Silent windows

Silent Windows was a major exhibition of Terry Matassoni's paintings and works on paper spanning 23 years. It was held at Maroondah Art Gallery (Ringwood, Melbourne) in 2012.

Racialised bodies encounter the city: 'long grassers' and asylum seekers in Darwin

The visibility of bodies of colour in public space can engender responses of anxiety, insecurity and discomfort in cities with white majority cultures. Such embodied responses that privilege the invisibility of whiteness have effects if they mark Aboriginal people and asylum seekers who arrive by boat as ‘out of place’ in public spaces of Australian cities. Drawing on fieldwork conducted in Darwin, I argue, however, that such white spaces are interrupted by habits of touch, multi-sensory events that contribute to fleshy moments of belonging for these racialised bodies that experience dispossession and displacement. Such belonging emerges from the intertwining fleshiness of bodies in a world where we affect and are affected by other bodies and things.

The paper explores two events held in public spaces of suburban Darwin, a weekly painting activity at a beach reserve that engages ‘Long Grassers’, Aboriginal people who live in open spaces, and a cooking session at a community centre that welcomes asylum-seeker families from a detention centre. Felix Ravaisson's philosophy of habit as virtue and spontaneous practice is a starting point for thinking about how haptic knowledges can provide a nuanced understanding of belonging, encounter and ethical engagement in a racially diverse white settler city.

Subduction

 Solo exhibition of paintings

Threshold

Solo exhibition of paintings

Casella art prize (finalist exhibition)

Pre-selected finalist in national art award (group exhibition)

Fusionscape: Corangamarah Art Prize

Pre-selected finalist in Art Award

Abstraction in focus

Solo exhibition of paintings referencing abstraction as process

Mediation

Exhibition catalogue with images and essay on the artists work

ICON: response[s] to Tower Hill

A solo exhibition of paintings and mixed media artworks based on Tower Hill, an extinct volcanic site located near to Warrnambool.  

Exchange

EXCHANGE was curated by Liza McCosh and highlighted the practice of Beijing artist Zhou Mian and Melbourne artist Denise Keele-bedford who spends several months each year creating and exhibiting her artwork in China.  The exhibition comprised a body of politically based paintings from Zhou Mian executed in a traditional Western style alongside the mixed media artworks from Keele-bedford which had an obvious Eastern influence. 

SCOPE Galleries Art Award: Art Concerning Environment

Curated by Liza McCosh, a major exhibition of pre-selected artwork that includes painting, drawing and sculpture. The exhibition included fifty five preselected artists/artworks from across Australia.The Art Concerning Environment Award is a national biennial award and the exhibition attempts to provide a platform that facilitates debate and promotes art as a catalyst for change.  The exhibition was supported by a public lecture on Climate Change (June 2, Warrnambool Art gallery) and facilitated by Guy Abrahams (guest judge).

See:  
www.scopegalleries.com
www.warrnambool.vic.gov.au/index.php?q=node/1266
Ziegeler, Bonnie, "Artworks with a green hue vie for %5000 award in Warrnambool", The Standard, June 3, 2012.

The Volcanic Series

A major solo exhibition of paintings (25) by Liza McCosh. Inspired by the volcanic topography of the South West Victorian landscape.  The artwork is abstracted in nature and worked in the media of acrylicand oil glaze on canvas.

Castlemaine Art Gallery and Historical Museum : history and collections

A publication of works from the permanent collection and a history to mark the centenary of the Castlemaine Art Gallery and Historical Museum. The photographs have been produced using superimposed exposures of polarised and non-polarised light; a technique for the optical and digital enhancement of colour saturation, reflection reduction and surface effects in reprography of painting developed by James McArdle.

Shimmering light: Dora Meeson and the Thames

This soft-cover book is a catalogue of the exhibiiton held 21 September – 10 November 2013 at Castlemaine Art Gallery and Historical Museum. The majority of photographs for the publication have been produced using superimposed exposures of polarised and non-polarised light; a technique for the optical and digital enhancement of colour saturation, reflection reduction and surface effects in reprography of painting developed by James McArdle. In this instance the highly textured brushwork of Dora Meeson benefits from the treatment.