The Pico de Navas slump (Burgos, Spain): a large rocky landslide caused by underlying clayey sand fluidification

The Pico de Navas landslide was a large-magnitude rotational movement, affecting 50x106m3 of hard to soft rocks. The objectives of this study were: (1) to characterize the landslide in terms of geology, geomorphological features and geotechnical parameters; and (2) to obtain an adequate geomechanical model to comprehensively explain its rupture, considering topographic, hydro-geological and geomechanical conditions. The rupture surface crossed, from top to bottom: (a) more than 200 m of limestone and clay units of the Upper Cretaceous, affected by faults; and (b) the Albian unit of Utrillas facies composed of silty sand with clay (Kaolinite) of the Lower Cretaceous. This sand played an important role in the basal failure of the slide due to the influence of fine particles (silt and clay), which comprised on average more than 70% of the sand, and the high content presence of kaolinite (>40%) in some beds. Its geotechnical parameters are: unit weight (δ) = 19-23 KN/m3; friction angle (φ) = 13º-38º and cohesion (c) = 10-48 KN/m2. Its microstructure consists of accumulations of kaolinite crystals stuck to terrigenous grains, making clayey peds. We hypothesize that the presence of these aggregates was the internal cause of fluidification of this layer once wet. Besides the faulted structure of the massif, other conditioning factors of the movement were: the large load of the upper limestone layers; high water table levels; high water pore pressure; and the loss of strength due to wet conditions. The 3D simulation of the stability conditions concurs with our hypothesis. The landslide occurred in the Recent or Middle Holocene, certainly before at least 500 BC and possibly during a wet climate period. Today, it appears to be inactive. This study helps to understand the frequent slope instabilities all along the Iberian Range when facies Utrillas is present.

La Escuela Oficial de Cine como creadora de maestros: Juan Julio Baena, Luis Enrique Torán y Luis Cuadrado, los primeros profesionales de la luz realista del cine español

Este artículo tiene como objetivo fundamental mostrar cómo el Instituto de Investigaciones y Experiencias Cinematográficas (IIEC) fue, desde finales de los años cuarenta hasta mediados de los años sesenta, el creador de una escuela de maestros de la luz y cómo la enseñanza de estos nuevos métodos de iluminación traspasó las fronteras de las aulas y marcó el inicio del Nuevo Cine Español. Para ello se han revisado las principales fuentes bibliográficas de los que consideramos fueron los primeros maestros de fotografía que dio el IIEC: Juan Julio Baena, Luis Enrique Torán y Luis Cuadrado, y se ha realizado un aná­lisis fílmico de la primera obra audiovisual de cada uno en la que se instaura un ambiente de renovación, un cambio estético y el uso de unas técnicas fotográficas más realistas. Así mismo, hemos observado cómo la nueva docencia de la fotografía fue trasladada a otras personas que también llegaron a ser maestros y no estudiaron en el IIEC. Por tanto, se trata de una escuela generadora de maestros tanto dentro como fuera de sus aulas.

Ecuadorian migration and family strategies of social mobility: dialectic relation between emotional and financial capital

This text deals with transnational strategies of social mobility in Ecuadorian migrant households in Spain. We apply the capital accumulation model (Moser, 2009) for this purpose. The main target of this article is, beyond thinking in terms of capital stock and accumulation, the analysis in depth of the dynamics of the different types of capital, that is to say, how they interact with each other in the framework of the social mobility strategies of the migrants and their families. We are bringing into light the way some households adopt investing decisions in capitals that don't translate into any addition or earnings in all cases, on the contrary, concentrating all their efforts on the accumulation of a certain asset they may, in some cases, lead to a loss of another. We will concentrate our analysis primarily on the dynamics between the physical and financial capital and the social and emotional capital, showing the tensions produced between these two types of assets. At the same time, we will highlight how migrants negotiate their family strategies of social mobility in the transnational area. Our study is based in empirical material obtained from qualitative fieldwork (in-depth interviews) with families of migrants in the urban district of Turubamba Bajo -(south of Quito) and in Madrid. A series of households were selected where interviews were carried out in the country of origin as well as in the context of immigration, with different family members, analysing the transnational social and economic strategies of families of migrant members. Family members of migrants established in Spain were interviewed in Quito, as well as key informants in the district (school teachers, nursery members of the staff, etc.). The research was framed within the projects "Impact of migration on the development: gender and transnationalism", Ministry of Science and Innovation (SEJ2007/63179) (Laura Oso, dir. 2007-2010),"Gender, transnationalism and intergenerational strategies of social mobility", Ministry of Economy and Competitiveness (FEM2011/26210) (Laura Oso, dir. 201-1-2015) and “Gender, Crossed Mobilities and Transnational Dynamics”, Ministry of Economy and Competitiveness (FEM2015-67164).

Ciudadanía heterogénea y colonización de las prácticas simbólicas micro y macro fronterizas

El objetivo de este ensayo es el de relacionar de forma reflexiva las nuevas dinámicas de colonización, dominación y poder contemporáneas, con las cartografías simbólicas de la ciudad global y sus respectivas fronteras o bordes sistémicos, muchos de ellos desapercibidos por las personas y atravesados por jerarquías y clasificaciones las cuales se hallan inmersas, a su vez,en una multidimensionalidad social tanto positiva como negativa que genera que podamos hablar de una indecibilidad de lo simbólico. En torno a ello se desprende, asimismo, el objetivo de repensar desde una perspectiva crítica y relacional el espacio urbano y heterogéneo en el cual confluyen formas diversas de identidad, subjetividad y aplicabilidad normativa y social de lo jurídico. Finalmente se dejará planteada la pregunta de hasta dónde puede llegar la agencia humana ante cada una de las distintas fronteras y bordes sistémicos y simbólicos de lo global-heterogéneo, considerando para ello aportes teóricos como los de Suely Rolnik, que indican que hoy en día existen subjetividades acríticas por las cuales el poder adquiere cierta plasticidad y hegemonía alienantes.

The Narrative Value of Dance Communication: "habitus", musicality and emotion

The richness of dance comes from the need to work with an individual body. Still, the body of the dancer belongs to plural context, crossed by artistic and social traditions, which locate the artists in a given field. We claim that role conflict is an essential component of the structure of collective artistic creativity. We address the production of discourse in a British dance company, with data that spawns from the ethnography ‘Dance and Cognition’, directed by David Kirsh at the University of California, together with WayneMcGregor-Random Dance. Our Critical Discourse Analysis is based on multiple interviews to the dancers and choreographer. Our findings show how creativity in dance seems to be empirically observable, and thus embodied and distributed shaped by the dance habitus of the particular social context.

Discovery and settlement of Alaska coaster

Tsar Peter the Great ruled Russia between 1689 and 1725. Its domains, stretching from the Baltic Sea in the west to the Pacific Ocean in the east. From north to south, its empire stretching from the Arctic Ocean to the borders with China and India. Tsar Peter I tried to extend the geographical knowledge of his government and the rest of the world. He was also interested in the expansion of trade in Russia and in the control of trade routes. Feodor Luzhin and Ivan Yeverinov explored the eastern border of the Russian Empire, the trip between 1719 and 1721 and reported to the Tsar. They had crossed the peninsula of Kamchatka, from west to east and had traveled from the west coast of Kamchatka to the Kuril Islands. The information collected led to the first map of Kamchatka and the Kuril Islands. Tsar Peter ordered Bering surf the Russian Pacific coast, build ships and sail the seas north along the coast to regions of America. The second expedition found equal to those of the previous explorers difficulties. Two ships were eventually thrown away in Okhotsk in 1740. The explorers spent the winter of 1740-1741 stockpiling supplies and then navigate to Petropavlovsk. The two ships sailed eastward and did together until June 20, then separated by fog. After searching Chirikov and his boat for several days, Bering ordered the San Pedro continue to the northeast. There the Russian sailors first sighted Alaska. According to the log, "At 12:30 (pm July 17) in sight of snow-capped mountains and between them a high volcano." This finding came the day of St. Elijah and so named the mountain.