5 resultados para I am Jazz
em AMS Tesi di Laurea - Alm@DL - Università di Bologna
Resumo:
Contacts between languages have always led to mutual influence. Today, the position of authority of the English language affects Italian in many ways, especially in the scientific and technical fields. When new studies conceived in the English-speaking world reach the Italian public, we are faced not only with the translation of texts, but most importantly the rendition of theoretical constructs that do not always have a suitable rendering in the target language. That is why we often find anglicisms in Italian texts. This work aims to show their frequency in a specific field, underlying how and when they are used, and sometimes preferred to the Italian corresponding word. This dissertation looks at a sample of essays from the specialised magazine “Lavoro Sociale”, published by Edizioni Centro Studi Erickson, searching for borrowings from English and discussing their use in order to make hypotheses on the reasons of this phenomenon, against the wider background of translation studies and translation universals research. What I am more interested in is the understanding of the similarities and differences in the use of anglicisms by authors of Italian texts and translators from English into Italian, so that I can figure out what the main dynamics and tendencies are. The whole paper is has four parts. Chapter 1 briefly explains the theoretical background on translation studies, and introduces and discusses the notion of translation universals. After that, the research methodology and theoretical background on linguistic borrowings (especially anglicisms) in Italian are summarized. Chapter 2 presents the study, explaining the organisation of the material, the methodology used and the object of interest. Chapter 3 is the core of the dissertation because it contains the qualitative and quantitative data taken from the texts and the examination of the dynamics of the use of anglicisms. Finally, Chapter 4 compares the conclusions drawn from the previous chapter with the opinions of authors, translators and proof-readers, whom I asked to answer a questionnaire written specifically to investigate the mechanisms and choices behind their use of anglicisms.
Resumo:
Holding the major share of stellar mass in galaxies and being also old and passively evolving, early-type galaxies (ETGs) are the primary probes in investigating these various evolution scenarios, as well as being useful means to provide insights on cosmological parameters. In this thesis work I focused specifically on ETGs and on their capability in constraining galaxy formation and evolution; in particular, the principal aims were to derive some of the ETGs evolutionary parameters, such as age, metallicity and star formation history (SFH) and to study their age-redshift and mass-age relations. In order to infer galaxy physical parameters, I used the public code STARLIGHT: this program provides a best fit to the observed spectrum from a combination of many theoretical models defined in user-made libraries. the comparison between the output and input light-weighted ages shows a good agreement starting from SNRs of ∼ 10, with a bias of ∼ 2.2% and a dispersion 3%. Furthermore, also metallicities and SFHs are well reproduced. In the second part of the thesis I performed an analysis on real data, starting from Sloan Digital Sky Survey (SDSS) spectra. I found that galaxies get older with cosmic time and with increasing mass (for a fixed redshift bin); absolute light-weighted ages, instead, result independent from the fitting parameters or the synthetic models used. Metallicities, instead, are very similar from each other and clearly consistent with the ones derived from the Lick indices. The predicted SFH indicates the presence of a double burst of star formation. Velocity dispersions and extinctiona are also well constrained, following the expected behaviours. As a further step, I also fitted single SDSS spectra (with SNR∼ 20), to verify that stacked spectra gave the same results without introducing any bias: this is an important check, if one wants to apply the method at higher z, where stacked spectra are necessary to increase the SNR. Our upcoming aim is to adopt this approach also on galaxy spectra obtained from higher redshift Surveys, such as BOSS (z ∼ 0.5), zCOSMOS (z 1), K20 (z ∼ 1), GMASS (z ∼ 1.5) and, eventually, Euclid (z 2). Indeed, I am currently carrying on a preliminary study to estabilish the applicability of the method to lower resolution, as well as higher redshift (z 2) spectra, just like the Euclid ones.
Resumo:
Approaching the world of the fairy tale as an adult, one soon realizes that things are not what they once seemed during story time in bed. Something that once appeared so innocent and simple can become rather complex when digging into its origin. A kiss, for example, can mean something else entirely. I can clearly remember my sister, who is ten years older than I am, telling me that the fairy tales I was told had a mysterious hidden meaning I could not understand. I was probably 9 or 10 when she told me that the story of Sleeping Beauty, which I used to love so much in Disney’s rendering, was nothing more than the story of an adolescent girl, with all the necessary steps needed to become a woman, the bleeding of menstruation and the sexual awakening - even though she did not really put it in these terms. This shocking news troubled me for a while, so much so that I haven’t watched that movie since. But in reality it was not fear that my sister had implanted in me: it was curiosity, the feeling that I was missing something terribly important behind the words and images. But it was not until last year during my semester abroad in Germany, where I had the chance to take a very interesting English literature seminar, that I fully understood what I had been looking for all these years. Thanks to what I learned from the work of Bruno Bettelheim, Jack Zipes, Vladimir Propp, and many other authors that wrote extensively about the subject, I feel I finally have the right tools to really get to know this fairy tale. But what I also know now is that the message behind fairy tales is not to be searched for behind only one version: on the contrary, since they come from oral traditions and their form was slowly shaped by centuries of recountals and retellings, the more one digs, the more complete the understanding of the tale will be. I will therefore look for Sleeping Beauty’s hidden meaning by looking for the reason why it did stick so consistently throughout time. To achieve this goal, I have organized my analysis in three chapters: in the first chapter, I will analyze the first known literary version of the tale, the French Perceforest, and then compare it with the following Italian version, Basile’s Sun, Moon, and Talia; in the second chapter, I will focus on the most famous and by now classical literary versions of Sleeping Beauty, La Belle Au Bois Dormant, written by the Frenchman, Perrault, and the German Dornröschen, recorded by the Brothers Grimm’s; finally, in the last chapter, I will analyze Almodovar’s film Talk to Her as a modern rewriting of this tale, which after a closer look, appears closely related to the earliest version of the story, Perceforest.
Resumo:
My Thesis work is aimed at searching for evidence of CO-depletion in the atmosphere of these objects. To this end, I am analyzing high-resolution spectra recently acquired with the spectrograph HDS at the Subaru Telescope. The global sample is composed of 5 BSSs with hot WD companions, 3 additional binary BSSs with no a significant far-UV excess, and one "normal" stars (along the RGB star) needed for comparison. The analysis will provide us with the surface chemical abundances (especially of C and O) of the target stars. The final goal is to verify the expected {chemical signature} and put constraints on its characteristic time scale (for instance, a positive detection in the 5 BSSs with hot companions and a non-detection in the other 3 binary BSSs would imply that CO-depletion is a transient phenomenon, lasting approx 300 Myr only). The analysis will also provide us with the rotational velocities of each target, thus allowing to investigate their kinematical properties and shed new light on their evolutionary path.
Resumo:
La letteratura e la musica hanno da sempre condiviso molti aspetti del processo creativo. Questa affinità intellettuale si è più volte espressa attraverso la produzione di opere che si incontrano a metà strada tra le due arti. All'interno di queste occorrenze si è delineata una frangia letteraria, la Jazz Poetry, che trova nel jazz e nei suoi esponenti le proprie muse. Questo lavoro analizza il fenomeno della Jazz Poetry e propone le traduzioni dall'inglese all'italiano di alcune opere esemplificative. Per essere in grado di affrontare questa sfida adeguatamente, la prima parte della tesi verte sullo studio di alcuni punti cardine della traduzione poetica e sulla costruzione di una cornice storico-culturale. All'interno di questa cornice viene analizzato il ruolo del jazz e della Jazz Poetry all'interno della società, con particolare focus sulla sua posizione rispetto ad alcune tematiche di rilievo del Novecento. Vengono evidenziati i principali autori e le distinte genesi storico-letterarie che hanno contribuito alla formazione di questo movimento. Nella seconda parte viene presentata al lettore la traduzione e la successiva analisi dei brani scelti. I sei testi sono stati divisi in due sottocategorie: la poetica di Kaufman e i Coltrane Poems. In entrambe le categorie un breve capitolo introduttivo evidenzia le tematiche affrontate e la rilevanza della cornice storico-sociale all'interno dei testi. Dopo ogni traduzione viene fornita un'analisi approfondita del testo e delle scelte operate a livello traduttivo, comprensiva di un'esegesi del brano. In linea di massima si è cercato di riprodurre il continuo dialogo tra il poeta e il soggetto poetico, sia esso musica o musicista, mantenendo un equilibrio costante tra la potenzialità orale e la realtà scritta del testo.