Uma estréia no romance: A mocidade de Trajano

L'article Uma estréia no romance: A mocidade de Trajano veut revoir l'histoire de la publication de ce roman de 1871, renié,quelques années plus tard, par Alfredo d'Escragnolle Taunay. On y veut aussi vérifier les marques qui ce remettent à ceux de Macedo, surtout en ce qui concerne sa filiation au mélodrame (le mot pris dans son sens le plus vaste). Le regard de l'auteur sur le paysage, l'importance du rôle attribué par lui à la nature – scène idéaleopposés à la constatation des dégâts dans les rapports seigneur/esclave, surtout dans les grandes propriétés rurales, pendant le XIXe., ont, eux aussi, été objet de réflexions. Finalement, dans cet article on a essayé de remarquer la filiation idéologique du personnage Trajano à des valeurs européennes, notamment françaises.

O olhar revolucionário em As Meninas

We analyzed here, Lia de Melo Shultz, one of the protagonists of As meninas, Lygia Fagundes Telles. Incarnation of the revolutionary romanticism of 60- 70 years of the century XX, she is the most representative character of a double crisis: the political authoritarianism of the military dictatorship and patriarchy. We highlight of the characteristic features of narrative character, exploring their actions and ideas and their role in the dramatic conflict. To contextualize the fable, we make use of texts Boris Fausto, Nadine Habert, Elio Gaspari and Leonardo Pinheiro.

As meninas: entre o universo de Lygia Fagundes Telles e o universo das representações femininas (2010)

This article is devoted to a brief analysis of representations of women in As meninas, by Lygia Fagundes Telles, focusing on the three main characters of the novel and also on some secondary characters. The novel is set within a context that was characterized by a double crisis: the political crisis arising from authoritarianism and violence of the military dictatorship, and the crisis of the patriarchy system, due to the gradual political and social emancipation of women. Our paper aims to understand, in a succinct way, the critical dialogue established in the novel between the representations of women and that context of the dual crisis that constitute the novelistic material of As meninas

Das ideias de Roland Barthes à teoria do enquadramento: análise de uma cobertura política

Pós-graduação em Comunicação - FAAC

O cardeal leme e a construção da ordem política católica (1930-1942)

Pós-graduação em História - FCHS

A biografia como registro da memória na obra do Visconde de Taunay

Le but de cet article est de démontrer que la production de textes biographiques a été une activité constante pendant toute la carrière intellectuelle et politique du vicomte de Taunay, de façon à contribuer pour rendre célèbres des personnalités brésiliennes et étrangères qui, selon lui-même, ont joué un rôle important dans le projet de constitution de la nationalité brésilienne. Em outre, ce texte vise signaler un aspect caractéristique de la méthode biographique adoptée par l’écrivain, puisqu’il va au-délà de la chronologie tradionnelle qui considère la naissance et la mort comme points de répère identifiant le début et la fin du récit: d’autres textes (écrits ou non par lui) s’y ajoutent toujours, de manière à le rendre fragmentaire et, par conséquent, plus proche de la discontinuité et du caractère aléatoire de l’existence humaine.

As vozes de inocência: um estudo sobre as relações polifônicas em Visconde de Taunay

Cet article se propose à analiser les relations discoursives autour de la thémathique de l'émancipation féminine dans le roman Inocência (1872), de Visconde de Taunay, dans le but de constater la présence d'éléments polyphoniques, d'après la théorie du roman polyphonique de Mikhaïl Bakhtine.

Participação política, planos diretores e gestão urbana sob o Estatuto da Cidade

The hegemonic version of democracy is based on Schumpeter’s approach, a legacy of liberal pluralism that reduces the formation of legitimate majorities through representation. Nevertheless, the democratization of authoritarian countries has provided innovative experiences of civil society in new participatory formats. At the institutional level, the Statute of the City regulated the chapter of the Urban Policy of the Federal Constitution of 1988. It advocates participatory formats of public policies in urban management “through public participation and representative associations”. The construction of this agenda is the result of institutional imposition and it reflects the government decisions and civil society demands. This paper analyzes the participation, its ability to share decisions, and to what extent these participatory formats depend on governments for the implementation of new paradigms of urban management. The approach combines theoretical and empirical analysis of development processes of Master Plans normatively guided by the City Statute. The empirical basis is formed by three medium-sized cities in Sao Paulo state: Piracicaba, Bauru and Rio Claro.

O abraço do medo: violência e identidade na obra de Lygia Bojunga

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)