2 resultados para Estudos Regionais e Locais
em Línguas
Resumo:
Nowadays, studies about the Brasildeutsch still bring into question a lot of controversial discussions concerning to the use of German-speaking in inter-ethnic communities. In our country, mostly in the south, but especially in the community of Marechal Cândido Rondon, Paraná, we still have, in the dialogues of German immigrant speakers and their descendents, the use of Brasildeutsch lexicon-phonemics neologisms, which appears in verbal interactions of lexical alternations by means of German formal speaking juxtaposition with regional/local dialects of the mother tongue and the Brazilian-Portuguese speaking. In this way, we aim to discuss the Brasildeutsch term and the use of lexical items on musical instruments in the situations of verbal interactions of these German immigrants.
Resumo:
ABSTRACT: The “azure jay” and the “pine tree” are among the most acknowledged representative symbols from Parana State in Brazil. They have been referenced by many different kinds of artistic expressions, such as theater, poetry and music. Along the years the tales about these cultural images have inspired regional and nationally recognized poets, writers and composers. In this perspective, considering the importance of these local symbols, this paper aims to verify how distinct kinds of artistic production, such as literary and musical works, depict these acknowledged symbols. So, as corpus to this research we took three texts. The first one is the song Gralha azul (1968), composed by Inami Custódio Pinto, which is considered one of the most outstanding songs of the cultural repertoire from Parana State. The second one is the poem Araucária (1999), by Helena Kolody. The third one is A lenda do pinheiro e a gralha azul (1972), which is in the first publication about blue azure jay’s tales, the book A sombra dos pinheirais (1925), by Eurico Branco Ribeiro. We analyze some lexical units such as “azure jay”, “pine tree” and “pinion”, trying to describe their meanings conveyed by the selected artistic work. The theoretical basis that guides this work are the Lexicology and Lexicography studies (BIDERMAN, 2001a, 2001b, 2001c), discussing the existing relation between lexicon, society and culture. KEYWORDS: Lexicon; Symbols of Parana; Culture of Parana.