Dialética da pratica e ação sem prática

O conceito de prática recobriria o de sistema de ação, não fosse a existência de sistemas de ação sem prática. Resta que uma prática é um sistema de ação. Como conseqüência, suposta a reciprocação de sistema com teoria e uma atenta inspeção nos termos da proposição, há equivalência semântica entre prática teóricae sistema de ação prático. Num e noutro caso, a contradição interna aos pares de conceitos se resolve dialeticamente. Graças à dialética, são fundidos numa unidade de sentido, síntese de tensões opostas. Daí a proposta de uma dialética da prática global, conjuntamente abstrata e histórica. Destotalizada ou à margem dessa dialética, pode ser destacada a ação sem prática, exemplificada no drama. Dramática é precisamente uma ação que não é prática. O tempo e o lugar da prática são a história e o mundo do homem; o tempo e o lugar do drama são a ficção cultural e a substância simbólica. Mimese da prática, o drama, reproduz, não os traços do modelo, mas a sua produção, tornando-se por sua vez modelo do modelo. Mimese não é cópia, é forma autônoma de eficiência, paradoxalmente sem prática mas especular.

A arte de educar entre a mimese e o sublime: considerações a partir de Theodor W. Adorno e Jean François Lyotard

Pós-graduação em Educação - FFC

O riso e a ironia: a leitura da história em O Nome da Rosa

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

(Des)concerto: o realismo maravilhoso em Concierto Barroco

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A ironia e sua refrações: um estudo sobre a dissonância na paródia e no riso

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O conceito de imitação na ópera francesa do século XVIII

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Realismo e impressionismo em contos de Guy de Maupassant

Dans ce texte on a étudié, afin de comprendre et d'analyser les contes réalistes de Guy de Maupassant, comment Erich Auerbach, dans Mimesis (2009), parcourt les sentiers de la littérature occidentale pour dresser un tableau des traits communs qui existent entre les grandes oeuvres réalistes de l'Occident. L'auteur a réalisé des recherches et des commentaires sur les caractéristiques les plus récurrentes du réalisme littéraire dans les oeuvres d'écrivains tels que Homero, Shakespeare, Voltaire, Flaubert, parmi d'autres. Notre recherche vise, dans sa première étape, à présenter, à expliquer ou à identifier dans les contes de Guy de Maupassant, écrivain de la fin du XIXe siècle, les tendances réalistes discutées par ce théoricien et par d'autres au fil du temps, comme, par exemple, Roland Barthes, dans Crítica e verdade (2007), Bersani, dans Le réalisme et la peur du désir (1975) et Philippe Hamon, dans Un discours contraint (1973, p. 411-445). À partir de ces chercheurs, on essaie d'expliciter et d'affirmer le caractère réaliste d'un des maîtres du récit court - sûrement un représentant du réalisme parmi les grands écrivains de cet art - car dans Mimesis (2009) Zola est considéré par Auerbach comme le dernier des grands réalistes français. En plus, pour la deuxième partie de ce travail, on a l'intention de traiter l'émergence de l'impressionnisme artistique en France, et de présenter les concepts et les thèmes qui ont influencé ce mouvement et se présentent dans la construction des récits de Maupassant. Pour le faire, O impressionismo (1962) de Balzi, O impressionismo (1965) de Serullaz, Impressionniste et symboliste devant la presse (1959) de Jacques Lethève, Impressionismo (2010) de Lobstein e autres, mentionnés dans la bibliographie de cette recherche, ont ouvert la voie aux analyses... (Completo abstract click electronic access below)

O jogo quixotesco e a construção de realidades ficcionais: eu e os outros em Dom Quixote

Pós-graduação em Letras - IBILCE

A angústia e a ficção contemporânea

Our aim in this article is to accomplish an afterthought concerning contemporary fiction. Taken as initial the afterthought of the role of the novel as fiction and its linking with the afterthought of mimesis in modernity, we aim to consider the presence of agony not only as a theme but also as a structural element of narratives. Eventually, we will make brief tallies of theses aspects in the work of José Saramago.

O gênero nas ciências da saúde: produção e reprodução de concepções sobre a diferença entre homens e mulheres

The historical and social process has built models of masculinity and femininity that culminate in standards and norms to be followed by individuals in their social interactions. In recent decades studies based on the discussions that originated in the feminist movement have been investigating how social institutions, including medicine and other health sciences, have established standards of masculinity and femininity throughout the history, nurturing this sexist discourse on common sense and sciences. Social roles are assigned to the genera specifying rigid boundaries of behavior and social control. The notion of the female predisposition to physical and emotional disorders has prompted speculation within academic strands culminating in the creation of specialized medical illness that would prevent the female, the male permeated by notions of endurance and strength has become synonymous of a healthy body, confirming the male domination and the economic and political role of men. This research concerned to study and investigate through semi-structured interviews and content analysis, conceptions of gender and the differences between men and women in reports of 11 health professionals. The results indicate that in large part the conceptions of health professionals reproduce the hegemonic discourse about what being a man and woman. Further research could investigate the relationship between women and men with health care as well the care provided by health professionals

Entre o claro e o escuro: uma poética da angústia em Saramago

Pós-graduação em Estudos Literários - FCLAR

Quantificadores no contexto lógico: 'muitos' e 'poucos'

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

A pesquisa em psicologia: ensaio sobre a Psicologia enquanto ciência, a pesquisa qualitativa e o uso da entrevista como principal instrumento de coleta de dados

For constituting itself a science, Psychology has coursed along way. From the time he was considered a Philosophy’s discipline until to be recognized as a legitimate science, Psychology had to devoteto the definition of its object of study, the development and refinement of theoretical-methodological frameworks and, in particular, to consolidation process of their research strategies and knowledge construction. Therefore, in order to regard the demands of the classical scientific paradigm, which is very influenced by Positivism, Psychology made use, initially, of quantitative methodology and laboratory research. This article presents some of the process of identity construction of Psychology as a science, focusing on its transition path between the quantitativist paradigm of scientific knowledge production to the qualitativist paradigm, until that is more commonly practiced nowadays: the collaborative use of these methodological strategies. For presenting the qualitative researching Psychology, we discussed, beyond its proposal and differentiation elements in relation to quantitative research, the different methods used for this mode and, in particular, the interview - which is considered the main way of data collection in surveys conducted by psychologists and, therefore, it is an important element the process of knowledge building that science, in addition to being the most qualified space for dialogue between there searcher and the research subject.

Um estudo sobre a utilização do software SCRATCH como ferramenta de apoio ao ensino da disciplina de lógica de programação

Learning to program or master a programming language is not an easy task, and the base of process should by study Logic Programming, beginning to learning through the development of pseudocodes, algorithms and flowcharts, for, techniques that facilitate the construction and understanding of what you want to accomplish, to that is subsequently developed or elaborated a program. Reflecting on the learning of Logic Programming, this article presents information about software SCRATCH in relation to logic (pseudocodes), and how it provides support to the understanding of student learning in this course.

A Internet na comunicação em saúde: construindo um site baseado na interatividade.

The paper presents three steps of a study about the Internet use in health communication. The first refers to the potentials and limitations of the web for health initiatives in general. The second provides an assessment of health sites in Brazil dedicated to people who want to quit smoking, performed using a standardized form, indicating strengths and weaknesses of existing sites. The last part of the text, based on these data, concerns the application of a model in stages on the internet, to support smokers who want to quit smoking.