A ditadura militar revisitada de 10 em 10 anos através de imagens: as fotografias de arquivo e a urdidura das reportagens de rememoração

Since photographic document always bears the marks of a given universe imagined, subject to fi ctionality inherent in all assemblies plot as an act, the purpose of this article is to analyze the photographs archival materials disclosed in remembrance of the Brazilian military dictatorship in the magazine Veja, published in the decennial anniversaries of the 1964 coup, from the methodological assumptions of the rhetoric of image. If, in some cases, archival photographs reinforced the argument of the report, in others, they created a parallel narrative, framing the present through an interpreted past.

Os álbuns fotojornalísticos online e a construção do acontecimento: atribuições de sentido a partir da composição imagética dos protestos de junho

Given that the choices involved in the selection of compositional techniques in photography are mediated by values, this article aims to analyze the compositional techniques of photographs published by photojournalistic online albums during the protests of June 2013 in Brazil. These albums feature professional and amateur photographs considered "the best" of this event and, interestingly, the chosen photographs have several composition techniques in common. We will examine these images from the perspective of significant effects that these techniques engender with the objective of examining the meanings that were attributed to that event in those albums.

Composição fotojornalística e história: função testemunhal como ato performativo e interação de linguagens

Assuming that testimony in photojournalism must be understood as a historical and performative act, the aim of this article is to discuss how the testimonial function of journalistic photography was constantly re-signified in Brazilian news magazines during the twentieth century. This redefinition has a relation with the different ways in which testimonial function was hinged to news report (in its broadest elements) and how this imperative appeared on its discursive form in writing narrative. As trustee of a narrative intended to be realistic, photojournalism articulates, from techniques and codes of narration, a series of referential and informational strategies. These strategies, however, have changed over time, based on different modes of narration by image and its accreditation in reality.

Paralelo entre fotografia moderna e contemporânea: algumas considerações

The paper provides a discussion of the language of modern and contemporary photography ressaltanto some of its peculiarities. Through a historical survey and an analytical process some images and point it was possible to describe the evolution of the photographic expressive modern to contemporary stage.

A fotografia amadora e fotoclubista no Brasil e no México: trajetórias e conexões latino-americanas (1940-1950)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Caracterização espectral de espécies de Mata Atlântica de Interior em nível foliar e de copa

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Um exercício de pensamento: entre a fotografia e a escrita

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Medições de áreas por fotografias aéreas, em escala nominal, comparadas com a área obtida em fotografias com escalas corrigidas por meio de um SIG

Land use management has becoming a very important activity. Aerial photo interpretation is a basic resource and constitutes in a technique which enables infinite refining. Agricultural development and land use require a careful initial planning in order not only to protect them against superficial changing provoked by natural phenomenon but also to gradually develop its productive capacity. For the efficiency of land management, it is necessary to access correct and detailed information which can be available through aerial images of remote sensing. The use of vertical aerial photography through Remote Sensing has become more common in boundary survey projects, management and exploration, mainly because it substitutes, with lots of advantage, for cartographic bases, besides offering detailed characteristics, eliminating access difficulties in inaccessible areas, as well as facilitating a tridimensional view once it increases map efficiency and accuracy by combining field and laboratory work with photography interpretation. This work, using panchromatic aerial photography in nominal scale 1:25000 (1962), 1:45000 (1977) , and approximate nominal scale of 1:30.000, originating from aerial survey obtained in 2005, aimed at showing through the Geographic Information System (GIS) the possibility of developing a more complete and accurate analysis of the area values, obtained directly from photos without scale correction, and after comparing it with area values obtained from aerial photography with correct scale referred in IGC (Brazilian Cartography and Geography Institute) guidelines, resulting in an error coefficient which shows area differences through two proposed study. Considering the aerial photography in three different years: 1962, 1977 and 2005 it is possible to affirm that the 2005’s images presented lower values of area difference (43, 48 square meters) than determined area values in reference chart and the 2005’s colored images has facilitated the photo interpretation of the landscape, becoming accurate the confronting traces and among land owners and consequently offering precision during land marking.

Interação com objetos digitais 3D em estúdios virtuais

Pós-graduação em Televisão Digital: Informação e Conhecimento - FAAC

A senhora dona da memória: autobiografia e memorialismo em obras de Zélia Gattai

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Investigações na construção de imagens

Pós-graduação em Artes - IA

Mutagênese sítio-dirigida da ORF XAC0024 de Xanthomonas citri subsp. citri e suas implicações no desenvolvimento do cancro cítrico

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Performatividade narrativa: intersecções narrativas em performance, fotografia e vídeo

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Trabalhos 2010-2014: performatividade escultórica

This paper presentes my production between 2009 and 2014 during the course of Bachelor of Visual Arts at the Art Institute of UNESP. I focus especially on my sculpture production and the development of this language to photography and video as a way to record my actions and performances. My approach to these experiments are with other artists of the 1960s and 1970s; especially the minimalist and post-minimalist movement