Caracterização da resistência à antracnose dos frutos verdes do cafeeiro

Dissertação apresentada para obtenção do Grau de Doutor em Biologia, especialidade Biologia Vegetal,pela Universidade Nova de Lisboa, Faculdade de Ciências e Tecnologia

The visual image in Epiphanic Short History

The visual image is a fundamental component of epiphany, stressing its immediacy and vividness, corresponding to the enargeia of the traditional ekphrasis and also playing with cultural and social meanings. Morris Beja in his seminal book Epiphany in the Modern Novel, draws our attention to the distinction made by Joyce between the epiphany originated in a common object, in a discourse or gesture and the one arising in “a memorable phase of the mind itself”. This type materializes in the “dream-epiphany” and in the epiphany based in memory. On the other hand, Robert Langbaum in his study of the epiphanic mode, suggests that the category of “visionary epiphany” could account for the modern effect of an internally glowing vision like Blake’s “The Tyger”, which projects the vitality of a real tyger. The short story, whose length renders it a fitting genre for the use of different types of epiphany, has dealt with the impact of the visual image in this technique, to convey different effects and different aesthetic aims. This paper will present some examples of this occurrence in short stories of authors in whose work epiphany is a fundamental concept and literary technique: Walter Pater, Joseph Conrad, K. Mansfield, Clarice Lispector. Pater’s “imaginary portraits” concentrate on “priviledged moments” of the lives of the characters depicting their impressions through pictorial language; Conrad tries to show “moments of awakening” that can be remembered by the eye; Mansfield suggests that epiphany, the “glimpse”, should replace plot as an internal ordering principle of her impressionist short-stories; in C. Lispector the visualization of some situations is so aggressive that it causes nausea and a radical revelation on the protagonist’s.

Estimation of infection rate in epidemic models with multiple populations

Dissertação para obtenção do Grau de Mestre em Matemática e Aplicações Especialização em Actuariado, Estatística e Investigação Operacional

Estudo da potencial utilização como agente de contraste em imagem por ressonância magnética de novos magnetolipossomas

Dissertação para obtenção do Grau de Mestre em Engenharia Biomédica

Body and transcendence in Virginia Woolf and Clarice Lispector = Corpo e transcendência em Virgínia Woolf e Clarice Lispector

Virginia Woolf and Clarice Lispector belong to quite different historical, political and cultural contexts. Beyond its antecedents and roots in European modernism, Brazilian modernism developed according to peculiar patterns and lines, cultivating, for example, more clearly political, nationalist and regionalist tendencies than happened in the British area. Molly Hite’s essay “Virginia Woolf’s Two Bodies” suggests the existence of two kinds of body represented and perhaps experienced by Virginia Woolf: “one kind was the body for others, the body cast in social roles”, the other, the “visionary body”, a second physical presence, which brings into play new perspectives on the female modernist body and new strategies of political and aesthetic representation. It is this “visionary body”, that, in many moments, intersects with transcendence. These two kinds of body are also present in Clarice Lispector’s work, structured, of course, around other complexities and gradations, explained by a different temporal context, but still touching common seminal questions. In Lispector, it is through the body cast in social roles that you reach the “visionary body” and transcendence. The movement is not a flight, as in Woolf, on the contrary it is a necessity, a condition to get to the essence.

Criação de software para análise do batimento ciliar em peixe-zebra

O peixe-zebra é utilizado como modelo vertebrado para estudos in vivo de diversas patologias de origem genética. Neste trabalho pretendeu-se estudar a discinesia ciliar primária através do estudo in vivo do organizador da esquerda-direita destes peixes, conhecido por vesícula de Kupffer. Em particular, após análise de sequências de imagens captadas a alta velocidade, avaliou-se o com-portamento dinâmico de cílios normais e comparou-se com o de cílios com alte-rações genéticas com o objectivo de melhor compreender os processos que in-fluenciam a localização assimétrica dos órgãos internos, associados a esta doen-ça. De vídeos obtidos por microscopia de alta velocidade do interior da vesí-cula de Kupffer foram analisados 32 cílios, sendo 8 normais e os restantes cílios pertencentes a três alterações genéticas diferentes: subexpressão de Pkd2, so-brexpressão de Arl13b e mutação no gene deltaD. Para cada cílio calculou-se a frequência de batimento e caracterizou-se quantitativamente o movimento. Esta última análise teve como base a segmentação manual do cílio em quatro pontos definindo a base, o meio e a ponta. De seguida, estudou-se a dinâmica de cada uma das rectas constituídas por estas três estruturas ao longo do tempo. Com recurso à análise estatística ANOVA podemos comprovar diferenças no movi-mento entre os cílios alterados quando comparados com os normais. A análise da frequência demonstrou que todos os cílios estudados possu-em uma frequência média 34,9 Hz. Demonstrou-se ainda que, quando compa-rados com cílios normais, os cílios Pkd2 possuem um movimento 60% mais rí-gido, os Alr13b são caracterizados por amplitudes angulares 26% superiores no seu movimento e, por fim, a relação entre as amplitudes base/meio é 23% supe-rior nos cílios Delta D. Para implementar estes estudos, desenvolveu-se uma ferramenta baseada num plugin para ImageJ conjuntamente com códigos em R, que poderá vir a ser utilizada em investigações da discinesia ciliar primária em peixes-zebra.

Minimal computation structures for visual information applications based on printed electronics

In the early nineties, Mark Weiser wrote a series of seminal papers that introduced the concept of Ubiquitous Computing. According to Weiser, computers require too much attention from the user, drawing his focus from the tasks at hand. Instead of being the centre of attention, computers should be so natural that they would vanish into the human environment. Computers become not only truly pervasive but also effectively invisible and unobtrusive to the user. This requires not only for smaller, cheaper and low power consumption computers, but also for equally convenient display solutions that can be harmoniously integrated into our surroundings. With the advent of Printed Electronics, new ways to link the physical and the digital worlds became available. By combining common printing techniques such as inkjet printing with electro-optical functional inks, it is starting to be possible not only to mass-produce extremely thin, flexible and cost effective electronic circuits but also to introduce electronic functionalities into products where it was previously unavailable. Indeed, Printed Electronics is enabling the creation of novel sensing and display elements for interactive devices, free of form factor. At the same time, the rise in the availability and affordability of digital fabrication technologies, namely of 3D printers, to the average consumer is fostering a new industrial (digital) revolution and the democratisation of innovation. Nowadays, end-users are already able to custom design and manufacture on demand their own physical products, according to their own needs. In the future, they will be able to fabricate interactive digital devices with user-specific form and functionality from the comfort of their homes. This thesis explores how task-specific, low computation, interactive devices capable of presenting dynamic visual information can be created using Printed Electronics technologies, whilst following an approach based on the ideals behind Personal Fabrication. Focus is given on the use of printed electrochromic displays as a medium for delivering dynamic digital information. According to the architecture of the displays, several approaches are highlighted and categorised. Furthermore, a pictorial computation model based on extended cellular automata principles is used to programme dynamic simulation models into matrix-based electrochromic displays. Envisaged applications include the modelling of physical, chemical, biological, and environmental phenomena.