Proyecto de Ambientes Innovadores de Enseñanza y la Propuesta del Laboratório de Formación Interdiciplinar de Educadores en Nanociencia y Nanotecnologia - LIFENano/IFSP

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Com quantas cores se narra uma saudade? o narrador infantil e a leitura do real em um texto de Lygia Bojunga

El carácter pedagógico de la literatura infantil ha servido, por largo tiempo, como factor de desprestigio del género, ya sea por la imposición de paradigmas comportamentales advenidos de una postura autoritaria de los adultos, subyacente al texto, ya sea por haber minimizado la preocupación artística del lenguaje. Este artículo analiza de que manera la narrativa O meu amigo pintor, de Lygia Bojunga, supera ese modelo, al instaurar un equilibrio entre el respeto al universo en formación de los niños y los medios lingüísticos que representan el universo infantil desde la mirada de la propia creatura, facultándole a ella la elaboración de sus significados.

A internalização de signos como intermediação entre a psicologia histórico-cultural e a pedagogia histórico-crítica

This article highlights the theoretical and methodological unity existing between the culturalhistorical psychology and the historical-critical pedagogy, taking the category of mediation as a central element of analysis. This fact is justified since that category is emerging as an essential premise of the historical-materialist dialectical method; and this method, in turn, is the foundation of both the historicalcultural psychology and the pedagogy historical-critical. For achieving the stated aim, the text is organized around two themes. The first goes back to the historical-cultural conception of psychism, highlighting of internalization of signs as a condition for the development of that psychism; the second brings into focus the relationship between internalization of signs and concept formation, in order to demonstrate that the quality of the concepts in the training school is the intervening variable in the psychological development. By the way of concluding remarks, it is said the internalization of signs as a central element of mediation between historical-cultural psychology and historical-critical pedagogy.