Word-formation and the translation of Marvel comic book charactonyms

This article analyzes the solutions given in Spanish translations to the morphological creativity shown in the names of Marvel comic book characters. The English versions almost invariably provide a full description of the hero (or villain) by means of a wide variety of word-formation mechanisms leading to highly expressive charactonyms. Indeed, examples shall be listed of names of comic book heroes created through compounding, derivation, including prefixation or suffixation (both classical and Anglo-Saxon but also from other origins), lexical blending, abbreviation, clipping, onomatopoeia, and borrowings from Spanish or from other languages. Early translations into Spanish seemed to be slightly less expressive than the original, even when the same word-formation mechanism was used, usually due to either problems of transparency mainly in some of the word parts or to translation constraints. In later periods, a number of factors, including the influence from other media featuring the same characters and the general trend towards globalization through English, have led translators to choose repetition as the most frequent strategy, which has almost eliminated the creative power of wordformation mechanisms in Spanish and their ability to convey the stylistic effects found in the English versions.

Patronazgo literario en la Inglaterra medieval (SS. VII-XIV): una visión panorámica

Este artículo ofrece una aproximación panorámica a la práctica del patronazgo literario en Inglaterra desde el s. VII al XIV. Durante el período anglosajón las relaciones de patronazgo fueron principalmente de dos tipos: (1) un poeta o scop que quedaba vinculado a una corte (p. ej. Déor) y (2) un intérprete o gleoman que desarrollaba su actividad no creativa de forma itinerante ante públicos diversos (p. ej. Wídsid). Caso aparte es el del pastor Cadmon, quien por intervención divina se convirtió en poeta bíblico y fue acogido en un monasterio. Tras la conquista normanda se introdujo un modelo de patronazgo aristocrático que favoreció la aparición de la figura del autor (p. ej. Wace) que componía sus obras en anglonormando, mientras el inglés era usado por juglares anónimos para deleite de las clases populares. La literatura en lengua inglesa no asistiría a la aparición de sus primeros autores (p. ej. Chaucer y Gower) hasta el siglo XIV, gracias en parte al patronazgo del rey Ricardo II.

Welfare state regimes and gender inequalities in the exposure to work-related psychosocial hazards

Background: Gender inequalities in the exposure to work-related psychosocial hazards are well established. However, little is known about how welfare state regimes influence these inequalities. Objectives: To examine the relationship between welfare state regimes and gender inequalities in the exposure to work-related psychosocial hazards in Europe, considering occupational social class. Methods: We used a sample of 27, 465 workers from 28 European countries. Dependent variables were high strain, iso-strain, and effort-reward imbalance, and the independent was gender. We calculated the prevalence and prevalence ratio separately for each welfare state regime and occupational social class, using multivariate logistic regression models. Results: More female than male managers/professionals were exposed to: high strain, iso-strain, and effort–reward imbalance in Scandinavian [adjusted prevalence ratio (aPR) = 2·26; 95% confidence interval (95% CI): 1·87–2·75; 2·12: 1·72–2·61; 1·41: 1·15–1·74; respectively] and Continental regimes (1·43: 1·23–1·54; 1·51: 1·23–1·84; 1·40: 1·17–1·67); and to high strain and iso-strain in Anglo-Saxon (1·92: 1·40–2·63; 1·85: 1·30–2·64; respectively), Southern (1·43: 1·14–1·79; 1·60: 1·18–2·18), and Eastern regimes (1·56: 1·35–1·81; 1·53: 1·28–1·83). Conclusion: Gender inequalities in the exposure to work-related psychosocial hazards were not lower in those welfare state regimes with higher levels of universal social protection policies.