Le projet Lbc, une ressource "hybride" au service du traducteur dans le domaine artistique et culturel. Analyse de la terminologie de la sculpture dans les traductions francaises de la Vita di Michelangelo

Il presente lavoro mette in evidenza le principali difficoltà che il traduttore di testi specialistici è chiamato ad affrontare durante la pratica della traduzione. In particolar modo, il nostro studio si concentra sulla figura del traduttore che lavora in ambito artistico : oggigiorno la facilità degli spostamenti e il conseguente aumento del turismo culturale hanno reso la traduzione di dépliant, guide turistiche e cataloghi una pratica necessaria e in continua crescita. L’obiettivo prefissato è quello di verificare l’apporto che le risorse lessicografiche e terminologiche attualmente disponibili danno al traduttore di testi a contenuto artistico. Il nostro lavoro si articola in quattro capitoli. Il primo, di stampo teorico, pone l’accento sulla natura polisemica della parola terminologia (disciplina, metodologia e insieme di termini appartenenti ad un ambito specialistico) e sulla distinzione tra pratica terminologica e traduttiva gettando le basi del secondo capitolo che, partendo dall'esposizione degli ostacoli terminologici incontrati dal traduttore, descrive le lacune dei principali dizionari bilingui italiano-francese e delle basi di dati terminologiche oggi a disposizione. Il terzo capitolo, dedicato alla presentazione del progetto Lessico multilingue dei beni culturali (LBC), ne evidenzia i punti di forza e sottolinea la necessità di creare degli strumenti “ibridi”, concepiti per aiutare il traduttore in ambito artistico. Questa conclusione sarà ulteriormente ribadita nel quarto capitolo, di stampo pratico : l’analisi di una quindicina di termini dell’ambito della scultura (estratti dal corpus de La Vita di Michelangelo, appositamente creato nell'ambito del progetto LBC) mostra l’eccessivo numero di strumenti che il traduttore è costretto a consultare per risolvere adeguatamente le difficoltà incontrate, pratica che non rispecchia più il mestiere della traduzione, all'interno della società dell’informazione, sempre più influenzato dalle scadenze imposte.

L'utilizzo di carbonati come reagenti per la sintesi "green" di derivati fenolici: l'esempio del 2-fenossi-1-etanolo

2-Phenoxyethanol (ethylene glycol monophenyl ether) is used as solvent for cellulose acetate, dyes, inks, and resins; it is a synthetic intermediate in the production of plasticizers, pharmaceuticals, and fragrances. Phenoxyethanol is obtained industrially by reaction of phenol with ethylene oxide, in the presence of an homogeneous alkaline catalyst, typically sodium hydroxide. The yield is not higher than 95-96%, because of the formation of polyethoxylated compounds. However, the product obtained may not be acceptable for use in cosmetic preparations and fragrance formulations, due to presence of a pungent “metallic” odor which masks the pleasant odor of the ether, deriving from residual traces of the metallic catalyst. Here we report a study aimed at using ethylene carbonate in place of ethylene oxide as the reactant for phenoxyethanol synthesis; the use of carbonates as green nucleophilic reactants is an important issue in the context of a modern and sustainable chemical industry. Moreover, in the aim of developing a process which might adhere the principles of Green Chemistry, we avoided the use of solvents, and used heterogeneous basic catalysts. We carried out the reaction by using various molar ratios between phenol and ethylene carbonate, at temperatures ranging between 180 and 240°C, with a Na-mordenite catalyst. Under specific conditions, it was possible to obtain total phenol conversion with >99% yield to phenoxyethanol in few hours reaction time, using a moderate excess of ethylene carbonate. Similar results, but with longer reaction times, were obtained using a stoichiometric feed ratio of reactants. One important issue of the research was finding conditions under which the leaching of Na was avoided, and the catalyst could be separated and reused for several reaction batches.

An inter-comparison between a VIS/IR and a MW satellite-based methods for cloud detection and classification

This thesis is aimed to assess similarities and mismatches between the outputs from two independent methods for the cloud cover quantification and classification based on quite different physical basis. One of them is the SAFNWC software package designed to process radiance data acquired by the SEVIRI sensor in the VIS/IR. The other is the MWCC algorithm, which uses the brightness temperatures acquired by the AMSU-B and MHS sensors in their channels centered in the MW water vapour absorption band. At a first stage their cloud detection capability has been tested, by comparing the Cloud Masks they produced. These showed a good agreement between two methods, although some critical situations stand out. The MWCC, in effect, fails to reveal clouds which according to SAFNWC are fractional, cirrus, very low and high opaque clouds. In the second stage of the inter-comparison the pixels classified as cloudy according to both softwares have been. The overall observed tendency of the MWCC method, is an overestimation of the lower cloud classes. Viceversa, the more the cloud top height grows up, the more the MWCC not reveal a certain cloud portion, rather detected by means of the SAFNWC tool. This is what also emerges from a series of tests carried out by using the cloud top height information in order to evaluate the height ranges in which each MWCC category is defined. Therefore, although the involved methods intend to provide the same kind of information, in reality they return quite different details on the same atmospheric column. The SAFNWC retrieval being very sensitive to the top temperature of a cloud, brings the actual level reached by this. The MWCC, by exploiting the capability of the microwaves, is able to give an information about the levels that are located more deeply within the atmospheric column.