21 resultados para Utopias.


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The aim of this article is to present some considerations on the contemporary city figurativizations, from the reading of “O Arquiteto”, a Bernardo Carvalho’s short story, published in the anthology “Aberração” (2004). In this short story, the writer retakes the city theme following a modernity tradition, established, among others, by Poe and Baudelaire, making his voice embrace other Brazilian writers voices, that have represented the town, but, at the same time, recreating, in his scripture body, dense and intense, quick and, in some sense, agonic, the utopist projects of renascence ideal cities, questioning the utopias and the aesthetics traces which can be found on the nowadays texts. To enlarge the metalinguistic proposal that emerges from the analysis, some poems by João Cabral de Melo Neto are considered. This comparison allow us to establish parameters to think about influence in certain perspective of contemporary literature, which epicenter configures less the supremacy of the newty and more a aesthetic of deletions of the origins, tracks, traces, which are possible by the canon invention.

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À utopia de um presente forte modernista que edificaria um futuro grandioso, a literatura contemporânea registra riscos, tensões existenciais, violência moral e física, justaposições espaciais, ilusões referenciais. O artista contemporâneo, consciente da incerteza do futuro e da queda das utopias, empurra o presente e aceita supressões temporais. Para reflexão sobre o fato, selecionamos, da produção modernista e contemporânea, os poemas “O elefante”, de Carlos Drummond de Andrade, e “Notas de oficina”, de Alberto Martins. O estudo desses textos deve favorecer a compreensão do diálogo estabelecido entre os dois momentos. O elefante drummondiano, apesar da frágil condição de execução e da indiferença dos leitores, não desestabiliza o criador, que afirma: “Amanhã recomeço”. As “Notas de oficina” registradas pelo eu poético criado por Alberto Martins discutem o sofrimento do criador proveniente do processo criativo e indicam que o corpo do artesão sofre fisicamente as dificuldades do fazer artístico e despende mais tempo de descanso que de execução. A elipse temporal estende-se e impede a criação porque o erro é incompreensível e consequentemente não ajustado pelo eu poético. O artista contemporâneo revela a condição limite entre o fazer discursivo e sua impossibilidade, entre a ignorância e a dor de saber que “alguma coisa está errada”.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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This study had two objectives: to build theoretically the hypothetical landmarks of the environmental crisis and to conjecture new horizons or utopias which can fulfill themselves in the future in search of another being of the man in the world. Therefore, a bibliographic research has been done and, as methodology of analysis, a dialectic critical method has been used to understand the reality in its contradictions and in the totality of the history, through some suggestions, going toward the domain of the state of things which we can verify in the world nowadays. It has been observed that the hypothetical landmarks of the environmental crisis had and have its origins in the Jewish-Christian monotheism, in the exacerbation of the reason as the only way of knowledge and in the process of capitalist accumulation. Therefore, these landmarks, in almost their totality, have historically been built even before the advent of the capitalism. From this point, three suggestions were launched as questions, or so, possibilities, to open a discussion about the construction of another paradigm: Is it necessary another sense of religion? Is it necessary another sense of reason? Is it necessary another sense of sustainable development? Thus, these questions which have been launched, were thought as the current necessities for the environmental education and they implicate in another historical condition to the mankind.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)