6 resultados para British Literature and Culture

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This brief article is an introduction to questions as multiculturalism, identity and prejudice, from a specific point of view: a reflection on the importance of didactics in foreign literature and culture, and the role of reading as a meaningful education form in the undergraduating study programs of "Letras Estrangeiras" in Brazil.

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Este artigo resultou, com algumas alterações, de parte da um dos capítulos da Dissertação de Mestrado do autor, intitulado “Film and Television Adaptation: A Comparitive Analysis of A Streetcar Named Desire Adaptations for Cinema and Television”, apresentada à UFSC em fevereiro de 2004. O objetivo do mesmo é discutir os principais postulados teóricos concernentes aos estudos em adaptação cinematográfica de textos literários, surgidos a partir da década de 1950. A discussão centra-se, principalmente, nos aspectos que envolvem o processo de adaptação cinematográfica, em especial, no processo de adaptação de romance e texto dramático para o cinema, através da análise de diferentes categorias de adaptação cinematográfica proposta por teóricos como Bluestone (1957), Wagner (1975), MacFarlane (1996) e Stam (2000).

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This article aims to analyze how the black child is characterized in relation to the stereotypes created around the black, in the course of Brazilian history in children's narratives, from a sociological approach to the literary text and the assumptions of comparative literature. To this end, we selected some childish narratives that feature characters black children, and you can see that these works reveal the transformations that occurred in Brazilian society with regard to black. This work is based on the theoretical support in the works of Rosangela Malachias and Florestan Fernandes, among others. The analysis was organized to observe the difficulties of identifying the black child before the European cultural dictates about the standard model of beauty. In general, one can observe that the production of works whose characters are black children intensified after the 1988 Constitution and the Law 10.639/2003. The literary discourse aimed at children, so undergoes changes before changes in society and shows a new socio-historical context in which minorities gain more space, but respect for differences yet to occur effectively in social relations that the black is really valued.

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It serves as the object of analysis of this article the representation of the northeastern migrant in the figure of the male character Francisco da Silva, protagonist of the short story "Liberdade", by Ruth Laus, as a fictional character who lives "in an interrogatory, interstitial space between the act of representation [...] and the presence of community itself" (Bhabha, 1998, p. 22) where he comes to enter and to settle. Chico, as he is known, embarks on a crowded truck, and his fate, like that of many other migrants, is the Southeast region of Brazil, where, between São Paulo and Rio de Janeiro, he chooses the sea. To the same extent, beyond the concept(s) of culture(s), and the need to (re)think the concept of [cultural] human community - here adding the cultural term to the proposal of Bhabha (1998), as a way of thinking about the role of the individual - are taken and analyzed, also, the cultural identity concepts based on the difference itself. It is thought in what way, then, and through what imposing character, the wealth and the values ​​of the Northeast, although managed to be spread on national home soil, yet not are conspicuous by their guarantee of permanence of its inhabitants in their homeland.  

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The purpose of this article is to present what are the relations between the work of Goethe and Hegelian philosophy within the political and philosophical project of German idealism. We'll think the relationship between literature and philosophy in the context of political idealism, philosophy in seeking an answer to the question: "What is literature for?".

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This paper analyzes two works of the canadian writer Nancy Huston: Marcas de nascença and A espécie fabuladora. The main idea is to support the reading of the former work based on the reflections raised by the latter, especially regarding the aspect concerning issues such as the Meaning and the (re) invention of the self. The relevance of these concepts will be effective in an immersion in the universe of the four main characters of the novel Marcas de nascença: Sun, Randall, Sadie and Kristina. The paper focuses on seeking the essence of Meaning in the life of each one of these characters, always considering two vital and non-discernible ​​aspects: time and space in each of them. Therefore, literature and culture concepts will be considered such as the concept of Americanness as well as the Americanization, Identity, Fiction and Recognition. Thus, this assay is divided into two parts. The first one envisions the idea matter expressed by Huston in A espécie fabuladora - the ceaseless quest for Meaning culminating in identity shaping – in order to seek understanding from this point of view the occurrence of certain cultural phenomena of which some characters from Marcas de nascença are an expression. The second part observes each of the four main characters and strengthens the suggested initial idea (that the book's characters are constituent parts of a behavioral matrix vital to human existence), then filling the gaps of the two themes developed: the birthmarks transmitted throughout four generations and how these marks are recorded over fifty-six years of history.