7 resultados para Fletcher, Isaac, 1784-1842.

em Deakin Research Online - Australia


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Frederick McCoy contributed to the knowledge of the fossil record of the Tasmanian Devil Sarcophilus harrisii Boitard, 1842 in Victoria by including a number of figured specimens in the Prodromus of the Palaeontology of Victoria. However, an article McCoy wrote under the pseudonym 'Microzooni highlighted his anti-Darwinian thoughts and embraced a successionist viewpoint. The article, entitled 'Pre-historic Tasmanian Devils', is an interesting account of zoogeography from a successionist perspective, and is used here to contrast McCoy's anti-evolutionary viewpoint with modern Darwinian thought. A number of fossil sarcophilines discovered since McCoy's death illustrate the shortcomings of McCoy's favoured anti-Darwinian viewpoint when discussing the nature of evolution and extinction.

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This is the story of how a shell-shocked World War I veteran, who left school at 12, ended up building a national icon. An inspiring man with bold and imaginative ideas, Fletcher Jones was influenced by Japanese reformer Toyohiko Kagawa. Jones established his clothing design, retail and manufacturing business with emphasis on quality, service and innovation. But his primary concern was for people both his customers and his workers and they, in turn, were intensely loyal.

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Mary Bosanquet Fletcher (1739-1815) was a leading early English Methodist, active throughout her adult life as a preacher, author, spiritual director and head of a large household. She was also part of a largely unexamined network of intense and intimate friendships between Methodist women across England. This article analyses the ways in which Fletcher represented friendship in her autobiography, a text that was widely published and read throughout the nineteenth century. Fletcher's autobiography shows how religious conviction could shape a distinctive construction of female friendship, at a time when such friendships had growing social and cultural significance.

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Traces the ideological formations of British colonialism using the techniques of modern European cartography to examine the practices of spatial production in Hong Kong's capital city, Victoria. This examination demonstrates how notions of British cultural identity and self-representation were inscribed throughout the colonial urban environment by considering the ways in which the British colonial authorities sought to condition, control, and maintain the organisation of space.