SOCIOLINGUISTIC SIGNS IN COMPENDIUM OF RULES: AN ANALYSIS FROM THE INFANTE'S WORK

This article aims to reflect and demonstrate, on the basis of sociolinguistics, as normativism that coats the grammatical discipline, usually considered rigid and inflexible by supporters of Textual Linguistics, is conducted differently in the Curso de Gramática Aplicada aos Textos, Ulysses Infante, in other words, more flexible and sensitive to the social context of the individual, pointing to a evolution, although slow, of the application proposals of grammatical rules. For this, we adopt bibliographic research and the qualitative aproach to appreciate some stretches where the author seems inclined to give a social treatment to Portuguese similar to that proposed by sociolinguistic perspective, so that you can ponder about a possible change in the way of guide to grammar Language Portuguese. At the end, it is clear that the proposal by the grammar compendium approach represents an evolution regarding treatment usually meted out to grammatical discipline, behold considers various sociolinguistic precepts.

Um Narrador “Quase” Oral

O propósito deste artigo é identificar marcas do narrador de tradição oral na obra literária Quase de verdade, de Clarice Lispector, destinada ao público infanto-juvenil. Como âncora teórica, deteve-se, especificamente, no narrador da tradição oral defendido por Walter Benjamin (1994), e que se encontra na iminência de desaparecer. Observou-se que o cão Ulisses, narrador da produção literária clariceana, selecionada para este estudo, apresenta diversas características da oralidade, culminando assim em evidente dialogismo com as especificidades do narrador benjaminiano.