The effects of sense and the production conditions of the discourse about woman in the newspaper "the mentor of Brazilian women"

More than understanding a speech, we need to decode it to then seek to understand how this discourse was made and what direction effects it produces. The Mentor of the Brazilians from Sao Joao del Rei - our object of study in this article - since its announcement in 1829, it was proposed to be like the newspaper's name itself shows, a Mentor, a newspaper to guide, advise women the inclusion in the political and moral life of the country, but without forgetting the family and their deveres. Para rationale of this study are taken as the essence of the studies Pêcheux and Eni Orlandi, the French Discourse Analysis (DA), trying to understand the speech of the mining journal in their production conditions in the nineteenth century. Understanding that social memory leads to a discursive memory that formulates the speeches already in place, giving rise to the social-historical context of ideological and enunciator statement. In addition, it is necessary to establish the role of the analyst in the process of understanding of the subject matter, because according to Orlandi (2008), the subject has his body tied to the body of the senses; subject and senses has its corporeality, made at the meeting of the materiality of language and history. In this perspective, enunciator and analyst embody the senses three cutouts of the weekly newsletter: a) the ad in the Astro de Minas newspaper talking about the first Mentor of the Brazilians women edition, b) the No. 1 edition and c) No.10 edition of the Mentor of the Brazilians women.

THE ARGUMENTATIVE AND POLYPHONIC FUNCTION OF THE NARRATIVE TEXT

In this paper, aims to verify how to happen the argumentative and polyphonic function of the narrative text, from the analysis of the tale A moça tecelã (The weaver girl) from Marina Colasanti. Therefore, the article is based in presuppositions of the Semantic Theory of the Blocks and in concepts taken from the Enunciation Polyphonic Theory, proposed by Ducrot (1984a, 1988). We defend the hypotheses: a) the narrative of the tale A moça tecelã is determined by meanings of “time”, while element responsible to bring and take away events; b) the narrative texts are crossed by the argumentation constituent of the viewpoint expressed by the enunciator, put in scene by the speaker; c) the argumentative function of the tale mobilizes two discourses about marriage. As a result, it was noted that in the narrative texts are found argumentative discourses, that were formalized in utterances produced from the semantic analysis of the tale A moça tecelã and by which function in this tale two concepts of time e two discourses about marriage.  

Interspeech and identity on discourse about letter of country music manner Ferreirinha

This article has a purpose to study the interspeech on discourse about letter of country music. Since the beginning, we emphasize that, although there is interdependence between letter and melody, according Tatit (1996), we will privilege the discourse about letter. It is grounded by the contribution methodological - theorist of speech analysis, more specifically about the postulate enunciation-discursive from Maingueneau (2008), we start from presupposition about the interspeech, which has a strait relation with the discursive memory, shows features about the enunciator identity. Like object focus of analysis, we select the letter named Ferreirinha, who is considered a classical to be one of the most remembered and known by the people. It was made at the 50´s decade, this speech has a very strong representation, mainly at the Midwest and Southeast region from Brazil, they´re considered the crib of the culture from the hayseed man. The result shows us that the interspeech includes discourses that compound the discursive memory from rural migrant, showing their discursive identity.