Ensaio bibliogr��fico: obras coletivas de história oral

Este ensaio bibliogr��fico tem por objeto quatro obras coletivas de história oral publicadas no Brasil nos ��ltimos tr��s anos. Em ordem cronol��gica s��o elas: Entrevistas: abordagens e usos da história oral, lan��ada durante o II Encontro Nacional de História Oral, no Centro de Pesquisa e Documenta����o de História Contempor��nea do Brasil (CPDOC) da Funda����o Getulio Vargas, em abril de 1994; História oral e multidisciplinaridade, que re��ne quatro palestras proferidas por ocasi��o daquele encontro, tamb��m publicada em 1994; (Re)introduzindo a história oral no Brasil, lan��ada durante o III Encontro Nacional de História Oral, no Centro de Mem��ria da UNICAMP em maio de 1996, e Usos e abusos da história oral, tamb��m publicada em 1996.

A voca����o totalizante da história oral e o exemplo da forma����o do acervo de entrevistas do CPDOC

This paper discusses the oral history vocation to totality taking as example the formation of the CPDOC���s (Centro de Pesquisa e Documenta����o de História Contempor��nea do Brasil da Funda����o Getulio Vargas) oral history archive. As ���vocation to totality��� we consider specially the construction of senses and syntheses of the past and the hermeneutical perspective in which oral history is inserted.

História oral, comemora����es e ��tica

A proposta deste texto �� discutir as rela����es entre História Oral e identidade, tendo como eixo central de articula����o o tema da comemora����o e da ��tica.

Al��m das vers��es: possibilidades da narrativa em entrevistas de história oral

The work with oral history consists of recording interviews which have historical and documental proprieties, with actors/actresses or witnesses of events, conjunctures, movements, institutions and ways of living along the contemporary history. One of its basic foundations is the narrative. An event or a situation lived by the interviewee can not be transmitted to any other person without being narrated. That means that it frames itself (meaning that it does become something) at the very moment of the interview. By telling his/her life experiences, the interviewee transforms what has been lived into language, selecting and organizing facts according to some determined meanings. This work of language in crystallising images (images which refer to, and mean again, life experience) is common in all narratives - and we do know that sometimes it is much more successful than others (just the way some oral history interviews are certainly more successful than others). However, perhaps we have not given yet all the attention needed to this work of language in the oral sources.