70 resultados para História do Teatro Português
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The aim of this paper is to offer an essay of synchronous translation poetics, based on the theoretic thought of Haroldo de Campos and Antoine Berman, which highlight the relevance of translation history in the work of contemporary translators. For this purpose, starting from a close-reading of the first seven Latin hexameters of Lucan’s Pharsalia, I present a comparative study of the translations of Filinto Elisio (18th century), José Feliciano de Castilho (19th century) and Vieira (2011).
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This study has as main aim to discuss the motivation for the non-occurrence of epenthetic vowel at the beginning of the word in the context of word junction in the first hundred Cantigas de Santa Maria (CSM – Afonso X, 1221-1284). Through this work and from a non-explored corpus (especially as for linguistic themes - SNOW, 1987, p. 478-480; MASSINI-CAGLIARI, 2005, p. 24-26), we intended to contribute to reaching a deeper knowledge of Portuguese prosody history in the period of its recognition as an “independent” language in relation to Latin.
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This article examines the lexical stress positioning in three moments of Portuguese diachrony: in its Latin origin, in medieval times (the so called Archaic Portuguese, of GalicianPortuguese), and in contemporary times, comparing Brazilian and European Portuguese. Two analysis are presented: the first one, based on non-linear Phonology theories, and the second one, based on Optimality Theory. The article shows that the rhythmic chance that affected Portuguese in its diachronic trajectory from Latin to contemporary days is not based in lexical stress positioning, which is still very close to what happened in the original Latin phase of the language.
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La novela A cidade de Ulisses (2011), de la escritora portuguesa contemporánea Teolinda Gersão, nos presenta una Lisboa envuelta en mitos e historia. Este trabajo pretende inferir las relaciones entre estos dos campos del conocimiento y sus implicaciones para la construcción de los sentidos del texto. Teniendo en cuenta la leyenda que cuenta que la capital portuguesa fue fundada por Ulisses, el héroe homérico, la narrativa se vale de elementos míticos para, junto con el relato del personaje Paulo Vaz acerca de sus relaciones románticas con Cecília Branco y Sara, hacer referencia a cuestiones del pasado y del presente histórico portugueses, siempre de manera crítica. Buscamos, así, indagar, a través del mito, cómo se introduce la historia en el universo del texto.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Within the scope of Literary Studies, theory, criticism, and historiography about the literature produced in the Middle Ages developed considerably from 1940 on, with the works of Ernst Curtius, Mikhail Bakhtin, and Erich Auerbach. In spite of the progress made, some specific aspects remain in the shadow, with incursions which were punctual though meaningful: that is the case of the critic fortunes about women‟s literary production in that period. Rosvita was a canoness and lived in the Benedictine convent of Gandersheim (Germany), in the 10th century A.D. Coming under Terence‟s influence, she wrote theater plays in Latin in which she figuratively presented theological issues in order to spread the Christian doctrine. The martyrdom issue deserved to be put in relief and was the focal point of the play Wisdom, which took place at the time of the Roman emperor Adrian. This paper analyzes that dramatic text discussing, at the end, how the categories of symbol, enigma, allegory, and mystery are organized by the author as expressive resources and structural elements.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)