ANÁLISE ENTONACIONAL DA LEITURA DE JORNALISTAS CHILENOS E ESPANHÓIS - SEMELHANÇAS E DIFERENÇAS NO NÚCLEO

This paper proposes to make an intonational comparison of the tonemes found in the Chilean and Spanish news broadcast reading, making a phonetic description and a phonological analysis.  The analysis is done from intonative phrases, which are limited by the complete sentence limited pauses.  Acoording to our point of view, intonative phrases are divided into three groups: continuative intonative phrases, internal intonative phrases and terminative intonative phrases, according to their position in the complete sentence.  Its objective is to find the convergent and divergent points between the two Spanish language varieties.  Its corpus is constituted of 12 sentences, recorded from the Chilean international channel TVN and  SpanishTVE, in 2001 August.  Twelve sentences are analyzed in total, six for each geographical origin, which were read by TV presenters when they read the news on the news broadcast.  The analysis are based on the Pierrehumbert's Autosegmental-Metric theory (AM) (1980), adapted to Spanish language by Sosa (1999).  As a result, not only the same tonal attribution for all the cases was found, but important differences when it comes to F0 behavior.  When considering the duration, also many differences were not found according to the predominant tendency; nonetheless, important differences related to the percentual value were observed.  As an example, we can consider terminative intonative phrases, where the observed pattern is L*L% both in Chile and Spain, but with soundless cases in the Spanish stressed vowel and post-stressed one, but just one case of a descendent movement in the Chilean stressed one.  Considering the duration, there is an increase  from the stressed from the pre-stressed and from the post-stressed to the stressed, but in different proportions: the increase is more perceived in the Chilean stressed vowel and in the Spanish post-stressed one.

"From the hidden side of dictatorship to the filter of memory: contemporary Brazilian literature - resistance and exile"

The article analyzes several aspects related to memoirs texts from the banished people of the Brazilian military dictatorship (1964-1985), mainly the domino effect of the narratives about resistance, the intertextuality among these works and the role of the banished ones in the effort of constructing a revolution which passed over national limits. Using autobiographical works such as the trilogy started by Fernando Gabeira with O que é isso, companheiro? [What is this, comrade?], the narratives of Alfredo Sirkis (Os carbonários and Roleta chilena) [The carbonari and Chilean roulette], Flávio Tavares (Memórias do esquecimento) [Memoirs of forgetfulness], Alex Polari (Em busca do tesouro) [In search of the treasure], and Carlos Eugênio Paz (Viagem à luta armada) [Trip to the armed struggle], among others, and as theoretical references authors like Andreas Huyssen, Beatriz Sarlo, Leonor Arfuch, Tzvetan Todorov and Michael Pollak, the article aims at reflecting about the memories of the banished and the political prisoners as a bruising affirmation of a crucial period of the Brazilian History and collective memory.

A FICÇÃO DA FICÇÃO: DERRAMAMENTOS DE UM “EU” EM ROBERTO BOLAÑO

Part of the work of the Chilean writer Roberto Bolaño, who died in 2003, seemsto be articulated from certain aspects of his self. In other words, the way he writes his ownname on the text, or, how do we answer the question: “who is “I” in this text?”. Many of hisshort-stories and novels, not to mention the poems, operate strategies of hide and exposure ofthat “I” that speaks. Those strategies point to an uneven reading of his works, according to theinscription of the given name. Using the short-stories “Detectives” (1997) and “Muerte deUlises” (2007), the novel Los Detectives Salvajes (1998) and the compendium EntreParéntesis (2004), this article articulates an analysis that compares Bolaño’s aestheticsstrategies regarding his own personal history. We’ll investigate the consequences of choosingthe signature Roberto Bolaño, or Arturo Belano, his alter-ego, to the essays, the interviews orthe fiction work. The question is not the verification of the truth within the fiction, but, moreprofoundly, pose the exam in the effect of reality that comes from the subject-effect. Writing,as it is, is considered as a vehicle to the construction of the “self”, that leads to the unstableoverflow of a identity that ultimately can never be Roberto Bolaño.

UNOBJECTIONABLE WOUNDS OF ILLUMINATED E.: ANALYSIS OF THE MONITORING BODY LANGUAGE IN “LUMPÉRICA”

The following work focuses on experimental writing of the Chilean Diamela Eltit, who published his first novel in 1983, during the military dictatorship of Pinochet. Through its "bold" text, Eltit achieved dictatorial circumvent censorship and began his career as a writer.  

WORKING WITH THE PROVERB GENRE IN THE CLASSROOM

This paper presents the results of a study in which we discuss the use of proverb genre in teaching Portuguese. To achieve the proposed objective we have developed a literature in which it sought to compile and analyze the conceptualization/characterization of proverbs, as well as the potential of the genre to the acquisition and/or improvement of linguistic and discursive skills. Therefore, it was possible to ensure that the proverb brings substantial teaching of Portuguese language contributions, because it is a genre that has various exploration possibilities. It was observed methodological possibilities for the development of educational activities involving issues related to phonology, morphology, the lexicon, syntax and semantics, and ideological and cultural issues, which can make the Portuguese language lessons more interesting and fruitful , which will provide students with an analysis of linguistic elements used daily in their social context , as well as analysis of ideological / cultural content present in proverbial expressions, expanding the linguistic and discursive student proficiency.