Citizen participation and the Lisbon Treaty : A legal perspective

How to "bring the [European] Union closer to its citizens" is a vexed and vital problem of European integration. Article 11 TEU on participatory democracy, recently introduced by the Lisbon Treaty, is meant to be part of the solution. The EU Economic and Social Committee has gone so far as to define this provision "a milestone on the road to a people's Europe that is real and feasible". This appears to be an overly optimistic assessment - partly because art. 11 relies heavily on the involvement of civil society organisations, which political science literature suggests is conceptually and/or practically irrelevant to citizen involvement; partly because it largely formalizes participatory practices that have been in existence for years without cognizable effects on citizen participation; and partly because even its most innovative element - the European citizens' initiative (ECI) - does not bring significant changes to the Union's constitutional arrangements in terms of redistributing decision-making power. In addition to that, secondary legislation places significant hurdles on the submission of ECIs and might prevent or delay their becoming a standard democratic practice. This is not to say that art. 11 TEU has no potential at all. Its insertion in the Treaty might provide impetus to rethink and develop past participatory practices, such as horizontal civil dialogue. Moreover, the effects of "popular input" in the form of ECIs on EU institutional dynamics is as yet unknown - and perhaps not negligible, to judge from the keen interest that the European Parliament and other bodies have demonstrated in "appropriating" it as a political asset. Finally, art. 11 raises the stakes of the Union's democratic challenge and might pressure EU institutions to make full use of its potential. Or, if eventually proved inadequate, art. 11 might constitute a constitutional experiment on the way to meaningful forms of direct democracy at EU level.

Treaty shopping in international investment law

Is "treaty shopping" in international investment law "legitimate nationality planning" or "treaty abuse"? This is the question investment arbitral tribunals have been increasingly faced with over past years. This PhD thesis will examine in a systematic and comprehensive manner investment arbitral decisions that have attempted to draw this line. It will show that while some legal approaches taken by arbitral tribunals have started to consolidate, others remain unsettled, contributing to the picture of an overall inconsistent jurisprudence. The thesis will also make proposals de lege ferenda on how States could reform their international investment agreements in order to make them less susceptible to the practice of treaty shopping.

Convention-cadre pour la lutte antitabac: un instrument puissant de santé publique. [The Framework Convention for Tobacco Control (FCTC): a powerful public health instrument].

The Framework Convention on Tobacco Control (FCTC) isa global and comprehensive legal framework for reducing demand for tobacco (e.g. price measures; ban on smoking in enclosed places; contents of tobacco products; packaging and labeling; advertising, promotion and sponsorship; liability, tobacco cessation, etc.) and supply (e.g. illicit trade; sales to/by minors, etc.). Adopted in 2003, the FCTC has been ratified by 174 countries so far. Switzerland has signed the treaty in 2004 but ratification will necessitate the implementation of stronger tobacco control measures at the national level. The FCTC is a priority of any strategy to reduce noncommunicable diseases in populations. Broad implementation of the FCTC has the potential to prevent a substantial proportion of the billion of tobacco-related deaths expected in the 21st

Acteur et médias sur la scène

L'objet de cette étude est l'acteur dans un spectacle à composante technologique, analysé dans une perspective intermédiale qui est une pratique scénique et une approche analytique émergeante. Je place cette problématique dans le contexte du théâtre contemporain des années 1990 et du début du XXIe siècle notamment. Mon étude est organisée en trois parties. Les premiers chapitres abordent l'acteur dans sa relation avec le dispositif et l'image projetée, lors de deux périodes historiques. La première période se situe à la fin du XIXe siècle et est consacrée aux spectacles féeriques et magiques qui explorent le spectaculaire. La phase suivante se place autour des années 1920 et concerne principalement les travaux d'Erwin Piscator, de Vsevolod Meyerhold, d'Oskar Schlemmer ainsi que de Lev Koulechov. La deuxième partie de la thèse aborde la scène contemporaine imprégnée par les nouveaux médias et cela d'abord dans le contexte de la cyberculture, que je considère comme un aspect sociologique et anthropologique déterminant. Ceci me rapproche de ma définition du théâtre marqué par la technologie que je nomme un « théâtre des médias ». J'analyse les transformations et les déplacements des composantes théâtrales sous l'influence technologique en tant que re-configuration médiale de la scène. Je propose par la suite l'individuation intermédiale en tant que concept pour l'analyse de l'acteur et de la nouvelle subjectivité scénique. La troisième partie s'appuie sur deux grands axes : le dispositif et l'image, où l'acteur devient un dénominateur permanent de l'analyse permutationnelle. L'étude progresse d'abord par l'analyse des éléments suivants: écrans, moniteurs, caméras, capteurs. Ce qui est surtout ici mis en évidence, c'est la corporéité de l'acteur et son rapport spatial avec le dispositif. L'image, par contre, interroge l'interprétation et la construction du rôle. Elle apparaît dans sa fonction la plus statique ainsi que la plus complexe et dynamique, mettant en évidence la multifonction scénique de l'acteur. Il se présente sous des figures multiples (acteur cyborgisé, acteur marionnetisé), à travers ses écritures (interacteur, observateur) et ses identités scéniques nouvelles (formations hybrides). J'aborde à la fin la question de la nouvelle formation de l'interprète selon l'approche intermédiale qui émerge notamment à l'Académie de Maastricht et à l'Ecole régionale d'acteurs de Cannes. Le corpus analytique est composé d'une soixantaine de spectacles dont le noyau se concentre sur les travaux de Robert Lepage, de Jean Lambert-Wild, de LLT Videoteatr « Poza », de Komuna Otwock, du Wooster Groupe, et de Dumb Type.

Balance Between Investment Protection and Sustainable Development in BITs: the Example of Switzerland

The objective of this article is to examine how substantive and procedural rights granted to foreign investors by Swiss bits are gradually being balanced with social and environmental provisions. Switzerland has enjoyed a long bit practice, as it signed its first treaty with Tunisia fifty years ago. Swiss bits rely on the post-establishment model and include usual standards of treatment. From 1981, they also systematically provide for a dispute settlement mechanism for disputes arising between an investor and a host State. Since the Switzerland - El Salvador bit in 1994, sustainable development concerns have been expressly inserted in some Swiss bits, as well as in several recent free trade agreements. Provisions on this theme are however far from being systematic in Switzerland's bit practice and essentially remain declaratory in nature. The trend towards wider inclusion of sustainable development provisions in bits still faces several practical and political challenges.