O canto dos helenos: poesia e performance

This study presents a brief reflection on the genesis of literary genres in Ancient Greece. It is intended here, in the first place, take us off this "comfort zone" when we talk about "Greek literature" in antiquity, at least from the period of Homer until the fifth century. B.C. , moment when, in fact, the writing has become stable not only in the continent but spreads out reaching the Italian peninsula and generating what we have today as the Roman alphabet. Therefore, we examine some terms that appear to be so clear for us which termed other doings, such as poetry, poem, among others. We also examine issues concerning the epic, lyrical and dramatic poetry.

Uma visão da gramática na vivência da linguagem

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Perfis de Orfeu na poesia brasileira recente

Muitos são os atributos que perfazem o ciclo mítico de Orfeu, o mais importante dos poetas lendários da Grécia antiga: ele, além de amante devotado (pois desceu ao Hades em busca da amada Eurídice) e protótipo de poeta lírico (em termos ideais platônicos), teria sido o fundador do culto de mistérios que leva seu nome, o Orfismo. Tema recorrente na literatura e nas artes ocidentais, sobretudo a partir das obras dos latinos Ovídio e Virgílio, o mito de Orfeu, em seus aspectos mítico-poéticos, vinca a poesia brasileira desde a Colônia e atinge inusitada voga a partir dos anos 40/50 do século XX, quando pode encharcar-se de certos aspectos místico-religiosas (Murilo Mendes; Dora Ferreira da Silva). Na contemporaneidade, os perfis de Orfeu continuam seu périplo pela poesia brasileira, em obras recentes de Adriano Espínola (Praia provisória, 2006), Geraldo Carneiro (Balada do impostor, 2006) ou Rodrigo Petronio (Venho de um país selvagem, 2009). A partir de tais obras tentar-se-á dar um corpo (embora metamórfico) ao contraditório Orfeu.

A autoafirmação de um Bispo: Gregório de Nissa e sua visão condenatória aos Eunomianos (360-394 d.C.)

Pós-graduação em História - FCHS

Número Irracionais e transcendentes

Pós-graduação em Matemática - IBILCE

Entre o corpo da obra e o corpo do observador

Pós-graduação em Artes - IA

A utilização da tecnologia nas artes, design e engenharia, como ferramenta de vanguarda e sustentabilidade

Art can be understood as a process in which knowledge is used to perform certain skills. From Latin ARS, technical means and / or ability, in Greece, there was the word art, but "Tekne", which originated from the word "technical." So art and technique are present in sculptures, paintings, shoes or ships. In this sense, designers, engineers and all professionals who use technology can be called artists. Considerations must be made regarding the level of energy embedded in the material from its production until its use, even considering recycling, sustainability and life cycle of materials. This study aimed to present the use of scanning technology and 3D virtual modeling and its application in prototyping with CNC (Computed Numerical Control) as a tool in current use cutting-edge courses in arts, design and engineering and their relations with sustainability.

Considerações históricas sobre o infinito e alguns de seus paradoxos

This research aims to elucidate some of the historical aspects of the idea of infinity during the creation of calculus and set theory. It also seeks to raise discussions about the nature of infinity: current infinite and potential infinite. For this, we conducted a survey with a qualitative approach in the form of exploratory study. This study was based on books of Mathematics' History and other scientific works such as articles, theses and dissertations on the subject. This work will bring the view of some philosophers and thinkers about the infinite, such as: Pythagoras, Plato, Aristotle, Galilei, Augustine, Cantor. The research will be presented according to chronological order. The objective of the research is to understand the infinite from ancient Greece with the paradoxes of Zeno, during the time which the conflict between the conceptions atomistic and continuity were dominant, and in this context that Zeno launches its paradoxes which contradict much a concept as another, until the theory Cantor set, bringing some paradoxes related to this theory, namely paradox of Russell and Hilbert's paradox. The study also presents these paradoxes mentioned under the mathematical point of view and the light of calculus and set theory