Assessment of Intercultural Communicative Competence of Lusophone Teachers

International mobility programs and curriculum restructuration stand out as the most common practice to develop intercultural communicative competence of students, in quest of respect for diversity in its otherness. For the teacher in initial and continuing training, the aim is to train in order to deal with children, adolescents and young adults, forming the growing migration around the world. Interested in the profile of Portuguese-speaking teachers for intercultural education, we address the professionals of Angolan nationality who were present at the Fórum Juventude Europa – Lusofonia, in its issue of Coimbra 2014. With methods in line with the proposal of Schaefer (2014), we assess the ability of Knowledge Discovery, Empathy, Respect for Otherness, Tolerance for Ambiguity, Behavioral Flexibility and Communicative Awareness. In this article, we present and discuss the findings of the group of teachers from Angola based on the literature of cultural studies and emphasis on intercultural communicative competence. The considerations which allow us to analyze are around the actual limits of the subjects - in this case pre-service and in-service teachers - to signify the symbiotic nature of the relationship among themselves, the others and the world.

THE GUARDIANS OF SIGNS: WOMEN OF LATIN-AMERICAN LITERATURE

One hundred years of solitude, Report on the blind and Alturas de Machu Picchu, outstanding works from the Latin American Literature of the period of its boom, broke the relationship with facile and nineteenth schemes, and brusquely sprouted in a world that went far ahead of the surrealistic theses spread by André Breton. This was possible by the emergence of magical realism in the Hispanic American pens. According to Alejo Carpentier, “Our magical realism is the one we found in a raw state, omnipresent all through Latin America. Here, the unusual is daily, in fact it has always been daily”. It should not be forgotten that Carpentier and Sábato were in Breton’s work staff, because they guarded each a deep knowledge of Surrealism. Yet the history of the religions should also be taken into account, since the knowledge of myths, with Mircea Eliade as the chief head, enables an important and close approach to the works of these authors. That is the reason why, in this essay, the mythical aspects in the previously mentioned works are analyzed.