136 resultados para Estudos da Tradução Baseado em Corpus


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Este trabalho teve por objetivo analisar o estilo de João Ubaldo Ribeiro enquanto autotradutor e também compará-lo ao seu estilo enquanto autor, por meio de um corpus paralelo formado pelas obras Sargento Getúlio/Sergeant Getulio e Viva o povo brasileiro/An invincible memory. A fundamentação teórica apoia-se na abordagem interdisciplinar proposta por Camargo (2005, 2007) envolvendo os estudos de tradução baseados em corpus (Baker, 1996, 2000, 2004) e a linguística de corpus (Berber Sardinha, 2004). Para uma observação do seu perfil estilístico, procurei identificar usos linguísticos característicos e individuais, ou seja, traços de seu comportamento linguístico relacionados à variação vocabular. Quanto aos resultados, foi possível observar que, enquanto participante como autotradutor, Ubaldo Ribeiro revela um padrão estilístico distintivo e preferencial que apresenta menor variação lexical. Em contraste, na situação de participante como autor, Ubaldo Ribeiro mostra padrões estilísticos com maior variação. A diversidade de vocabulário já era esperada para o escritor João Ubaldo, uma vez que a crítica literária enfatiza a sua habilidade na exploração do verbo brasileiro. Ao considerar a forma padronizada como uma indicação do uso que o autotradutor faz da linguagem, pode-se destacar, apesar da influência de possíveis variáveis, que a diferença menor registrada para Sergeant Getulio (3,69) e acentuadamente mais baixa para An invincible memory (4,73) constituem marcas significativas da utilização dos padrões estilísticos próprios desse tradutor de si mesmo, revelando o impacto da extensão dessas diferenças em contraste com a escrita do autor, respectivamente em Sargento Getúlio e Viva o povo brasileiro.

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The main purpose of this investigation is to analyze the most frequent simple terms, fixed and semifixed expressions in the subarea of Social Political Economy in Portuguese and their corresponding terms in English, found in fifteen papers written by Bresser-Pereira and in his self-translated texts. The methodology used is the Corpus-Based Translation (Baker, 1992, 1993, 1995, 1996; Camargo, 2005, 2007), Corpus Linguistics (Berber Sardinha, 2004) and Terminology (Barros, 2004). Results show that terms and expressions used in the source texts have no univocity within the specialized language related to the Brazilian Social Sciences. The terms translated into English also reflect variation due to the options chosen by the selftranslator as he seeks to adapt the theoretical concepts to the possibilities of the Target Language.

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This paper aims at observing the particular case of an author’s and self-translator’s style concerning normalisation features present in the self-translation. Our study has its theoretical starting point based on Baker’s proposal (1993, 1995, 1996, 2000) and Scott’s investigation in order to carry out an analysis of the use of linguistic choices involving evidence of normalization. The results point out that, while participating as a self-translator, Ubaldo Ribeiro reveals individual, distinctive and preferred stylistic options which present less lexical variation; in contrast, in the situation of participating as an author, Ubaldo Ribeiro shows stylistic choices of higher lexical diversity. Observed normalisation features reveal conscious or subconscious use of fluency strategies, making the target text easier to read. Due to his renowned sound command of the target language, the results may also suggest the challenges during the translated text re-creation process faced as a self-translator could have been greater than the challenges during the previous original text creation process faced as an author

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This paper presents some results of a study on culturally marked terms in a corpus composed by the Brazilian novel Relato de um certo oriente (1989), by Milton Hatoum, and its translation into English The tree of the seventh heaven, by Ellen Watson. For the analysis of culturally marked terms, we followed the interdisciplinary approach proposed by Camargo (2005, 2007) involving corpus-based translation studies (BAKER, 1993, 1995, 1996, 2000), and the investigations of cultural domains (NIDA, 1945; AUBERT, 1981, 2006). The methodology adopted in the present research required the software WordSmith Tools (SCOTT, 2007), which provides the necessary resources for the collection of data in a corpus of translated texts. The software tool called WordList was used for the selection of the most frequent words in the texts and also for the identification of the culturally marked terms. For the analysis of the culturally marked terms in both texts we used the software tool Concord. The results revealed that most of the culturally marked terms are inserted in the ecological domain, and the other terms are distributed in the domains of material, social and ideological culture, which reflects the theme of the book.

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Brazil was one of the countries that stood out in the list of nations that publishes more articles in scientific journals. From 2007 to 2008, the Brazilian scientific production has moved from 15th to 13rd place in the world ranking published articles in professional journals. However, 60% of articles published by the Brazilians are in Portuguese, which makes the Brazilian work have little international attention. The purpose of this research is to build and analyze a parallel corpus composed of a book of Remote Sensing and its translation in the direction English into Portuguese in order to create a glossary of most recurrent terms in the literature of Remote Sensing. The achievement of these goals will take for theoretical and methodological foundation the Corpus-Based Translation Studies (BAKER, 1993, 1995, 1996; CAMARGO, 2005), Corpus Linguistics (BERBER SARDINHA, 2004) and principles of Terminology (BARROS, 2004; KRIEGER & FINATTO, 2004). It will also use Wordsmith Tools program and its tools. Besides the parallel corpus, we will also build two comparable corpora respectively from articles published in Brazilian and international journals in the area. The first results show that the translators made use of greater variation of vocabulary in their translations, which can be a way to make the text more clear to the reader. For the analysis of glossary entries, professionals from the National Institute for Space Research - INPE, will be consulted and their views aggregated to this research to give consistency to the production of the proposed bilingual glossary.

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This paper aims at observing a particular case of an author’s and self-translator’s style in the pair of works Viva o Povo Brasileiro and An Invincible Memory. Our investigation has its theoretical starting point based on Corpus-Based Translation Studies (Baker, 1993, 1995, 1996, 2000; Camargo, 2005, 2007), and works on cultural domains (Nida, 1945; Aubert, 1981, 2006). The results showed that great part of cultural marks may be classified as the material, social, and ideological cultural domains, which reflects the context of the source text. It was also possible to observe that normalization features tends to reveal conscious or unconscious use of fluency strategies by the self-translator, making the translated text easier to read.

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The aim of this research is to build and analyze a parallel corpus in the field of remote sensing in order to identify, according to its frequency, specialized collocations in English and then search for their equivalents in Portuguese. The research is based on the interdisciplinary approach of Corpus-Based Translation Studies (BAKER, 1995; CAMARGO, 2007), Corpus Linguistics (BERBER SARDINHA, 2004; TOGNINI-BONELLI, 2001), Phraseology (ORENHA-OTTAIANO, 2009; PAVEL, 1993), and some principles of Terminology (BARROS, 2004). For manipulating the corpora, the program WordSmith Tools (SCOTT, 2012) version 6.0 is used. To support this study, two comparable corpora in English and Portuguese were also built from articles published in both national and international journals in remote sensing. The results show that the collocations in Portuguese seem to be still in the process of conventionalization, as the translators made use of greater variation in their translational options, which can be a way to make the text clearer for the reader.

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This paper presents and discusses initiatives taken in a public university in the state of São Paulo in order to collect and organize a corpus composed of argumentative texts to be part of Br-ICLE – a subcorpus of ICLE1 – which is composed of texts produced by Brazilian students enrolled in the courses of Arts and Languages and Translation. The discussion is based on a three-year project in which we could observe underuse and overuse features in the texts produced by Brazilian undergraduate students.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Relating the surface of a translated text to discourse is one of the focuses in the connection between Translation Studies and African- -American literature. In this respect, “Invisible Man”, by Ralph Ellison, and its Brazilian translation, by Márcia Serra, present themselves as material for analyzing contexts which evoke a sense of community and racial identity. Therefore, this paper centers precisely upon nuances in meaning of the linguistic displays of bonding and race. It could be noticed that these aspects were less marked in the translation, whereas the integrationist project featured in the novel was to a certain extent rewritten in words that called forth a sense of racial dichotomy. Thus, the translation displays at once the non-racialized perspective peculiar to the Brazilian view of race and assumptions in regard to the perspective of the African-American Other on race relations.

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This work is part of a research project on the role of translations of African-American literature in Brazil and their relation to issues of identity, discourse and aesthetics. It analyzes the translation, by Affonso Blacheyre, of Giovanni's room (1956), by James Baldwin, which was published in 1967 in Brazil. Baldwin is revered for his role in the Civil Rights Movement, having produced works that portray the contradictions of a democratic, but, at the same time, racist society. Giovanni's room was first rejected by his publisher for addressing homosexuality. The text displayed on the book flaps of the translation praises Baldwin's "work with language", in contrast to his anti-racism in other works. The praise of aesthetics of Giovanni's room is noteworthy, in contrast with the absence of any remarks on its critique of the marginalization of homosexuality. The focus on the aesthetics of the work corresponded to characters speaking a more formal register in the translation. Discourses on identity strengthening were less apparent in the 60s in Brazil in comparison to nowadays. The emphasis on aesthetics represented a seemingly "non-political" gesture that made it less shocking in the context of military dictatorship prevalent in the country at the time.