjamin, Phillipe Lejeune, Beatriz Sarlo and Jeanne Marie Gagnebin, amongst other thinkers, will guide theoretically our study.

Analogy between the socio-cultural thematic of Macunaíma and the Tarsila do Amaral’s paintings: a possibility of broaden the senses of literary texts

This research seeks establishing relationships between the socio-cultural theme of Macunaíma and the some paintings by Tarsila do Amaral bringing reflections to literature teaching to suggest the seek to broaden the sense of literary texts. We will discuss the literature importance at school according to what is to predicted in the Diretrizes Curriculares de Língua Portuguesa. Research is based  on the notions of intertextuality by Bakhtin (2003),  on the postulates by Etienne Souriau (1983), on the criticism by Candido (2006) on the Reception Aesthetics, by Jauss (2002), Iser (1999) and on the writings by Bordini and Aguiar (1993).

READER’S ROLE AND THE LITERARY GENRE IN TEXTUAL RECEPTION: TZVETAN TODOROV AND VINCENT JOUVE CONTRIBUITIONS

Regarding the importance the reader takes on in studies about reading and literary genres, this paper presents reflections about the reader’s role in the constitution of the literary genres as esthetics conventions which the writer dialogues, as well as, about the literary genres theory issues, important to literary analysis, and allow to an useful understanding, and consequently, the esthetical experience in reading literary texts. This paper focuses particularly, in a reflection about the reading concepts and esthetical conventions of the fantastic genre, from the theoretical assumptions of Tzvetan Torodov and Vincent Jouve. From reflections developed related to reception theories, about the reading processing and the reader’s contribution in the creation of the fantastic genre, was possible propose an approach and establish analogies between the referential from de Todorov and Jouve Both authors recognize the importance of the reader’s role to the literary text completeness and suggest the text to present features and conventions, as textual strategies of stylistic, linguistic and formal order which conduct the reader to the achievement of the text meanings.