54 resultados para twentieth century migrant built heritage


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Daylight is an essential contextual ingredient of place making. Research in daylighting has recently received major attention for its valuable contribution to the sustainability of the built environment. Previous research has investigated the role of daylighting in energy efficiency, its regional qualities in relation to the façade configuration, and its contribution to the sense of visual comfort. This paper argues that appropriate use of daylighting will ensure not only visual and thermal comfort in an urban setting, but also contributes to the place identity and hence sustainability of urban regeneration projects. The paper identifies the daylight variables that affect the success of the regeneration of heritage sites in Eastern Mediterranean. Daylight variables in public open spaces include a combination of sunlight, skylight and the reflected light from the facades and the ground. The Solar altitude, the geometry of sectional profiles, the reflectance of the opposing facades, the width of the street and the density of the urban built environment are examined to simulate the daylight performance in the selected heritage sites. Located in the historical Darb al-Ahmar district, Aslam Square is selected as part of one of the rehabilitation project in Cairo. This paper examines the photometric and morphological properties of the existing configuration using daylight simulation software. Various spherical projections were developed to represent full 3D visual environment. The paper calculates and analyses the direct radiation energy, the sky diffused energy and the reflected energy in the case study.

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Aims of this Chapter:
• To understand the early foundations of public relations in Australia and New Zealand
• To examine the development of public relations through a campaign perspective

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Abstract: This thesis investigates the origins of contemporary fictional constructions of childhood by examining the extent to which current literary representations of children and childhood have departed from their Victorian origins. I set out to test my intuition that many contemporary young adult novels perpetuate Victorian ideals and values in their constructions of childhood, despite the overt circumstantial modernity of the childhoods they represent. The question this thesis hopes to answer therefore is, how Victorian is contemporary young adult fiction? To gauge the degree of change that has taken place since the Victorian period, differences and points of continuity between representations of nineteenth century childhood and twentieth century childhood will be sought and examined in texts from both eras. The five aspects of fictional representation that I focus on are: notions of innocence; sexuality; the child as saviour; the use of discipline and punishment to create the ideal child; and the depiction of childhood and adulthood as separate worlds. The primary theoretical framework used derives from Michel Foucault’s concepts of the construction of subjectivity through discourse, discipline and punishment, and his treatment of repression and power, drawn mainly from The History of Sexuality vol. 1 (1976) and Discipline and Punish; the Birth of the Prison (1977). I have chosen to use Foucault primarily because of the affinity between his work on the social construction of knowledge and the argument that childhood is a constructed rather than essential category; and because Foucault’s work on Victorian sexuality exposes links with current thinking rather than perpetuating assumptions about sexual repression in this period.

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This study selected British wealth holders who died between 1858 and 1914 and registered probate values of over 1 million pounds. Their descendants were traced using an array of sources. These descendants generally consisted af a group of wealthy individuals in the upper few percent of wealth holders in the British community as indicated by their probate valuations. Generally the male descendants were wealthier, received a better education, and dominated in commerce and business activities.

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The professionalism of women artists around the turn of the century coincided with the growing expectation that female members of the family should do the housework formerly done by domestic servants. The Women's Art Register was the research base for the compilation of a twentieth century history of Australian women artists and their attitude towards domesticity and housework. The authors work as located within this artistic tradition is also discussed.

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This paper examines the building that presently houses the Imperial War Museum, investigating the transformation of the archetypal ‘mad space’ of the Bethlem Royal Hospital into what has been described as the ‘biggest boy’s bedroom in London’. Following recent concerns in human geography with Imperial cities, it highlights the differing ways in which this transformation embodies a number of themes of degeneration and regeneration in early twentieth-century Britain.

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This article explores the experiences of Western women missionaries in a faith mission and their relationships with the women and children of China in the early years of the twentieth century. In a period of twenty years of unprecedented social and political revolution missionaries were forced to reconceptualise their work against a changing discourse of Chinese womanhood. In this context, emerging models of the Chinese New Woman and the New Girl challenged older mission constructions of gender. The Chinese reformation also provided missionaries with troubling reflections on their own roles as independent young women, against debates about modern women at home, and the emerging rights of white women as newly enfranchised citizens in the new nation of Australia.

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Tanja Luckins of La Trobe University reviews Changing Ways of Death in Twentieth Century Australia: War, Medicine and the Funeral Business, by Pat Jalland. (Sydney: University of New South Wales Press; 2006)

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This essay focuses on British girls' periodicals and novels published around the turn of the twentieth century that generate an imagined picture of Canadian girlhood; I also begin to contrast these representations with those produced and published in Canada.