(Joyful pop-rock) heaven (mandolin rock)

A short and uplifting composition that is joyful in tone. Heaven is a track that is predominantly played on a real electro-acoustic mandolin - a versatile and sweet sounding instrument that punches above its weight to create a modern pop rock sound. The other sounds are a sampled bass, drums and a synth pad.

(Joyful pop-rock) heaven (mandolin rock) LOOP

A short and uplifting composition (looped) that is joyful in tone. Heaven is a track that is predominantly played on a real electro-acoustic mandolin - a versatile and sweet sounding instrument that punches above its weight to create a modern pop rock sound. The other sounds are a sampled bass, drums and a synth pad.

(Joyful pop-rock) heaven (mandolin rock) no intro hits

A short and uplifting composition that is joyful in tone. Heaven is a track that is predominantly played on a real electro-acoustic mandolin - a versatile and sweet sounding instrument that punches above its weight to create a modern pop rock sound. The other sounds are a sampled bass, drums and a synth pad.

Ambient cinematic guitar rock

A short instrumental that is ambient in style and would suit cinematic types of projects. Guitar, bass, drums and a synth pad feature in this composition.

Back then loop POP

Back Then Loop is a straightforward drum, rhythm guitar, bass and synth pop-rock loop.

Ambient cinematic guitar, bass, synth pad

A short instrumental that is ambient in style and would suit cinematic types of projects. Guitar, bass and a synth pad feature in this composition.

Around the globe loop 03

Around the Globe Loop 03 is an instrumental piece featuring 5 different synths, two electric guitars, drums and piano. A cheerful, contemporary piece.

Bass line rock loop 01

Bass Line Rock Loop 01 is a simple bass, electric guitar and drum loop in the style of Rock Pop.

Bass line rock loop 02

Bass Line Rock Loop 02 is a simple bass, electric guitar, synth and drum loop in the style of Rock Pop.

Pop art: making mathematics popular

Leicha Bragg shares an effective activity for integrating visual arts, technology and mathematics. Such an approach has the potential to enhance students' visual reasoning and spatial ability by using multiple perspectives of learning. 

Comparative sexuality of conspecific stream-side and stream-rock mosses

The sexuality of conspecific stream-rock and stream-side bryophytes at Cement Creek in the Yarra Ranges National Park, Victoria, Australia was examined in terms of sex ratios and sporophyte production. Generally, stream-side colonies had higher numbers of stems, inflorescences and gametangia than their stream-rock counterparts. A higher number of stream-side than stream-rock species produced sporophytes although Cyathophorum bulbosum (Hedw.) Mull.Hai. produced more sporophytes on stream-rocks than in the stream-side habitat. Sex ratios generally showed a female bias with regard to stem numbers and number of inflorescences.

It's not only rock and roll: rockumentary, direct cinema and performative display

The documentary form commonly referred to as rockumentary has become, since its inception in the early 1960s, a staple of American direct cinema. In keeping with its associations with observational direct cinema, rockumentary emphasizes showing over telling; that is, rockumentary privileges the visual capacities of documentary over patterns of exposition. While the ‘documentary display’ of rockumentary is comparable to certain features of  the early ‘cinema of attractions’ it exceeds such features in its focus on  performance. Typically, an emphasis within documentary theory on unmediated and unreconstructed access to the real as the basis of documentary film has not admitted a place for notions of performance before the camera. Rockumentary, with its relentless foregrounding of the performing body and the performance of musicians, revises this  understanding. This essay examines rockumentary within the context of direct cinema as a mode centred on a documentary performative display as it operates within selected works from the 1960s to the present. The film theorist Brian Winston has claimed that ‘[d]irect cinema made the rock performance/tour movie into the most popular and commercially viable documentary form thus far.’ The inverse of this assessment may be closer to the mark: the rockumentary turned direct cinema into a commercially and widely available form, one which the rockumentary has at times returned to and superseded in its scopic attention to performative display.

The Go-Betweens

The Go-Betweens recorded six albums that are among the finest work of the 1980s, earning them a reputation as ""the ultimate cult band"" and the lasting esteem of their peers, from R.E.M. to Sleater-Kinney. In 2000 they returned to making records--and received the best reviews of their career. David Nichols relates their story with wit and verve, and since the Go-Betweens had personalities as well as talent, their biography is compelling reading, not just for committed fans but for anyone interested in the current music scene.