Da agricultura tradicional à agricultura familiar inovadora: contributo das formações no rito de passagem

Dissertação de mestrado em Ciências da Educação, na Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa e do Diplôme d' Université François Rabelais de Tours

As teses do defensor Pacis, II, XIII

pp. 205-227

Varia

Contém notícias: SILVA, Henriques da Silva, A arte em revistas, pp.221-223; FRANÇA; O Caso da Demolição da Casa de Garrett em Lisboa, pp.224-226; CORREIA, Jorge, Notícia do “castelo” português de Ben Mirao, pp.227-230; OLIVEIRA, Maria Manuel, O Cimitero di Tredici, entre Lisboa e o Reino de Nápoles, pp.230-235; PENALVA, Luísa, As jóias da Virgem do Carmo, pp.236-240; RODRIGUES, Ana Duarte; FRANCO, Anísio, Nova aquisição para o Museu Nacional de Arte Antiga: Nossa Senhora da Conceição do Laboratório de Machado de Castro, pp.242-243

O crédito bancário

The aim of the present dissertation is the analysis of the regime established by Decree-Law No. 227/2012 of 25 October. Reflecting on the referred regime, as a measure to prevent and manage situations of failure to meet the obligations assumed by consumers, the study focuses on the plan of action for debt risk and the extrajudicial procedure to regularize situations of default. The main point is to analyze the purpose and the scope of the regime, and to discuss some key-concepts relevant to its application. In addition, another two figures presented in the regime of Decree-Law No. 227/2012 are considered, namely: the Credit Mediator and the Extrajudicial Network for Bank Clients Support, making reference to their role and the scope of their intervention. Finally, along the work on the present Decree-Law, the some international practices are also analyzed, making reference to the problem of financial illiteracy, and mentioning three foreign examples regarding the adopted solutions to the problem of different legal systems, with reference to consumers’ over-indebtedness.

O inventário e o corpus dos mosaicos romanos de Portugal

Como “só se pode proteger aquilo que se conhece” tentaremos neste texto reflectir sobre o inventário dos mosaicos romanos, sua publicação e divulgação no Corpus nacional; mostrar como o corpus iniciado em 1992 sob a égide da Fundação Calouste Gulbenkian contribuiu para os estudos académicos e finalmente reflectir sobre o financiamento e o futuro do Corpus referindo também os mosaicos descobertos desde 2005, data do último inventário.

The names of things: terminology and the practice of art history

This paper aims to explore the ways in which standard art history terminology shapes the practice of art history by conditioning the interpretation of specific works of art and, in certain cases, the definition of a research subject (especially where questions of genre and periodization are concerned). Taking as a case study a painting by Georges de La Tour, the Peasant Couple Eating, I will argue that terms such as realism, realistic, naturalistic etc. used for its description and/or interpretation, far from constituting objective stylistic characterizations, shape our perception of the work in question. Bringing the question of social class to the center of the discourse on realism, I propose to show how the social divide between the painter and his subject matter (in this case, the peasants) is internalized in the painting’s style and meaning, and how it is fundamental for the understanding of its intentionality and function.