O cinema de Manoel de Oliveira: um caso singular

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Literatura, cinema e outras arquiteturas textuais: algumas considerações sobre teorias da adaptação

Studies investigating the relationship between literature and film have been largely oriented by an analysis vector which always departs from literary texts towards films. Moreover, the overwhelming majority of criticism done by renowned theorists such as Robert Stam and Brian McFarlane approaches almost exclusively texts considered canonical. This reveals an overemphasis on the notion that the “primordial” text in a study of adaptation should be the literary text. This essay discusses some of those concepts, challenging the “binary” models in adaptation studies and showing how the vectors of analysis can be usefully reversed, for example, starting from films to literature and to other textual architectures. This approach, shared by theorists such as Linda Hutcheon (2006) and Thomas Leitch (2007), rejects old notions that guided comparisons between literary and filmic texts, such as fidelity and equivalence, replacing them with intertextuality and transmedia storytelling.

Retratos da Espanha em Os fantasmas de Goya

1792, Madri. After years of inactivity, the Spanish Inquisition is born again with the mission of containing the laic winds that blow from the revolutionary France. Inês Bilbatúa, a rich merchant’s daugther, is victim of the inquisitorial machinery which tortures and violates her, through one of their abetters, the Dominican monk Lorenzo. Before being arrested, the young lady had served as model for the painter Francisco of Goya, who had also portrayed the monk Lorenzo. The Aragonese painter’s figure serves as narrative conductor of a history that narrates the young Inês’ via crucis and, at the same time, it recreates the historical scenery of the Napoleonic invasion (1808), through a basic element, the painting. Our work intends to analyze the relationships among movie, painting and history present in “Goya’s ghosts” (2006), of the Czech director Milos Forman (1932) - whose script was adapted to a homonymous book in 2007 -, a movie that is based on the artistic production of Francisco of Goya y Lucientes (1746 -1828), official painter of Carlos’ IV (1788 -1808) court and the most lucid columnist of his time, that knew how to capture in his works the religious fanaticism, the populist fervour, the governor’s hypocrisy and the horror and the violence of the war.

Entre Portugal e São Paulo: um percurso artístico em construção

Pós-graduação em Artes - IA

Quadrinhos na educação: uma proposta didática na educação básica

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Arte sem fronteiras. Londres, Berlim, São Paulo e Rio de Janeiro: olhares estéticos e capitalistas sobre as células do poder lícito e ilícito (séculos XVIII e XX)

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

O jogo de intermediações enunciativas no romance de Alan Pauls

The novel O passado (2003) by Alan Pauls presents many isotopies which would deserve to be investigated: there is a varied construction of loving relationships among the characters, who reveal different feelings, that would allow a mapping of passions to be studied; there is an activity of translation (role performed by Rimini and Carmen) that engenders a very rich reflection on the literary activity which is taking place. There is also the presence of a visual artist, Jeremy Riltse, revealing a poetic work which was created by this discourse. Due to the dimension that a research of this kind would require, it is not possible to deal with all the isotopies. Thus, the last one was chosen to be investigated, that is, to verify how the fictional visual artist and his singular work operate in the novel.

O poético alinhave de Murilo Mendes: o poeta, a musa e a metapoesia em As Metamorfoses

Lying under the contribution of a display of characteristics with multiple meanings (Catholicism, Surrealism, unite of contraries, and the dialogue with other types of art), Murilo Mendes focalizes some subjects that are made to become appealing in his works. Some of these subjects appear in his 1945’s poetry book, As metamorfoses, the object of analysis in this present work: the poet’s figure, insert in the historical view of the World War II and by the poet devastated; the muse’s figure, carrier of the sacred and the profane, whose body represents a repository of descriptions with surrealistic meanings, that is shown indistinctly as the poetry itself; and, concluding, the poetry (or the metapoetry) expressed in this context (historical and literary). Therefore, we intend to search, based in the analysis of poems, how each of this instances are configured inside the poetic universe of Murilo Mendes, with the intention of enlighten the constitution of the sewing made of them by the poet from Juiz de Fora; instances that are very precious when we deal with the poetry that gives to his writings the patent feature of modernity.

As configurações do amor na lírica de Nuno Júdice

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O karatê-do como prática de formação

O Karatê-Do é uma das artes marciais mais conhecidas e praticadas em todo o mundo. Esta arte marcial, nascida na ilha de Okinawa, no Japão, passou por profundas transformações ao longo do tempo até alcançar a configuração que tem hoje em dia, assim como toda a sociedade japonesa. Mais do que uma simples forma de luta, o Karate-Do se tornou um caminho, uma doutrina a ser seguida por seus praticantes, ensinando valores e conceitos para a construção da personalidade de indivíduo da sociedade. Através da esportivização desta arte, assim como ocorreu com o Judô e outras formas de combate, e também através da crescente popularização e exposição das artes marciais no cenário mundial pelos chamados eventos de artes marciais (MMA), os valores e atributos intrínsecos ao Karatê e a outras artes marciais não têm sido transmitidos aos alunos. Os treinos visam apenas golpes e ataques utilizados em competições, supervalorizando a técnica em detrimento as filosofias que são a base do Karatê. O objetivo deste estudo é analisar enquanto prática formadora em seu contexto histórico e cultural o Karatê-Do. Neste sentido, procuraremos explorar as características singulares desta modalidade de arte marcial que contribuem para a formação ética e moral de seus praticantes

Convergência de linguagens nas artes visuais: cinema, vídeo, teatro e internet

Pós-graduação em Artes - IA

Agripina é Roma-Manhattan e outras experiências héliocinematográficas

Pós-graduação em Artes - IA

Entre o sonoro e o visual: relações e processos nas artes

Pós-graduação em Artes - IA

Metáforas, memórias e narrativas: aproximações e distâncias na formação de professores : uma análise de narrativas de professores de artes do Programa REDEFOR

Pós-graduação em Artes - IA

História e cinema: encontro de conhecimento em sala de aula

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)