"From the hidden side of dictatorship to the filter of memory: contemporary Brazilian literature - resistance and exile"

The article analyzes several aspects related to memoirs texts from the banished people of the Brazilian military dictatorship (1964-1985), mainly the domino effect of the narratives about resistance, the intertextuality among these works and the role of the banished ones in the effort of constructing a revolution which passed over national limits. Using autobiographical works such as the trilogy started by Fernando Gabeira with O que é isso, companheiro? [What is this, comrade?], the narratives of Alfredo Sirkis (Os carbonários and Roleta chilena) [The carbonari and Chilean roulette], Flávio Tavares (Memórias do esquecimento) [Memoirs of forgetfulness], Alex Polari (Em busca do tesouro) [In search of the treasure], and Carlos Eugênio Paz (Viagem à luta armada) [Trip to the armed struggle], among others, and as theoretical references authors like Andreas Huyssen, Beatriz Sarlo, Leonor Arfuch, Tzvetan Todorov and Michael Pollak, the article aims at reflecting about the memories of the banished and the political prisoners as a bruising affirmation of a crucial period of the Brazilian History and collective memory.

Children's Literature and Brazilian identity of black children

This article aims to analyze how the black child is characterized in relation to the stereotypes created around the black, in the course of Brazilian history in children's narratives, from a sociological approach to the literary text and the assumptions of comparative literature. To this end, we selected some childish narratives that feature characters black children, and you can see that these works reveal the transformations that occurred in Brazilian society with regard to black. This work is based on the theoretical support in the works of Rosangela Malachias and Florestan Fernandes, among others. The analysis was organized to observe the difficulties of identifying the black child before the European cultural dictates about the standard model of beauty. In general, one can observe that the production of works whose characters are black children intensified after the 1988 Constitution and the Law 10.639/2003. The literary discourse aimed at children, so undergoes changes before changes in society and shows a new socio-historical context in which minorities gain more space, but respect for differences yet to occur effectively in social relations that the black is really valued.

LES FLEURS DU MAL AND EU: COMPARATIVE ANALYSIS UNDER THE FINITENESS OF THE FLESH

The theme of death will be approached, relating the finiteness of the flesh and the fullness of the being as the main focus of the topic , analyzing aspects in the poetry of the canons of world literature, Baudelaire and Augusto dos Anjos, pointing the confluences between the authors and the points that they converge, related to the theme in question. To do so, poems taken from Les Fleurs du Mal ( 1857 ) and Eu (1912 ) related to the theme of death will serve as the basis for this essay. Many are the poems of both authors that address the theme of death, the finiteness of the flesh and the possible fullness of being. Thus, only a few compositions were selected for analysis, for the impossibility of extending the theme at this moment. The poems chosen for analysis are Une Charogne and Remords Posthume, by Charles Baudelaire, published in Les Fleurs Du Mal in 1857, and “Apóstrofe à carne” and “A pecadora”, by Augusto dos Anjos, published in “Eu” in 1912. One will try, then, in this essay, to make an interpretation of these compositions, as well as examine some figures of speech and aesthetic resources used by the poets over the poems.

In Scene of History and the History on Scene: The Theatre of Resistance by Millôr Fernandes and Flávio Rangel

Based on the contribuions from Ryngaert (1995); Prado (2009); Magaldi (2008); Faria (1998); Heliodora (2008); Guinsburg, Faria and Lima (2009), refering to the constituion of the theatrical discourse, in studies of Fausto (2012); Cotrim (2005); Gaspari (2002) and Garcia (2008), about the notes Brazilian historical and the theoretical presupposes of Carvalhal (2003, 2006); Nitrini (2000); Nascimento (2006) and Maddaluno (1991) to approach to the study of comparative literature, this work aims to analyze the play Liberdade, liberdade (1965), by Millôr Fernandes and Flávio Rangel whit the Brazilian dictatorship period (1964-1985). This play was written and performed at the beginning of the regime, as it wished to withdraw from the scheme repressor that dominated Brazil. Millôr Fernandes and Flávio Rangel resorted to the use of classical texts and historical preparation for the work, and make use of music to bring up the subject of ceaseless quest for freedom. The play runs from dramatic to comedic, supported by political discourse, which leads, the called Theatre of resistance. For this work, the basic procedure was the literature search. Through the analysis of the dramatic text and the recurrent use of bricolage (collage of historical texts), perceives the practice of intertextuality theme. Thus, one can understand that Liberdade, liberdade is a dramatic text produced in the second half of the twentieth century, which establishes dialogue with texts embodied historical aspect with literary verve.