71 resultados para Neoclassical realism

em Repositório Institucional UNESP - Universidade Estadual Paulista "Julio de Mesquita Filho"


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The purpose of this article is to survey the main papers that founded a kaleckian approach of the economic growth. It presents a certain moment of the historical evolution of the non-neoclassical macrodynamics. This analysis can be understood under the political economy tradition in putting together social classes (capitalists and workers), distributive conflict and the relationship between distribution and accumulation.

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Departing from the theoretical principle of the feminine text as a palimpsest that holds subtextual meanings which, in permanent interaction with the textual surface, disarticulate the oppositional and hierarchical backgrounds of patriarchy, this essay intends to offer a general overview on the narrative instance of space in The Awakening, the most important work by Kate Chopin one of the highlights of Realism in the United States, with the intention to show how the space is itself plenty of and at the same time disseminates into the other narrative elements some inter-dictions to gainsay patriarchy. We intend, in this perspective, to develop an analysis of the space and its subtextual inter-relationships displayed in the symbolic implications of the water, the sea, the circle, and the feminine subjectivity awakening of the work's protagonist.

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O texto fala a respeito do debate entre Searle e Rorty sobre irracionalismo de Rorty. Ele tenta mostrar que a posição de Rorty está fora do campo realismo versus anti-realismo e o irracionalismo não é um bom adjetivo. Searle estaria sobre uma linha incorreta em sua abordagem do tema da verdade em Rorty.

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Um posicionamento filosófico realista que não coloque em dúvida a inteligibilidade do universo ao qual investiga e não se pretenda detentor de qualquer privilégio para alcançar a verdade admite a falibilidade de qualquer representação da realidade, não vendo motivo para fugir ao diálogo com aqueles que propõem explicações diferentes das suas, mesmo que por vezes com elas conflitantes.

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Este trabalho é uma reflexão sobre a representação do real no romance Inferno provisório, de Luiz Ruffato, considerando as proposições de Claudio Magris acerca da forma romanesca moderna e sua possível transformação nas últimas décadas. O objetivo é questionar de que modo o projeto estético do romance incorpora uma visão em profundidade do real, originando um princípio ético de análise e crítica da sociedade contemporânea.

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A self-consistent equilibrium calculation, valid for arbitrary aspect ratio tokamaks, is obtained through a direct variational technique that reduces the equilibrium solution, in general obtained from the 2D Grad-Shafranov equation, to a 1D problem in the radial flux coordinate rho. The plasma current profile is supposed to have contributions of the diamagnetic, Pfirsch-Schluter and the neoclassical ohmic and bootstrap currents. An iterative procedure is introduced into our code until the flux surface averaged toroidal current density (J(T)), converges to within a specified tolerance for a given pressure profile and prescribed boundary conditions. The convergence criterion is applied between the (J(T)) profile used to calculate the equilibrium through the variational procedure and the one that results from the equilibrium and given by the sum of all current components. The ohmic contribution is calculated from the neoclassical conductivity and from the self-consistently determined loop voltage in order to give the prescribed value of the total plasma current. The bootstrap current is estimated through the full matrix Hirshman-Sigmar model with the viscosity coefficients as proposed by Shaing, which are valid in all plasma collisionality regimes and arbitrary aspect ratios. The results of the self-consistent calculation are presented for the low aspect ratio tokamak Experimento Tokamak Esferico. A comparison among different models for the bootstrap current estimate is also performed and their possible Limitations to the self-consistent calculation is analysed.

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José de Alencar (1829-1877) is more known by the public reader by his novels. However, Alencar was also one of the most famous Brazilian playwright of nineteenth century's second half, with a work marked by successes, failures and controversies. This article intends to study an important part of his work, especially the beginning of his actions towards the still incipient Brazilian theatre in his chronic Ao correr da pena, as well as the analysis of two plays, O demônio familiar (1857), and As asas de um anjo (1857). These works not only show his public's success and failure, but also his flair for controversy. By using as theoretical basis João Roberto Faria and Martin Esslin, as well as other literary and theatre theorists, it will be shown that, although he defended French realism in theatre and used proceedings related to the genre, such realism, on his plays, was mixed with romantic solutions what made his work unique.

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Pós-graduação em Comunicação - FAAC

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Pós-graduação em Educação - IBRC

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)