Para que serve o passado: cronache di poveri amanti e a crônica da história

Vasco Pratolini recreates the 1920’s and the assertion of fascism resorting to the medieval and historiographical tradition, to the social outlook and the childhood memoir. Under the effects of the intellectual movement of the Italian Resistance, within the democratic context of the parliamentary republic and pluripartyism (1946- 1948), the novel makes clear the equalitarian perspective betraying the represented moment, when hopelessness crowned the political and social life. Carlo Lizzani shoots his adaptation in the closure of horizons caused by the restoration of the conservative forces (1953), reducing the visionary focus of the narrative and representing the past from the disillusionments of the present.

Palimpsestos: Ana Miranda y la lectura de la historia literarria brasileña

We can notice in Brazilian literature —both past and contemporary— the presence of the historical novel in its several modalities which include traditional models but also contemporary formulations that break old models with irreverence. Among them are the historiographical metafictions (Hutcheon, 1991), which propose the rereading not only of history but also of literature itself. Therefore, in the large number of historical characters which are fictionalized by contemporary Brazilian historical novel in the last decades, this essay intends to discuss how Ana Miranda engages in reading the history of Brazilian literature through fiction in three of her novels. The first is Boca do inferno (1989), whose protagonists are two of the main representatives of Brazilian colonial barroque, Father Antônio Vieira and poet Gregório de Matos. Following the chronological order of protagonist writers, the next novel to be discussed is Dias & dias (2002), whose action is centered in Gonçalves Dias, a well known poet of national Romanticism. The third is A última quimera (1995), which makes an outline of Brazilian literature at the beginning of the 20th century, dealing with Augusto dos Anjos and Olavo Bilac. By inverting some traditional viewpoints, Ana Miranda proposes, as in a palimpsest, the rereading and discussion of the national literary cânon and its construction.

A representação do salazarismo em Afirma Pereira, de Antonio Tabucchi

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Um microfone às formigas: crimes, narrativas e História

Some remarks on how Cultural History has been used in Mathematics Education are the main focus of this paper. It tries to discuss, basically, three works (In Cold Blood, by Truman Capote; O crime do restaurante chinês, by Boris Fausto; and Os protagonistas anônimos da História, de Ronaldo Vainfas) in order to present some perspectivas about narratives and textual elaboration in the field of Historiography.

Biografia e história: panteonização e iconoclastia em narrativas de Raimundo Magalhães Junior

Pós-graduação em História - FCLAS

Geograficidade libertária em Élisée Reclus: contribuição heterodoxa à história da geografia

Pós-graduação em Geografia - FCT

As mulheres não tão silenciosas de Roma: representações do feminino em Plínio, o Jovem (62 a 113 d.C)

Pós-graduação em História - FCLAS

A Política previdenciária brasileira: estudo sobre a inserção da mulher no sistema de seguridade à luz da lei nº 12.470/2011

Pós-graduação em Serviço Social - FCHS

A História segundo Xenofonte: Historiografia e usos do passado

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)